Criminal

I saw the film and loved it. The ending totally threw me. As I drove home I had to rethink the entire film. Every assumptions I had while watching it was wrong. It was a total surprize. Diego is soooo naturally talented; I hope the rest of the world discover him eventually. The rest of the cast was great too. I think the critics who didn't like it were wasting their times comparing it frame for frame with the original film. It would have been nice if they reviewed the film for the millions who've never heard of the original rather than for themselves. I have never seen Nine Queens and I'm glad I didn't because I probably would have been doing the same thing and ruined the experience. I didn't have any preconceived expectations and enjoyed it immensely. Can't wait to see what Diego does next.

Lovers of the grifter genre - you will love this one most of all. It earns a 9 out of 10 from yours truly. Sincerely. Sure, I'm biased for the genre.

But this one has the style of a low budget 'Sting' with a story line on par with Steve Martin's 'The Spanish Prisoner'.

Grifter movies rely on competent, likable con men and women, gullible marks and a logical plot. The audience can be(come) the mark, as can the cons themselves. That's why this genre yanks me in … and why it entertains so well. I am (you are) the detective. Figure out what's going on before they tell you: That's the ame. I'm a cynic by nature and I'm always equal to the task.

Now this one - I couldn't figure it all out before they revealed it. What they reveal is worth the wait and meandering through the story. I doubt you'll piece it all together either. Therein lies how it earned its 9.

The plot works. Oh . . . and "Cut to the chase' will never be the same after you see how "Criminal" cuts to it. It's brilliant and timed with perfection. It's something you'd expect from the likes of Spike Lee.

Sorry to be oblique here; but if I tell you any more, the ending would be exposed. The last two minutes tell all - and the first 85 are every bit as entertaining and important. John C. Reilly, Diego Luna and Maggie Gyllenhaal are worth the admission price. Superb, all! See it. Tonight!

After sitting through the world premiere of "Criminal", I spent the whole movie trying to remember where I had seen this script before, and then the credits mention that it was adapted from the script of a great British film called "Nine Queens", which was out only a few years ago.

Except for exchanging a postage stamp for a rare currency bill, there is no originality in this adapted screenplay. Similar to the remake of "Psycho", if you are going to film a scene-for-scene remake, then why do it?

I can only hope that this movie causes people to seek out the original "Nine Queens", so that it gets the recognition it deserves in America.

It's truly sad that the first film from someone who has worked for years as an assistant director couldn't be something more innovative, original, or unique.

American remake of the 2000 Argentinian film "Nine Queens" features John C. Reilly in a superlative performance as a sometimes-successful Los Angeles con-man who partners with a Spanish grifter he meets one morning trying to swindle waitresses in a casino; they become involved in a scheme to dupe an Irish billionaire out of 750 Gs with a rare (and counterfeit) bill of foreign currency. Director Gregory Jacobs, who also co-wrote the script with Sam Lowry (the pen name of Steven Soderbergh), wisely allows Reilly lots of room to go into his maniacal arias, which is a good thing since little else in "Criminal" quite measures up to him (certainly not that generic title!). Although the colorful supporting cast is excellent, Reilly is the spark plug to the entire picture--a fact which makes the final curtain something of a let-down. Since this house-of-cards scenario is filled with cross and double-cross, it's difficult to fault the general plotting (it's a writer's conceit, after all); however, the impetus of this story--how it all gets set into motion--is questionable by the denouement. Still, an engrossing and enjoyable film with a high-wire acting job from Reilly, which might have received a great deal more acclaim had the overall results been stronger. **1/2 from ****

"Criminal" is an adequate Americanization of one of my favorite films of 2002, the delightfully twisty "Nine Queens (Nueve Reinas)."

Adapter/debut director Gregory Jacobs doesn't quite make up for the extra tension that Argentina's financial chaos added as an urgent back drop.

Some of the twists are too smoothly straightened out by focusing more on the older con man, here played by John C. Reilly, and his sister, played by Maggie Gyllenhaal without the original's sensuality, despite her low cut blouse.

Diego Luna is a mite young, but he's cast to turn Reilly's character into more of a manipulative mentor and less an apparent partner.

On its own, without comparison to the original, it's an amusing and workmanlike update of "The Sting" crossed with "The Grifters."