Aragami
- 2003
- 1h 18min
NOTE IMDb
6,6/10
2,3 k
MA NOTE
Ajouter une intrigue dans votre langueA raging god of battle and a master samurai duke it out in a series of sword fights in a remote temple.A raging god of battle and a master samurai duke it out in a series of sword fights in a remote temple.A raging god of battle and a master samurai duke it out in a series of sword fights in a remote temple.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire au total
Avis à la une
When both Ryuhei Kitamura and Yukihiko Tsutsumi finished their short films for the Jam anthology early, their producer gave them something new to try. In the space of one week they were each to produce a film, using only two man characters, one location and it had to be focused around a fight. This was called the "Duel" project.
Kitamuras film was "Aragami". The title meaning "fierce deity", and the story revolving around a demon who seeks an opponent who can beat him in combat, taking a wounded samurai in and healing him so that they can face of in a climatic battle. The story, essentially being a simple good versus evil affair was very well done. At times it's hard to tell if one of them is evil, or if they both are in fact evil. And there are enough plot twists to keep your attention throughout this whole suspense filled feature.
Try as I might, I find it almost impossible to find anything to complain about with this film, it really is something amazing. It's a very atmospheric film. Kitamura makes excellent use of light to make the temple look suitably dark and mysterious. From flickering candle light, to eerie purple light flooding in from the night outside, to breath taking lighting that gleams from swords classing in the dark. "Aragami" is a very beautifully shot film, with excellent use of camera angles and not just during the fight scenes. But he made superb use of it to highlight both characters persona throughout.
The use of music was also really well done in this film. At times it heats up the action speeding your heartbeat, at other times it helps establish a more calm mood. During the final battle the use of sound makes it seem like we are almost on a roller coaster. The protagonists feelings of suspicion at the beginning is not only conveyed through acting, but through the music that accompanies his realisations. The use of music is possibly most notable when it helps reinforce the almost friendship that the two of them forge over their drinks and conversation.
Both of the main characters were very well acted, which for some reason I was surprised at. Perhaps it was the depth of the acting that did it for me. Or how quickly they were able to change the mood, and focus of the conversation. At one point the Aragami seems very evil and dark, but in a matter of a few words the focus is shifted onto the protagonist, making him appear as a cold and heartless monster. This was very well done, and very believable. You really get the feeling that the Aragami is bored, ancient and somewhat noble.
The only problems I can find with this film, is that it does have an incredibly slow pace up until the much anticipated climatic battle. Perhaps this was intentional, as to make us more desperate to see them tear into each other but I felt it wasn't very well done. For most of the film the two of them are just sitting there talking over drinks, and while this is well acted there isn't enough action to excite us until the finale.
Kitamura teases us with a little bit of a fight early one, but it's not until the end that we finally see one of his trademark epic battles. Which in itself could have been better, it wasn't as fast as his other films. Perhaps due to the "Anime" posing the characters did while the talked to each other during the fight. If they had just tore into each other in a brutal show of skill the film would have been so much better.
Some slight issues with the pace of the movie, but in all a very well made and entertaining film. And for anyone who has seen "Versus", you're bound to chuckle a little when you see the ending.
8.5/10
Kitamuras film was "Aragami". The title meaning "fierce deity", and the story revolving around a demon who seeks an opponent who can beat him in combat, taking a wounded samurai in and healing him so that they can face of in a climatic battle. The story, essentially being a simple good versus evil affair was very well done. At times it's hard to tell if one of them is evil, or if they both are in fact evil. And there are enough plot twists to keep your attention throughout this whole suspense filled feature.
Try as I might, I find it almost impossible to find anything to complain about with this film, it really is something amazing. It's a very atmospheric film. Kitamura makes excellent use of light to make the temple look suitably dark and mysterious. From flickering candle light, to eerie purple light flooding in from the night outside, to breath taking lighting that gleams from swords classing in the dark. "Aragami" is a very beautifully shot film, with excellent use of camera angles and not just during the fight scenes. But he made superb use of it to highlight both characters persona throughout.
The use of music was also really well done in this film. At times it heats up the action speeding your heartbeat, at other times it helps establish a more calm mood. During the final battle the use of sound makes it seem like we are almost on a roller coaster. The protagonists feelings of suspicion at the beginning is not only conveyed through acting, but through the music that accompanies his realisations. The use of music is possibly most notable when it helps reinforce the almost friendship that the two of them forge over their drinks and conversation.
Both of the main characters were very well acted, which for some reason I was surprised at. Perhaps it was the depth of the acting that did it for me. Or how quickly they were able to change the mood, and focus of the conversation. At one point the Aragami seems very evil and dark, but in a matter of a few words the focus is shifted onto the protagonist, making him appear as a cold and heartless monster. This was very well done, and very believable. You really get the feeling that the Aragami is bored, ancient and somewhat noble.
The only problems I can find with this film, is that it does have an incredibly slow pace up until the much anticipated climatic battle. Perhaps this was intentional, as to make us more desperate to see them tear into each other but I felt it wasn't very well done. For most of the film the two of them are just sitting there talking over drinks, and while this is well acted there isn't enough action to excite us until the finale.
Kitamura teases us with a little bit of a fight early one, but it's not until the end that we finally see one of his trademark epic battles. Which in itself could have been better, it wasn't as fast as his other films. Perhaps due to the "Anime" posing the characters did while the talked to each other during the fight. If they had just tore into each other in a brutal show of skill the film would have been so much better.
Some slight issues with the pace of the movie, but in all a very well made and entertaining film. And for anyone who has seen "Versus", you're bound to chuckle a little when you see the ending.
8.5/10
I Love this movie. The story was a bit confusing but either then that the movie was near perfect.
The action was very well choreographed and was not Very over the top like MGSTTS but it was still Over the top action considering how Samurai Films are made nowadays.
There was this one part that amazed me were the Temple was all dark and all you can see of them was when the swords collide that was sooo coool. And i love the soundtrack. If you loved the soundtrack from all his other movies then you would love this soundtrack.
The action was very well choreographed and was not Very over the top like MGSTTS but it was still Over the top action considering how Samurai Films are made nowadays.
There was this one part that amazed me were the Temple was all dark and all you can see of them was when the swords collide that was sooo coool. And i love the soundtrack. If you loved the soundtrack from all his other movies then you would love this soundtrack.
10niz
The director of VERSUS is back, and this time he gives us an old-school samurai sword-fighting flick. ARAGAMI was apparently made in 7 days as a challenge with a fellow director. Its minimalistic to the extreme: 3 actors, one big room as the only location, a plot structure as simple as it gets: dialogue - fight - dialogue - fight - dialogue - fight. And what fights! They're as hyper-kinetic, exciting and fun as the dialogue is bizarre & funny. ARAGAMI is 100& crowd-pleasing action. This one deserves to be a big international hit.
Aragami is Ryuhei Kitamura's film which was shot with a few rules in some sort of Japanese Director's Challenge (The other was Yukihiko Tsutsumi's 2LDK). Some rules were that the films must be of feature length and shot within one week (Aragami was filled in 8 days). The movie must take place within one room with 2 competitors fighting to the death.
Originally, I found out about this movie after watching 2LDK and found out about this challenge. I thought it was an interesting concept and would like to see how some of today's American directors could tackle such a project. Although I liked 2LDK, Aragami was simply the better movie. At times, the style and dialog (or lack of) reminded me of something from Quentin Tarantino.
The very basic plot is that Aragami (Masaya Kato), who, incidentally, is the God of Battle, challenges a samurai (Takao Osawa) to a fight to the death. Aragami is tired of living and can not commit suicide nor die of old age or other natural causes. He must be killed in battle, as he is the God of Battle. He immortalizes the samurai by feeding him his deceased friend's liver and the fight was on.
Surprisingly, this basic plot did not seem to drag on for too long and was just about the right length. The fight scenes, mostly involving swords, were pretty good and at times, the dialog was humorous. This is a good recommendation if you know what you are getting yourself into.
Originally, I found out about this movie after watching 2LDK and found out about this challenge. I thought it was an interesting concept and would like to see how some of today's American directors could tackle such a project. Although I liked 2LDK, Aragami was simply the better movie. At times, the style and dialog (or lack of) reminded me of something from Quentin Tarantino.
The very basic plot is that Aragami (Masaya Kato), who, incidentally, is the God of Battle, challenges a samurai (Takao Osawa) to a fight to the death. Aragami is tired of living and can not commit suicide nor die of old age or other natural causes. He must be killed in battle, as he is the God of Battle. He immortalizes the samurai by feeding him his deceased friend's liver and the fight was on.
Surprisingly, this basic plot did not seem to drag on for too long and was just about the right length. The fight scenes, mostly involving swords, were pretty good and at times, the dialog was humorous. This is a good recommendation if you know what you are getting yourself into.
Yeah this movie is about the Aragami, who is immortal, and his quest for death. He tricks a warrior into becoming immortal as well, and they fight it out. 1 room, two actors, many fights. A very cool movie, maybe not quite up to par with this director's other work, but still fun to watch. The plot is surprisingly well developed, but some ideas in the fights are recycled from other films. While the movie starts out slow, it actually has a plot that you can understand, unlike many Japanese movies that deal with any type of mythology. I guess you could call the movie serious, but it has a sense of humor and is just made to be entertaining. If I had to compare it to an American movie I would say... Mortal Kombat without any stupid catch phrases or comic relief. I mean, its a barebones story as an excuse to have two sweet characters fight each other. And honestly, it was made in a week.
Le saviez-vous
- AnecdotesYukihiko Tsutsumi and Ryûhei Kitamura each finished their contributions to the short film anthology Jam Films (2002) in record time. As a result producer Shin'ya Kawai gave the two directors a proposal to each create a feature length movie with only two actors, battling in one setting and filmed entirely in one week. The undertaking was called the Duel Project. This was Ryuhei Kitamura's result and Yukihiko Tsutsumi's 2LDK (2003).
- ConnexionsReferences Versus l'ultime guerrier (2000)
- Bandes originalesMaybe I'll Die Tomorrow
(Acoustic version)
Performed by Paul Gilbert
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Détails
- Durée
- 1h 18min(78 min)
- Couleur
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