2LDK

A movie in the Japanese "Duel" Project, Duel project you might ask?

"Imagine, if you will, two Japanese directors who meet at a film festival, each familiar with (and appreciative of) each other's work. Then imagine a night of binge drinking that leads to the gauntlet being thrown down - a little friendly competition to see who can make the best 'Duel to the Death' film. Then throw in a few rules like 1) The script can contain no more than 2-3 characters 2) The film must be shot in seven days and on a small budget 3) the film can only take place in one setting, and most importantly 4) at least one character must die. Thus, the Duel Project was born. "

The other movie in this project is Aragmi by Ryuhei Kitamura

The movie itself is about two rival actresses sharing a stylish apartment in Tokyo. They have both auditioned for a part in a new big movie and one of them will get it. They are also fighting over a guy named Takuya.

The movie itself takes place purely in the apartment with only two actors. But it never gets boring. The acting is surprisingly solid from Eiko Koike & Maho Nonami. And camera work and directing is stylish.

The movie is now without flaws, but it's a pretty funny ironic comedy about a rivalry turned bad, very bad. And defintly an enjoyable movie experience.

1st watched 7/11/2006, 7 out of 10(Dir-Yukihiko Tsutsumi): Creepy, yet entertaining chicks taking jealousy to the extreme flick. What this movie is, is a no-holds barred representation of what would happen if two women were filled with jealousy and hatred towards one another and had no conscience whatsoever to keep them from going to extreme measures to put the other away permanently. It starts off slowly as the characters are introduced 1 by 1 after returning home from their respective acting auditions for the same role for an upcoming coveted movie. They share an apartment that consists of 2 Bedrooms, A living room, A dining room and a kitchen; thus the title, 2LDK. We're initially tricked into thinking that the horror aspect of the movie is going to come from outside sources instead of from within. We are then shown thru the character's thoughts that anger is heating up quickly and builds to an overflowing point that never lets go until the end of the movie. At times, the extreme violence tends to pull you away from the screen but the director(Yukihiko Tsutsumi) then promptly grabs you back in as if he knows how you're going to react. This Japanese movie goes places deep within the hearts of characters that Hollywood only barely scratches at the surface. Many times in American movies it's turned into a blood-and-guts fest only without any probing into the characters. This movie is much more than that and for this reason it's a pleasurable(kind of) viewing experience if you can last thru to the very end, despite the graphic violence.

This was a well acted, nicely paced story of two opposite roommates, competing for the same part in a movie. The story develops as we hear their thoughts and discover how much they hate each other, despite their politeness to each other. Tensions rise as the poorer, more homely, neat-freak confronts the wealthier, more sexually-experienced, relaxed princess about breaking house "rules." Attacks start out with mind games, to implied verbal slights, to overt insults, and then to ever-escalating physical assaults. This film is wild. It's funny in how much they hate each other, and how far they go, non-stop. If you can't find humor in violence, don't bother watching this. While this film goes deeply into mental, emotional, social conflict-- it is a fight movie. So don't expect Shakespeare! Also not a complex film: only two adept actresses in the same condo the whole movie. This simplicity made me like the film more. Unique. The only thing I could compare this to would be an American film called "Tape" which, while not violent, only involved 3 actors (Ethan Hawke, Uma Thurman, and ?) in one hotel room, brooding over mental-psychological conflicts.

2LDK is an exceptional short film that combines the prodigious talents of two little-known actresses (Maho Nonami and Eiko Koike) with that of a marvelous director (Yukihiko Tsutsumi) in what turns out to be a surprisingly powerful, sometimes hilarious, and always provocative thriller.

I found the first half of the film, in which there is a lot of one-on-one conversation between the two women--combined fluidly with each woman's private thoughts--to be an absolute riot to watch. 2LDK offers marvelous insight into human nature and even the Japanese culture, reminding one that regardless of social conventions few people say what they -really- mean. Nonami and Koike both play their parts extremely well and with complete credibility. Amazingly, the film was shot in only a week's time despite the fact both women developed high fevers during the filming but carried on during the most physically demanding scenes without a break. I also found it fascinating to hear both actresses express having felt a certain amount of real-life animosity and antagonism towards one another during the making of the film. Great stuff.

In the second half of the film things become much darker as niceties are set aside and the two women let their true feelings show. Small disagreements become egregious offenses and events escalate rapidly to a remarkable, if not entirely unpredictable, ending. The 'weapons' the two use against each other are for the most part household items and as such make the battle even more engaging and intense.

I don't believe there is anyone who can't appreciate--or even completely relate with--the feelings both expressed and provoked in 2LDK; if you've ever had to live with someone you didn't much care for but tolerated in the name of keeping the peace--all the while letting your retributive fantasies 'evolve' from time to time--this film is guaranteed to produce plenty of smiles.

Highly recommended.

Don't pay attention to this being billed as horror on here, it's what in the 60s would have been understood as Japanese New Wave, scathing assault on this world rather than dread of some beyond. It's compact, clocking at barely an hour, with bite to spare.

Two roommate actresses aspiring for the same role in a film and living in the same house grow increasingly unhinged over the course of one night, you can imagine this as a continuation of what Koji Wakamatsu used to do in b/w once upon a time, Tsukamoto later.

At first polite enough, propping the social facade it aims to perversely tear down, but gradually the girls turn suspicious and catty, hang up on dreams of success society has promised, a society steeped in consumerism and image; we see one girl's room lined with trophies and photos from beauty pageants, the other fusses about her collagen drink and she's a 20 year old girl.

All the accoutrements that society has said if we surround ourselves with will amount to a comfortable life here are hurled at each other, used as weapons to degrade and inflict pain with, from a ketchup bottle to a hairdryer. Modern life may be glanced in a bleak way, with a certain amusement at its failure to soothe, but I would rather rest with the underlying point that can be glimpsed here; that the flames of dissatisfaction singe from the inside, it's the constant desire, vexation, reaction to things not being what we wanted them to be. In this state of mind, even much coveted romance is denied by a girl more keen to consume her being with the meaningless spat.

So this is about the spirited meaninglessness of itself, about so much energy, dynamism and spontaneous creativity the two girls are able to muster to hurt each other, two actresses trying to outperform each other, funneled into performance that is hollow except with rage, with no more a struggle with ideals to absorb the rage as in the 60s. No Wave in place of New.

In the end even a moment of sweet intimacy, one girl yearning to be kissed for the first time, is reduced to only another performance trick in their play. Earlier a piano that one of the girls could be play beautifully had been petulantly bashed by her.