Spin

SPIN takes a road much traveled - the coming of age tale of a child whose parents are suddenly absent - but the result is much stronger a story than most in this genre. Based on the novel by Donald Everett Axinn and adapted for the screen by writer/director James Redford (yes, son of Robert Redford, but strong enough a talent not to need to depend on shadows!), SPIN is an evocative moment in history (the 1950s) when the world was more quiet and young people would work their ways through the maze of adolescence without clouds of outside threats. This, then, becomes more poignant and sensitive a study of one lad's growing up to become an adult facing mirrors of those faces from the past and the present.

Eddie Haley (Max Madore) is very young when his parents die in a plane crash and is placed in the care of his parent's workers Margaret and Ernesto Bejarano (Dana Delaney and Rubén Blades) at the decision of his pilot uncle Major Haley (Stanley Tucci) - a man whose own demons have left him seemingly invulnerable to intimacy and family, electing to move away from the Haley ranch and its responsibilities rather than raising Eddie. Eddie's companion as a child is Francesca (Marissa Baca) who, while not an orphan, is motherless and living with a cruel father. They bond and in addition to the very supportive Bejaranos provide Eddie with as much footing as he is able to manage.

Move forward to Eddie as a teenager (Ryan Merriman) and he has become a mild punk, floundering around seeking meaning to life and afraid of relationships - fearing he will be ultimately deserted. Francesca (Paula Garcés) moves back into town from Mexico and gradually the two become close and involved: Eddie's demons and issues riddle him while Francesca's equally brittle demons seem to make her stronger. Major Haley returns, is at first greatly resented by Eddie until the Major teaches Eddie to fly a plane left to him by his departed father. The relationship that develops between the two is as strong as it is difficult. A tragedy involving Francesca and her father occurs resulting finally in Eddie's ability to feel mature emotions and follows his courage and his heart to change his and Francesca's lives.

Redford keeps this potentially saccharine story in tight reins, never allowing bathos but always sharing a view that each of us is human and capable of errors, but equally capable of recovering and resolving consequences. The cast is uniformly strong with Tucci giving one of his finest and most subtle performances to date. Merriman is young and shows great promise: Blades and Delany are seasoned veterans and bring a realistic rapport that adds to the credibility of a story also dealing with ethnic prejudice. The cinematography by Paul Ryan is excellent - some of the best aerial photography outside of the usual war scenes on film. Recommended, not because it is a great movie, but because it is an honest one and the first example of James Redford's seemingly generous talent. Grady Harp

"Spin" came as a total surprise. We had not heard about the movie before, so when it was shown on cable recently, we decided to watch it, something that paid off because it is basically an unpretentious look at a not too distant past. James Redford, is making his debut as a director showing he has an eye for detail.

The story centers around Eddie. When we meet him, he is a young boy who has to deal with the premature death of his parents in a small plane crash. As a result, his only living relative is a distant uncle, a major in the Air Force, who practically abandons him to the caretaker couple that works for him in the Arizona ranch. Eddie's uncle, as well as his father, have a passion for flying that is transferred to the young man. A few years go by and next we see a teen aged Eddie who is not doing well in school. His friendship with the lovely Francesca develops into love, but fate intervenes in their lives.

The film has a lovely finished look thanks to the cinematography of Paul Ryan who captured the rugged Arizona landscape in all its glory. The musical score is by Todd Boekelheide, which serves the film well. The performances are credible as Ryan Merriman makes us care for his Eddie. Stanley Tucci, Dana Delany, Ruben Blades and Paula Garces are the other performers.

James Redford does a good job with his first directorial assignment.

This film left me feeling good; however, I admit that the story struck a chord with me in more than one area that other viewers may not experience. Being a pilot, I thoroughly enjoyed the aspect of the story that pertains to flying. Furthermore, Eddie is a character with whom I connected. The photography, particularly the sunsets and aerial shots, are beautifully captured. In all fairness, the story had a dry spot or two, but when I think of crappy films, this film is NOT one of them.

The acting was well done, too. Stanley Tucci portrayed a retired Air Force Major and was quite believable as Eddie's strong, collected Uncle. Ryan Merriman, whom I've not seen elsewhere, also gave a sound performance.

I give the movie an overall Bravo!

This is one coming-of-age film I really liked and respected. Most of them are not "my cup of tea." However, this one features nothing but likable characters, including the teens. Yeah, they're not perfect; they have a few "moments," but mostly Ryan Merriman ("Eddie") and Paula Garces ("Francesca") are good kids.

The adults are even better, just wonderful people. Dana Dalaney ("Margaret") and Reuben Blades ("Ernesto") play a couple who adopts young "Eddie" who loses his parents in a small- plane accident. Stanley Tucci ("Frank") has a key role as a mentor of the boy, a guy who leaves Eddie when he's young but comes back and teaches the now-17-year-old how to fly.

Language-wise, there as almost zero profanity for the first hour, but there were cases of it in the last third of the movie. The photography is nice in here, too, especially for a film, I suspect, was low budgeted.

This little-known film should be better-known. It's a nice story. I really can't imagine anyone watching this film and not enjoying and respecting it.

In the 1950s near the Mexican border, Eddie Haley's parents die in a plane crash. Eddie's Uncle Frank takes care of him for a while, but his career with the Air Force requires a lot of travel and he can't take Eddie along. So Eddie is left in the care of Ernesto and Margaret, who run the Haley family ranch.

Eddie meets Francesca at the park and they become friends. Francesca's father is mean, and she claims her mother and grandparents don't want anything to do with Francesca and her father.

Several years later, Eddie is 17 and sitting in his father's airplane, which is his now. He has no plans to become a pilot, and he doesn't seem to have much of a plan for his life, period. Margaret gets a job teaching at the high school in town, so Eddie goes to school there and makes the football team.

Eddie meets Francesca once again. She is very nice and quite pretty, but she has a dark secret. Not only that, but she is poor and Mexican, so she is treated differently by some people. Brad, whose father owns a mine where Eddie's parents died, is Eddie's friend. He knows about the plane crash but not the fact that Eddie's parents were in the plane. Eddie and Brad both want to date Francesca, but only one can, so the other gets Julie.

Uncle Frank returns and teaches Eddie how to fly, though Eddie has never gotten over how he was rejected years ago.

This starts out as a pleasant enough family film. Toward the end, though, some disturbing themes are introduced. There is nothing explicit except for one scene where there is blood, but no obvious clue as to where it came from unless one is really paying attention (what I mean is that a child wouldn't have to know it was blood). There are bruises, so we know one character was the victim of violence. And there is the suggestion of a despicable deed no child should know about.

But the good news is that Eddie shows character and determination as a result of what happens. And an element of excitement is added as well. The film does inspire because of what Eddie has to do. I actually assumed this might have been a real person (otherwise, why did the film have to take such a dark turn?) until I saw the closing credits, which said this movie was fiction.

Most of the actors give good performances, but Stanley Tucci stands out as a loving but firm uncle.