Seeing Other People

Sophisticated sex comedies are always difficult to pull off. Look at the films of Blake Edwards, who is arguably the master of the genre, and you will find just as many misses as hits. For, if a film of this nature ever fails to work, it can never fall back on the tried and true toilet humor of a teen sex comedy [i.e. "American Pie"], or warm the audience with the sentimentality of a romantic comedy [i.e. Julia Roberts' entire career]. It can only maintain a push to the end, and hope that the audience can appreciate the almost required irony of it's resolution.

Written by husband/wife team Wally Wolodarsky and Maya Forbes, "Seeing Other People" opens with engaged couple Ed & Alice [Jay Mohr & Julianne Nicholson] only seconds away from rear-ending the car in front of them. As the frame freezes, we unexpectedly hear the thoughts and fears of both characters. From here on out, we welcome that the story about to unfold will enjoy a point of view from both sexes.

Two months shy of their vows, Ed & Alice already look and act like an old married couple. In an early bathroom scene, their actions alone show us just how comfortable they are with each other and how long they have been together. So when the line to propel the plot forward is uttered - expectedly from the least likely of the two - it is as if the very relationship itself is calling for a change, even if it means it's own destruction.

Once all the ground rules are set [Ed can not sleep with her mother or, for that matter, Salma Hayek], the two head off in their separate directions in the hope of finding some meaningless sex to strengthen their relationship. At first, everything seems to go as planned as their daily trysts only help to fire up the passion between them. But predictably, as the deeper emotions of regret and jealousy begin to emerge, they soon find themselves growing apart and on the verge of breaking up. All of these actions leading to a resolution you may or may not like - depending on your own degree of cynicism.

For a comedy like this, you need a solid cast with supporting characters just as strong as the leads. And director Wolodarsky does not disappoint. Here he has cast two of my favorite actresses as sisters - Julianne Nicholson & Lauren Graham - and allows them to play to their strengths. For Nicholson, who has always reminded me of a young Shirley MacLaine, she brings an air of naivete and vulnerability to Alice even when her actions seems less than so. And as for Graham, an actress who has proven she could outperform an entire Howard Hawks ensemble, she steals every scene she is in with an edgy "no BS" persona.

As for the guys, Jay Mohr is serviceable here as is Josh Charles. "Malcolm in the Middle"'s Byron Cranston has to be applauded for taking on a British accent and letting it all hang out. But the real treat here is Andy Richter and his sub-plot involving single mother, Helen Slater. While his scenes almost seem to belong in another movie, they are by far the funniest and his dead panned delivery steals the show.

For an independent production, "Seeing Other People" has a more personal and introspective feeling - something that would be noticeable absent from a big Hollywood film of this kind. Not to mention that this film also has some genuinely funny moments - unlike, say, most Hollywood comedies in general.

Rating [on a 5 star system] : 3 1/2 stars

This is a rather intelligent and sincere film about commitment. Personally I find it to be more romance than comedy, because of its insight in the emotions involved. There are some funny lines, but the exploration of love is more poignant. As the story goes, it becomes more and more obvious that we're not in a screwball comedy about swingers, but in a plea for long-term relationship. The acting is good enough, especially from Julianne Nicholson and Lauren Graham (who are supposed to be sisters, haha). Too good that the cynical sister prevented the danger of situation becoming corny after Alice's final, emotional speech (pause... "We don't do laundry"). But that also underlined the fact that this kind of relationship wasn't for everyone.

Alice (Julianne Nicholson) and Ed (Jay Mohr) are in love, live together, and are going to be married. The timid Alice realizes that she hasn't really slept with many men and regrets that. She suggests to Ed that they have sex with other people before getting married. He doesn't want to, but she insists that if they are both completely honest, it could work. He reluctantly agrees.

This movie works for the first half. It is funny, clever, and well-acted. Unfortunately, making a movie about polyamory that has something interesting and unique to say is really difficult. This storyline becomes less and less serious halfway through. The comedy turns screwball and is pretty ridiculous. We also see glimpses of side-character relationships (including two dishonest cheating friends, as well as a single friend dating a single mom) that ostensibly serve to compare and contrast with the lead relationship, but none of these stories go anywhere far enough to accomplish this. This movie's saving grace is its solid B-list ensemble cast including Josh Charles, Lauren Graham, Helen Slater, Jill Ritchie, and Andy Richter. On a sidenote, I watched this movie because rock goddess Liz Phair is in it. She has one pointless scene and you can't even tell its her. Sigh!

"Seeing Other People" is very similar to the British original series "Coupling" so it's nice to know that American sit com writers can be guffawingly funny about sex and relationships when freed from the networks.

While it's male/female co-written, by Maya Forbes and director Wallace Wolodarsky, the premise feels like a male fantasy gender-switch of wanting both free love and the laundry done, though both guys and gals do end up getting their comeuppance.

Jay Mohr, as a mensch for a change, and Julianne Nicholson, who was captivating in the drama "Tully," considerably humanize the coincidental goings on through their sincerity.

Lauren Graham and Josh Charles enjoy being deliciously nastier sidekicks than their respective "Gilmore Girls" and "Sports Night" personas. Andy Richter does a surprisingly grown-up turn as the most grounded of the group on the sexual merry-go-round.

It may have been shot on video and blown up to 35 mm as the print was a bit fuzzy. The font on the credits was the largest I've ever seen in a film so I could see that the director and Liz Phair had a cameo, though I think we only saw her legs, and that several sit com directors and producers were thanked. The excellent songs and music were not identified, however.

This indie film is worth a look because of the enormous talent of its creators, Wallace Wolodarsky and Marsha Forbes. Mr. Wolodarsky has directed the young cast, and he is to be praised for this effort.

The premise of the film is a cautionary tale of the danger for wanting something one can't have. Which is the story of Alice and Ed. After living together for a while, Alice suddenly gets restless because she imagines she's lacking experience in the sex area. Alice and Ed's relationship, while not an example of ideal happiness, is a comfortable way to share their lives with one another. That is, until the moment Alice and Claire, her sister, happened to bump into a sexual encounter by another couple that has no clue of being observed.

This incident makes Alice reevaluate her own sexual life with Ed; she finds it lacks substance. When she proposes 'seeing other people', Ed is shocked, to put it mildly, but not wanting to contradict Alice, he decides to go along. What happens next is that both Alice and Ed enter into a world that's been unknown to them. The people they meet, in the end, are not worth the trouble. They sadly realize at the end, they were made for each other.

The film is worth watching in order to see the amazing Julianne Nicholson, who we happen to have liked in another indie film, "Tully". Ms. Nicholson reminds us of a young Shirley McLaine; she projects such a luminous quality about her, that is hard to take one's eyes from her whenever she is in a scene. This young actress proves she is an accomplished performer who gets better with each new appearance. Basically, she carries the movie. Her Alice is a study in contrasts. Alice is a decent woman who thinks she is inadequate in pleasing Ed because of her inexperience.

Jay Mohr, is an excellent match for Ms. Nicholson. Both do wonders together. His Ed is perfectly credible. We have known people like him. Deep down inside, he is a good person, who suddenly gets himself in a situation he didn't call for, yet, he goes along only to discover he is too decent and not cut out for a life of gratuitous sex with the willing women that have no problem with a tumble in the hay, just for fun.

The rest of the cast is wonderful. Lauren Graham does some amazing work as Claire, Alice's yuppie sister. Andy Ritcher is also wonderful as the grounded Carl, the nerdy friend who finally finds out fulfillment when he meets Penelope, a single mother. As Penelope, Helen Slater, makes a felicitous, albeit of a short, appearance in the film.

The director is enormously gifted, who will no doubt go places because he shows he is well suited for the job.