Duma

"Duma" comes along to show us it is possible to create a work of art that combines compassion, intelligence, creativity, and insight. I'm a bit hesitant to even mind some of the comments made by a few people about this film. It is NOT about the people of the country, or a particular point of view. It is supposed to be about a boy and his closest relationship to another living thing on this planet. It is an adventure that doesn't rely on cheap special effects and far fetched ideas that no one but a movie executive find any connection to. It is not about throwing a gimmick in front of our faces and failing to deliver. "Duma" just opens a window to a world that is slowly dying in front of us.

After seeing the film, I couldn't stop thinking about the marvelous nature of the cheetah, as a creature, a friend, another member of this world's wonders. As the film unfolds, we witness other marvels along the way, as our young protagonist finds ways to solve several quests in the story. There were a few instances where I had to catch my breath for the sheer magic displayed on the screen: the vistas, the expressions, the lyrical beauty which was composed by the various parts. It was a universal experience that can reach and touch both adults and children. The best part is that we went back to the primal essence of cinema, the ability to conjure or transports us to the magic that exists in our own world.

"Duma" stands for the soul in us, a part of our world that keeps us going and refuses to let go. An artist, like Mr. Ballard can create this type of entertainment, the kind that allows us to reflect on what is important, leads us to think and to care about where we're going, and what the rewards and consequences might be. This is an important film that, in typical fashion, is being neglected by the moguls of entertainment. Catch it in the big screen to get its full impact, relish it, and pass the word around. Here is a film that earns the title of a classic right away.

Duma - A story about an orphaned Cheetah and a boy who rediscovers his life after an unfortunate tragedy - A journey that ends with a new beginning.

I often watch films made in America and by American directors that depict African scenes in their movies, and they can never truly portray the African way of life.

Carroll Ballard is one of the first to successfully portray this properly - well, almost :-) He still used the word "Gas" instead of the word "Petrol". Us South Africans never say gas. He also changed the geography of the journey quite dramatically, and at times Xan jumped miraculously 500 km from the East of Botswana to the west of South Africa, and suddenly 5 min later, he jumped 500 km north to the Central North West of Botswana (The Okavango Delta).

But please don't think I am bad mouthing the movie. Everyone is allowed the use of poetic license, and the way that Carroll Ballard did this showcased some of the most beautiful places in Southern Africa, and the world, including Augrabies Falls in South Africa, Sowa Pan and Kubu Island (Part of the largest salt pans in the world, the Magadigadi Pans), the Okavango Delta and many more...

The story is blissfully simple, allowing young children to enjoy this film without asking questions, as well as allowing adults to marvel at the scenes being shown to them.

The photography as far as the filming of the cheetahs goes as well as the African wilderness, was magnificent, as well as the sound effects...they were not artificial, unlike many of the other films made today, which use completely unnatural sound effects for the animals.

A must see for anyone who appreciates a good, heartwarming story, the African wilderness and good, honest, down to earth film making 9/10

This movie is so good, I wonder why it is in such limited release? At least in Wales, it only plays for two showings each weekend. Anyway--- I like animal movies, generally. Even those that stray into a bit of the fantasy, such as 'Bingo', and 'Two Brothers', can be enjoyable and charming.

'Duma' was delightful. I have not read about the making of the movie, but they did use real cheetahs. Some kittens, adolescents, and maybe adults, too. I found the representations of the human-cheetah relationship entirely believable. And even though this is a 'family' movie, and suitable for 12 year-olds, it was also solid enough to get an adult through it as well. The peril is plausible, the characters' motivations and behaviors seem reasonable.

Overall, the movie worked well enough as a movie--- entertaining, dramatic, etc. But more, and the reason I gave it a 10 out of 10, is the movie also seemed to portray the charm, grace, and dignity of a truly great relationship a human can have with an animal. That, placed in the movie-world context of family drama and human enterprise, is a wonderful and magical thing.

"Nature breaks through the eyes of the cat." Irish proverb

With the emergence of digitized everything, photography of the actual thing is now the amazement. Splendid is everything visualized in Duma, the story of a young South African boy, Xan (Alex Michaeletos) who brings up an orphaned cheetah, Duma, to the day when his father (Campbell Scott) decides it is perilously close to the time when Duma couldn't survive in the wild.

And so, about the time they are to return Duma to his world, Xan becomes a sort of orphan himself because dad dies and leaves Xan and his mother with a big ranch to tend. As predictable as the right of passage story that ensues with Xan taking Duma back, there is a freshness of simplicity and beauty, joy and sorrow that overwhelms the clichés and makes you eager to go back to animal stories of early film, like Old Yeller, where the pets are as human than their masters and make real the abstract idea of Nature.

An unusual care for lens and animal is palpable from director Carroll Ballard and cinematographer Werner Meritz, unforgettable even. The four cheetahs used for Duma are as often lensed close up as they are in long shots, beautifully stretching their sixty-mile –an-hour legs.

With the consistency director Carroll Ballard showed in the acclaimed Fly Away Home, he weaves the theme of abandonment and reconciliation into every major scene: Even the enigmatic intruder Rip (Eamon Walker) has exiled himself from his tribe and is now returning home, cruising the river with Xan like Huck and Jim. That eventually animals and humans must take up their responsibilities is also present almost from the first frame.

Nothing new here, just a good old-fashioned pet tale, which never is boring for me, a perpetual boy with an English major's tendency to see poetry in a landscape or a cheetah's eye.

"Nature never did betray the heart that loved her." Wordsworth

Our family saw Duma yesterday and we loved it so much, I had to place our vote today! Congratulations to Carroll Ballard, Warner Brothers and everyone else responsible for creating such a beautifully filmed movie with an equally as wonderful story! Duma is a must see for children; it sure beats most everything else out today in terms of story quality! The cinematography was incredible and all scenes involving animals were wonderfully done. I hope that big studios bring us more movies of this caliber for family entertainment. I for one, and hopefully not the only one, am tired of special effects carrying a movie as well as heroes and villains that are way too out of the ordinary.