Duma

This was such a lovely film for everyone, and it seems to be ending its New York run this Sunday, October 16th after just 17 days. Why? Not only did it receive excellent reviews, the showing I attended last Saturday afternoon in the counter-cultural East Village was packed! As a much needed quality family film, "Duma" should have been given a wide release and much more promotion. I rarely go to the movies, and I was waiting and hoping for its release for months.

A wonderful family film with affection, learning, adventure, mystery, and respect between the boy Xan and his cheetah, Xan's father and mother, and Xan's friend Rip. It also has a Prodigal Son theme. The cinematography is exquisite, with the golden cat with the golden eyes and the golden African desert and savanna that seem to stretch on for eternity.

A beautiful, humorous, gentle, poignant, and touching film about love, kindness, and mercy. A genuinely loving family. The courage to grow up. Are these values too truthful for Hollywood, or they too real for the general public?

This film was a rare pleasure to behold, much like the joy I experienced in September 1993 at the Toronto International Film Festival screening of "SIRGA: L'infant Lion" (yet to be released on DVD in North America although released in Germany a few years ago). There are deeper messages here and these are truly welcome, unlike so much of the swill that passes for family entertainment these days. As much as I enjoyed "Two Brothers" (Jean-Jacques Annaud) recently, I do prefer this film by a director whose last film I enjoyed at the Toronto Festival some 8+ years ago - "Fly Away Home".

The journey taken by the 12 year old boy reminds me somewhat of the journey taken by a slightly younger lad and his sister in the also-compelling early 70s Nicholas Roeg film "Walkabout" which I also highly recommend if you like nature-type films (or should I say "au natural" type films ... ha ha). I rate this one 9 out of 10.

Anyway make sure you get to see this once it comes to your part of the world either theatrically or, likelier on DVD.

"Nature breaks through the eyes of the cat." Irish proverb

With the emergence of digitized everything, photography of the actual thing is now the amazement. Splendid is everything visualized in Duma, the story of a young South African boy, Xan (Alex Michaeletos) who brings up an orphaned cheetah, Duma, to the day when his father (Campbell Scott) decides it is perilously close to the time when Duma couldn't survive in the wild.

And so, about the time they are to return Duma to his world, Xan becomes a sort of orphan himself because dad dies and leaves Xan and his mother with a big ranch to tend. As predictable as the right of passage story that ensues with Xan taking Duma back, there is a freshness of simplicity and beauty, joy and sorrow that overwhelms the clichés and makes you eager to go back to animal stories of early film, like Old Yeller, where the pets are as human than their masters and make real the abstract idea of Nature.

An unusual care for lens and animal is palpable from director Carroll Ballard and cinematographer Werner Meritz, unforgettable even. The four cheetahs used for Duma are as often lensed close up as they are in long shots, beautifully stretching their sixty-mile –an-hour legs.

With the consistency director Carroll Ballard showed in the acclaimed Fly Away Home, he weaves the theme of abandonment and reconciliation into every major scene: Even the enigmatic intruder Rip (Eamon Walker) has exiled himself from his tribe and is now returning home, cruising the river with Xan like Huck and Jim. That eventually animals and humans must take up their responsibilities is also present almost from the first frame.

Nothing new here, just a good old-fashioned pet tale, which never is boring for me, a perpetual boy with an English major's tendency to see poetry in a landscape or a cheetah's eye.

"Nature never did betray the heart that loved her." Wordsworth

I feel fortunate that Warner Brothers has chosen to screen "Duma" here in the Chicago area. I only hope they decide to support a nationwide release because this is a movie that deserves to be seen. I found myself crying several times at the touching story, and also heard my own laughter echoed by others in the theater during the humorous moments.

I found out about "Duma" while I was researching a book I'm currently reading. It's called "The Spotted Sphinx" and is by Joy Adamson - the same woman who wrote "Born Free". During the filming of the movie based on the book "Born Free", Joy was given a young female cheetah and was asked if she could rehabilitate it back into the wild. "The Spotted Sphinx" and its follow-up, "Pippa's Challenge" are about that rehabilitation process. "Duma" is about a similar situation, except it is about a young boy and how he also finds himself while helping his pet cheetah find "home" again. The boy who portrays "Xan" is excellent in the role and you can really feel the love he has for his animal. The cinematography is beautiful, and I was very pleased with how true-to-life they were with how cheetahs interact with people. Cheetahs can be tamed (for the most part) and are very affectionate - something that was shown in the film.

I went to a matinée showing, fully expecting to be one of only a few in the theater, but was pleasantly surprised to find it almost full. There were more adults than children, so that just shows that the limited press "Duma" received was enough to make others want to see this film while they had the chance. I'm an adult, and have no children, but love films that show the beauty of nature and positive interactions with animals. This would be a great film to bring kids to, particularly boys since Xan had such an amazing coming of age adventure.

By the way, the music is excellent too. I really hope they end up releasing this on DVD.

Duma - A story about an orphaned Cheetah and a boy who rediscovers his life after an unfortunate tragedy - A journey that ends with a new beginning.

I often watch films made in America and by American directors that depict African scenes in their movies, and they can never truly portray the African way of life.

Carroll Ballard is one of the first to successfully portray this properly - well, almost :-) He still used the word "Gas" instead of the word "Petrol". Us South Africans never say gas. He also changed the geography of the journey quite dramatically, and at times Xan jumped miraculously 500 km from the East of Botswana to the west of South Africa, and suddenly 5 min later, he jumped 500 km north to the Central North West of Botswana (The Okavango Delta).

But please don't think I am bad mouthing the movie. Everyone is allowed the use of poetic license, and the way that Carroll Ballard did this showcased some of the most beautiful places in Southern Africa, and the world, including Augrabies Falls in South Africa, Sowa Pan and Kubu Island (Part of the largest salt pans in the world, the Magadigadi Pans), the Okavango Delta and many more...

The story is blissfully simple, allowing young children to enjoy this film without asking questions, as well as allowing adults to marvel at the scenes being shown to them.

The photography as far as the filming of the cheetahs goes as well as the African wilderness, was magnificent, as well as the sound effects...they were not artificial, unlike many of the other films made today, which use completely unnatural sound effects for the animals.

A must see for anyone who appreciates a good, heartwarming story, the African wilderness and good, honest, down to earth film making 9/10