Ajouter une intrigue dans votre langueTerri Fletcher is a small town girl with the voice of a big-time singer. When personal tragedy interrupts her steady life, Terri defies her father's wishes and secretly heads off to spend a ... Tout lireTerri Fletcher is a small town girl with the voice of a big-time singer. When personal tragedy interrupts her steady life, Terri defies her father's wishes and secretly heads off to spend a summer at a Los Angeles performing arts academy.Terri Fletcher is a small town girl with the voice of a big-time singer. When personal tragedy interrupts her steady life, Terri defies her father's wishes and secretly heads off to spend a summer at a Los Angeles performing arts academy.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 2 victoires et 3 nominations au total
- Street Drummer
- (as Steven 'T7' Palmer)
Avis à la une
The big problem is that while Hilary Duff is almost good enough as an actress. She's no where good enough as a singer. She plays the bubbly innocent girl well. The big melodrama about the brother's death sets an interesting tone. However the school plays like a bad 'Fame' copy. Other than Kat Dennings, none of the students are interesting at the school. John Corbett is hopelessly cheesy as the personable teacher. It's a Hilary Duff vehicle that she's not quite good enough to drive.
Terri Fletcher(Duff) sings in a local church chorus, and for her own personal enjoyment. She also thinks her singing can make her a star, and so does her brother Paul(Jason Ritter) who secretly recommends her for a scholarship to a school for the performing arts in Los Angeles. But her father(David Keith) wants her to stay at home and wait tables at the family diner. After she and her brother sneak out to go to a concert one night, some drunk driver plows into them on the way home. Her brother dies, she survives and is left with crippling flashbacks and survivor's guilt. But just when she thinks she's going to have to spend the rest of her life at the bottom of the barrel, along comes that scholarship to the performing arts school she didn't even know she entered. Of course, the only reason she doesn't want to go is because she's afraid to face the wrath of Dad, so Mom(Rita Wilson) and Aunt Nina(Rebecca De Mornay) tell Daddy she's going to spend time with her aunt, while smuggling her off to that school. And the rest of the movie involves Terri trying to make friends in the big city, cover-up her lie to her father, and deal with her own fear of bright lights, courtesy of that random drunk driver.
Too much about this movie is predictable; The overbearing father, sympathetic avant-garde artistic aunt, the tragic car wreck, the boyfriend with an ex-girlfriend who won't let go(who Terri catches putting the moves on and thinks is unfaithful to her), and yes even the triumphant concert at the end. Having said all that, I must reiterate that I don't want my criticism of this movie to be interpreted as another Duff-bashing tirade. Because regardless of the cookie-cutter plot line, Duff is still outstanding. Yes, she's a better actress than a singer, but both of these aspects of her are far superior to the movie. And if you DON'T believe she can play anyone else but Lizzie McGuire, you should've seen her in a highly publicized episode of Joan of Arcadia from the Spring of 2005. So while it's nowhere near the fluff-piece that her first big series was, it makes you wish there were more parts out there that are better for her.
The film starts well; the Three Days Grace concert helps set the musical tone for the movie. That was an unexpected surprise, although I suppose I'm partially biased since I like the band.
A beautiful performance by Hilary Duff. I am more and more impressed with her with every movie I see her in. She brought me to tears twice in the first twenty minutes of the movie. I was impressed by the colorful array of teens at the school, even if they were chosen primarily to make it believable that they're in L.A. I appreciated that none of the teens were written to fulfill any particular stereotype and all seemed like real people, for stereotypes are a sore spot for me, as my teen years were not all that long ago.
I loved the scenes with Denise playing the violin; again, very refreshing and stylistic. John Corbett turns in a innovative performance as a progressive music teacher, breathing a little more life into the film.
The direction really helps to further the movie along, as it is pretty anti-climatic. The 'unwanted kiss' was a bit predictable, however an element of predictability is generally assumed in movies of this persuasion. The make-out scene was completely unnecessary and should've been cut.
And it should be noted that the film is more or less like a Crossroads (2000) for a slightly younger generation, but despite that, it still maintains its own life.
I absolutely love the last song in the filmthat was the perfect song for the theme of the movie. And I don't care what anyone says, Hilary Duff is a true performer, even if she isn't that great of a singer. She just always has this glow about her, and no matter how I feel, seeing her perform always makes me smile, and that's something to be commended.
VERDICT: Very enjoyable musical film despite its predictability. Recommended to anyone with kids, who's young at heart, who likes Hilary Duff, or just needs a good smile, but be forewarnedyou might get a little teary-eyed before that smile reaches your lips.
6.5 out of 10.0
Le saviez-vous
- AnecdotesEvan Rachel Wood and Jonathan Jackson were the original choices for the roles of Terri and Jay respectively, but both dropped out due to production changes, as did Annie Potts (who was set to play Terri's mother) and director James Hayman. The story's location was then changed from New York City to Los Angeles.
- GaffesTerri and Paul's car crash is impossible. Paul is making a left hand turn through what appears to be an advance green (as the car behind them is pulling up directly behind them.) The car is t-boned, with the truck hitting Paul first. For this to be possible during a left hand turn given Paul's projected location, the truck would have to be traveling in the same direction on the wrong side of the road. There is clearly a median between the two sides of the road, making it impossible for the truck to be logically traveling there.
- Citations
Terri Fletcher: Dad, this place is the scariest, hardest, best thing that has ever happened to me.
- Bandes originalesJoy to the World
Written by Hoyt Axton
Meilleurs choix
- How long is Raise Your Voice?Alimenté par Alexa
Détails
Box-office
- Budget
- 15 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 10 411 980 $US
- Week-end de sortie aux États-Unis et au Canada
- 4 600 000 $US
- 10 oct. 2004
- Montant brut mondial
- 14 867 514 $US
- Durée
- 1h 47min(107 min)
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
- 2.35 : 1