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Fahrenheit 9/11

  • 2004
  • Tous publics
  • 2h 2min
NOTE IMDb
7,5/10
134 k
MA NOTE
Fahrenheit 9/11 (2004)
Trailer 1
Lire trailer2:16
2 Videos
96 photos
Dark ComedyMilitary DocumentaryPolitical DocumentaryDocumentaryDramaWar

Un réquisitoire contre Georges W. Bush: son élection en 2000, les mensonges qui menèrent à l'invasion de l'Irak en 2003, la main-mise sur les ressources et la reconstruction du pays ensuite.Un réquisitoire contre Georges W. Bush: son élection en 2000, les mensonges qui menèrent à l'invasion de l'Irak en 2003, la main-mise sur les ressources et la reconstruction du pays ensuite.Un réquisitoire contre Georges W. Bush: son élection en 2000, les mensonges qui menèrent à l'invasion de l'Irak en 2003, la main-mise sur les ressources et la reconstruction du pays ensuite.

  • Réalisation
    • Michael Moore
  • Scénario
    • Michael Moore
  • Casting principal
    • Michael Moore
    • George W. Bush
    • Ben Affleck
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,5/10
    134 k
    MA NOTE
    • Réalisation
      • Michael Moore
    • Scénario
      • Michael Moore
    • Casting principal
      • Michael Moore
      • George W. Bush
      • Ben Affleck
    • 1.4Kavis d'utilisateurs
    • 223avis des critiques
    • 67Métascore
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 29 victoires et 17 nominations au total

    Vidéos2

    Fahrenheit 9/11
    Trailer 2:16
    Fahrenheit 9/11
    Fahrenheit 9/11
    Trailer 2:16
    Fahrenheit 9/11
    Fahrenheit 9/11
    Trailer 2:16
    Fahrenheit 9/11

    Photos96

    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    + 92
    Voir l'affiche

    Rôles principaux99+

    Modifier
    Michael Moore
    Michael Moore
    • Self - Narrator
    George W. Bush
    George W. Bush
    • Self
    • (images d'archives)
    Ben Affleck
    Ben Affleck
    • Self
    • (images d'archives)
    Stevie Wonder
    Stevie Wonder
    • Self
    • (images d'archives)
    James A. Baker
    James A. Baker
    • Self
    • (images d'archives)
    Richard Gephardt
    Richard Gephardt
    • Self
    • (images d'archives)
    Tom Daschle
    Tom Daschle
    • Self
    • (images d'archives)
    Jeffrey Toobin
    Jeffrey Toobin
    • Self
    • (images d'archives)
    Al Gore
    Al Gore
    • Self
    • (images d'archives)
    Condoleezza Rice
    Condoleezza Rice
    • Self
    • (images d'archives)
    Donald Rumsfeld
    Donald Rumsfeld
    • Self
    • (images d'archives)
    Saddam Hussein
    Saddam Hussein
    • Self
    • (images d'archives)
    George Bush
    George Bush
    • Self
    • (images d'archives)
    Ricky Martin
    Ricky Martin
    • Self
    • (images d'archives)
    Byron Dorgan
    Byron Dorgan
    • Self
    • (images d'archives)
    Osama bin Laden
    Osama bin Laden
    • Self
    • (images d'archives)
    Craig Unger
    Craig Unger
    • Self
    Larry King
    Larry King
    • Self
    • (images d'archives)
    • Réalisation
      • Michael Moore
    • Scénario
      • Michael Moore
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs1.4K

    7,5133.9K
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    Avis à la une

    9davidklar

    Moore shines a spotlight on Bush administration distortions with humor!

    Moore's film strips away the pseudo patriotic facade of the Bush administration with humor and tragedy to create a very compelling but flawed message: Bush used false pretenses to go to war while enriching his friends and letting the common people suffer the fallout. The film moves between powerfully tragic scenes( like the sound of planes flying into the Towers as the screen is blacked out to interviewing a dead soldier's mom) to parody( Bush and Cheney dressed like cowboys in a scene with Bonanza music in the background. Moore raises several provocative questions such as why did Bush sit for seven minutes in an elementary classroom without reacting? Moore suggests answers which imply Bush didn't know what to do. Moore raises questions and suggests answers which right wing critics find abhorrent. His film techniques of showing a triumphant, strutting Bush proclaiming major military operations are over and quickly cutting to a roadside bomb in Iraq exploding, showing Bush as either ignorant, stupid, or mendacious were very powerful. Moore's weakness was in trying to give his audience too many messages in a single film but he comes very close to succeeding. His success was apparent to many right wing radio hosts, who immediately declared him both a liar and antiamerican(or America hating).
    10gns131

    Conservative and Liberals alike must see this film and make up their own minds.

    Whether you hate him or like him, every true American must see Michael Moore's Fahrenheit 9/11. If nothing else this film will get you thinking about our country good or bad, loving it or hating it. Isn't that what the arts are designed to do? The goal of every artist is to move the viewer and listener. Greek playwrights did that first and they did it well. See this film, discuss it, then make up your own mind, don't listen to someone else's opinions, beliefs, or ideas. Too many Americans today do not think for themselves instead that will follow someone else. We have become a nation of followers. Where have all the Independents gone? Think for yourself, if you dare.
    10sbudach

    If this is news to you, wake up!

    Yes, Michael Moore has an agenda. However, every documentary does. Believe it or not folks, but a documentary does not just show reality, it also interprets it. Remember the experts that Ken Burns shows in all of his documentaries? He used them to interpret the facts of the Civil War, Jazz, and Baseball, among others. The Ken Burn's agenda just wasn't as controversial as Michael Moore's.

    The point of a documentary is for those who see it to start making their own judgments. If you don't agree with Michael Moore's interpretation of the why's of the Iraq war, what is the right interpretation? Can you use the facts or find more facts to come up with a different interpretation? I would call that highly unlikely, but I would like to see the interpretation.

    This documentary set out to answer the question "Why is the US in Iraq?" I can tell you I have asked that question a lot and I found no good reason. Michael Moore has done the same thing, just to a larger audience. While you might disagree with his assessment that it was strictly for money, it is hard to support a different view after seeing this movie. You would be hard pressed to find any evidence linking Iraq and Al-Qaeda. Why? Because it doesn't exist. No matter how much Bush railed for a link, even he had to admit it wasn't there.

    I guess I would like to see a Republican version of events. I just can't imagine what it would use as evidence. How can you refute the 7 minutes of inactivity of Mr. Bush in the Florida classroom on 9/11? How can you refute the fact that planes were loaded up with Bin Laden relatives on 9/13? How can you call the "coalition of the willing" a coalition if it includes countries that send no troops? These are the facts folks. Michael Moore interpreted them to slam the Bush administration. I was saying the same thing before this movie. However, I reach a small audience since I don't make movies. Thanks to Michael Moore for making this film. Maybe some of the clueless, like Britney Spears, will wake up and start questioning what is going on out there. Because, Ms. Spears, in America, we are allowed to question the president. He isn't God, he is a human being.

    So, pro-Iraq war people, give me your interpretation. Why? Why are we there? Why don't we have Osama Bin Laden? Why?
    10alex-306

    Excellent, important, and moving film

    I saw Fahrenheit 9/11 at Phipps Mall in the affluent Buckhead neighborhood of Atlanta, GA, and I will say for the record:

    1. Fahrenheit 9/11 attracted the most racially integrated audience I've ever seen at an Atlanta movie theater, as well as the most age-diverse audience.

    2. The audience was completely in tune with what Michael Moore was trying to do. When he wanted you to be mad, people were mad. When he wanted you to be upset, people were upset, and when he wanted you laugh, people laughed. And boy, did they laugh.

    3. The audience cheered (loudly) upon the film's conclusion.

    Truly a satisfying moment, to feel part of a community of people, if only for two hours, who recognized that the emperor indeed has no clothes.

    Is Michael Moore manipulative? Of course- he's an editorial documentarian. Does he sometimes assume too much from too little information? Of course- he's a human being. That's what human beings do. Now, you may say, yes, it may be human nature to infer too much from too little information, but as a responsible artist, Michael Moore should get his ducks firmly in a row before trying to manipulate his audience. That being said, we have libel in slander laws in this country. If Michael Moore is so far off base, where are the lawsuits and defamation of character charges? Why won't Bush or his camp respond to any of the specific allegations of Fahrenheit 9/11? Why is that, in fact, they state an unwillingness even to see the film, and yet feel qualified to have a valid opinion of it? Now who's inferring too much from too little?

    What is absolutely undeniable is that a) war is horrible, b) the United States of America went to war with Iraq for spurious reasons, c) we have been conspicuously unsuccessful in capturing Osama bin Laden, in part because bin Laden has no relationship whatsoever with Iraq, d) there have been many people who have benefited financially from the war, and those people have a long and in many cases sordid relationship with the Bush family, and e) Bush has used the 9/11 attacks as a way to advance an agenda that is completely unrelated to the attacks themselves, and to infringe on our civil rights. Any attempt to dissect Michael Moore's arguments fall flat when these basic facts are irrefutable.

    Fahrenheit 9/11 is ultimately a highly entertaining and justifiably scathing review of the Presidency of George W. Bush, embarrassment to himself, our great nation, and, for that matter, to the entire human race. Please help vote this buffoon out of office before he can discredit our country further.
    micahconkling

    Too Much Bias?

    Let's admit it, it's nearly impossible to find someone or something today without a bias towards one thing or another. Fahrenheit 9/11 is clearly not an exception. I saw this film very recently and was stunned. Shocked. Michael Moore's work was thorough, concise, and extraordinary. I was truly impressed. However, there are things that the public needs to consider after seeing this movie. One- this is not the whole story.

    Unfortunately, I don't know the whole story. Go figure. And two- in order to migrate further from possibly getting tunnel vision, we need to look at and seriously consider the other side. Don't get me wrong, I was enraged by the facts in Fahrenheit 9/11. If all of them are valid, I see no justification for the lies and corruption. But again, this perspective is not the only one and therefor other views should be considered and digested. Am I wrong?

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      After its official showing at the 2004 Cannes Film Festival the movie was given what has been called "the longest standing ovation in the history of the festival". Although the exact length of the applause is a matter of debate, journalists at the screening have reported it being in the area of 15 to 25 minutes.
    • Gaffes
      Towards the films end, Moore claims one member of Congress had a child in the armed forces. At the time, two members had children in the military.
    • Citations

      Narrator: George Orwell once wrote that, "It's not a matter of whether the war is not real, or if it is, Victory is not possible. The war is not meant to be won, it is meant to be continuous. Hierarchical society is only possible on the basis of poverty and ignorance. This new version is the past and no different past can ever have existed. In principle the war effort is always planned to keep society on the brink of starvation. The war is waged by the ruling group against its own subjects and its object is not the victory over either Eurasia or East Asia but to keep the very structure of society intact."

    • Crédits fous
      This film is dedicated to ... all the soldiers from the Flint area who have died in the Iraq war ... the 2,973 who died on 9/11/01 and the countless thousands who have died in Afghanistan and Iraq as a result of our actions.
    • Connexions
      Edited into Fahrenheit 11/9 (2018)
    • Bandes originales
      Vacation
      (1982)

      Written by Charlotte Caffey, Kathy Valentine (as Kathryn Valentine), and Jane Wiedlin

      Performed by The Go-Go's

      Courtesy of IRS Records

      Under license from EMI Film and Television Music

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    FAQ18

    • How long is Fahrenheit 9/11?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 7 juillet 2004 (France)
    • Pays d’origine
      • États-Unis
    • Langues
      • Anglais
      • Arabe
    • Aussi connu sous le nom de
      • Fahrenheit 911
    • Lieux de tournage
      • Bagdad, Irak
    • Sociétés de production
      • Lions Gate Films
      • IFC Films
      • Fellowship Adventure Group
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 6 000 000 $US (estimé)
    • Montant brut aux États-Unis et au Canada
      • 119 194 771 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 23 920 637 $US
      • 27 juin 2004
    • Montant brut mondial
      • 222 446 882 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      2 heures 2 minutes
    • Couleur
      • Color
    • Mixage
      • Dolby Digital
      • DTS
    • Rapport de forme
      • 1.85 : 1

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