Coup de foudre à Bollywood

OK, if you don't like people breaking into song unexpectedly, don't go see this movie - let me just say that upfront!

I went to see this re-work of my favourite novel and thought it would be atrocious and envisaged walking out of the theatre in disgust in advance. What I got was an explosion of colour and music, Bollywood style, and sure some of the songs were pretty awful, but hey, there were a few terrible numbers in Grease too, and I still love that movie!

The lead players were all virtually unknown to me but they were perfect in their roles. The role of Lalita (the Elizabeth role in the original book) was perfectly cast - she was beautiful and she really held the whole movie together. And Martin Henderson was perfect as the American version of the disdainful Mr Darcy, this time Mr Will Darcy.

Go and see this film if you are open to something new - it really is quite a faithful re-work of the story, and it is very entertaining.

The only people who won't enjoy this are people who hate musicals with a passion, or people who are purists to the original.

If you liked Chicago, then you can definitely enjoy this one too. (That also had some dodgy old songs, but the story carried you past those parts!)

Bring on the Bollywood!

It's no new news that Chaddha's 'Bride and Brejudice' is based on Austen's 'Pride and Prejudice'. Chaddha Bollywoodizes the film by adding numerous songs, dance numbers, setting it in India and casting Indian actors but she also tries to Hollywoodize it by casting Hollywood actors. So this is what has been called a 'crossover' film.

Result: I found it to be very boring. The screenplay drags. The lead pair have no chemistry. Rai is strictly okay in some scenes and wooden in others. Hendersen is wooden in most scenes. Kulkarni deserved a much better role. Shirodkar is grateful and makes her presence felt. Kothari's snake dance is one of the plus points. Alexis Bledel has a tiny role but I just had to mention her. It's hilarious. Most of the songs are sleep inducing. No Life Without Wife looks funny but the song itself is irritating. Ashanti's item number is unintentionally funny.

Chaddha was probably too focused on making 'Bride and Brejudice' into a Bollywood meets Hollywood film which is why the film failed (in terms of screenplay, performances as) as a whole. The colourful locations and set design are pleasant but you can see those in numerous much better Indian movies that would be more worthy of your time.

Inspired by Jane Austen's Pride and Prejudice, this Western-style Bollywood musical can't possibly achieve the heights that a union of the best of East and West movie making and English literature might suggests, but it manages to fulfil a delightful couple of hours of song and dance that Western cinema these days struggles to accomplish.

Like the novel, Bride and Prejudice uses the ideas that that first impressions are often wrong, and that a person can mature if he or she keeps an open mind. The unlikely courtship of Mr Darcy and (in our movie) a beautiful Indian girl starts with mutual contempt, but moves forward as they become wiser and learn that their first instincts, based on pride, prejudice and illusions, were wrong.

The scene moves between Amritsar and Goa to London and Beverley Hills, all in brighter-than-bright super-saturated colour, with an assortment of equally colourful characters, wonderful costumes, lavish dance pieces and heavenly bollywood-style ballads. While almost everything is in English (except for a few subtitled songs), nearly all the characters are top Indian performers.

In the golden age of musicals, stars such as Gene Kelly and Fred Astaire had a whole sub-industry to draw on for good dancers who could also sing and act well, plus the technicians used to producing high-end musicals. As demand waned, so did supply, and the West is now hard pressed to produce song and dance films that don't rely on snappy editing to suggest good dancing from top actors, or heavy coaching to suggest top dancers can act. Bollywood, on the other hand, has no such shortage, and Bride and Prejudice is the sumptuously choreographed musical with Indian dancing that has become nigh impossible with western dancers.

Admittedly it's a bit cheesy at times - but it's self-consciously so, and as endearing as warm, gushy Indian hospitality. The sets and dialogue give authentic, if stereotypical, glimpses of Indian life and values. Like many east-meets-west movies, the stereotypes are a handle to allow easy assimilation of foreign ideas, and the heavy Indian involvement wards off any tendency to patronise (which is one of the themes explored in the film).

This is not high drama or high art, but it's an accomplished romantic comedy / song-and-dance film, and one that warms the heart and makes you want to wave your arms in the air Indian-dance-style for the sheer joy and exuberance of happy endings.

Well, it's pretty hard, isn't it, to write a spoiler for a film which is based on such a well-known, well-loved novel! I will show my hand here and say that I am a Janeite. However, I am not a purist and I like many Jane Austen adaptations that many Janeites don't (for example I like 'Mansfield Park'). I enjoyed 'Bride and prejudice' for its colour and fun. The attempt to update 'P&P' to a contemporary Indian setting worked well most of the time, with the translation to India being effective because it is a society where arranged marriages are still an accepted way to go. The script did a pretty good job of capturing the essence of the story whilst playing around with some of the details eg cutting out the fifth daughter whose role in the story is pretty minimal, and making the 'tyrant' in Darcy's life his mother not his aunt (a more realistic situation in its modern setting). I loved the 'no life without a wife' song and dance routine though it reminded me at times of the 'Matchmaker' song in 'Fiddler on the roof'. However, the film suffered a little, for a number of reasons, the main ones being that it left the Bollywood- style when it went to Hollywood (which changed the tone of the film), it didn't really find a good way to make Wickham as wicked as he is in the original, and there did not seem to be the same desperate need to be married as there was for the Bennet sisters in 'P&P'. These modern Indian women had jobs and could, it appeared, be independent without having husbands, removing the urgency that drives its 'P&P' original. Despite this, though, it does manage to incorporate some of the satire against pomposity and the arrogance of the moneyed class that makes 'P&P' more than a simple romance. Overall, then, I found it a fun film and an entertaining take on my favourite novel.

Went to see that movie twice and it only came out on the 22nd December in France!!! Full of color and great music!! If u want to spend a really nice time in cinema and laughing your head off over Mr Kholi, go at once.... And if u wanna check out nice a nice guy , go at least for Mr Will Darcy!! All jokes aside, Ash's first "american" movie is a success. They are all acting greatly and makes us want to go and visit Amritsar!! A big surprise also for hip-hop lovers: Ashanti's appearance for "Payal Bajake"'s song. The landscapes are wonderful. East really meets West.. and it's an enjoyable mix or how to teach a Westerner that he doesn't have it all...And as in all of Chandha movie's, the end is a delight!! ENJOY!!