NOTE IMDb
6,2/10
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MA NOTE
Adaptation moderne du roman classique de Jane Austen, Orgueil et Préjugés, qui raconte la vie de quatre filles célibataires dans une famille indienne.Adaptation moderne du roman classique de Jane Austen, Orgueil et Préjugés, qui raconte la vie de quatre filles célibataires dans une famille indienne.Adaptation moderne du roman classique de Jane Austen, Orgueil et Préjugés, qui raconte la vie de quatre filles célibataires dans une famille indienne.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire et 6 nominations au total
Aishwarya Rai Bachchan
- Lalita Bakshi
- (as Aishwarya Rai)
Meghna Kothari
- Maya Bakshi
- (as Meghnaa)
Peeya Rai Chowdhary
- Lakhi Bakshi
- (as Peeya Rai Choudhuri)
Shivaani Ghai
- Bride
- (as Shivani Ghai)
Avis à la une
Well, God help me, I enjoyed it. Director Gurinder Chadha's follow-up to smash hit "Bend it Like Beckham" is enjoyable nonsense, an earnestly acted mess of vibrant Bollywood musical sequences (sometimes set to English-language songs) and romantic pap. It doesn't seem to take itself seriously at all, which instantly puts it ahead of most nonsense. Eh, it's pointless to go on any further. It's rubbish, really, I'm not quite sure why I sat through it but bizarrely it manages to be a lot of fun. Chadha is a solid enough director to keep things more or less interesting, and the musical sequences are pulled off with aplomb. Naveen Andrews is good here as well.
6/10
6/10
Well, it's pretty hard, isn't it, to write a spoiler for a film which is based on such a well-known, well-loved novel! I will show my hand here and say that I am a Janeite. However, I am not a purist and I like many Jane Austen adaptations that many Janeites don't (for example I like 'Mansfield Park'). I enjoyed 'Bride and prejudice' for its colour and fun. The attempt to update 'P&P' to a contemporary Indian setting worked well most of the time, with the translation to India being effective because it is a society where arranged marriages are still an accepted way to go. The script did a pretty good job of capturing the essence of the story whilst playing around with some of the details eg cutting out the fifth daughter whose role in the story is pretty minimal, and making the 'tyrant' in Darcy's life his mother not his aunt (a more realistic situation in its modern setting). I loved the 'no life without a wife' song and dance routine though it reminded me at times of the 'Matchmaker' song in 'Fiddler on the roof'. However, the film suffered a little, for a number of reasons, the main ones being that it left the Bollywood- style when it went to Hollywood (which changed the tone of the film), it didn't really find a good way to make Wickham as wicked as he is in the original, and there did not seem to be the same desperate need to be married as there was for the Bennet sisters in 'P&P'. These modern Indian women had jobs and could, it appeared, be independent without having husbands, removing the urgency that drives its 'P&P' original. Despite this, though, it does manage to incorporate some of the satire against pomposity and the arrogance of the moneyed class that makes 'P&P' more than a simple romance. Overall, then, I found it a fun film and an entertaining take on my favourite novel.
well what can i say i went to this movie expecting it to be really bad as i am not a big fan of the actress aishwarya rai but i was surprised . one must look at this movie from the point that it was made more like a bolly wood movie that is dramatic , has songs (as all Hindi movies are incomplete with out) and a dash of Indian culture yes the movie is based on pride and prejudice so a lot of people will go expecting it to be like the book and hence will be surprised. the whole point to having an Indian girl who is from a different culture, background,class and country fall in love with a rich ,snobbish American boy is to make it romantic almost i would say like a mills and boons romance. and this is where the movie gets a thumbs up. martin henderson as will darcy looks smashing and plays his role well . this movie is funny as well as emotional and has all the stuff required in making a good movie one must go and see this movie and expect it to be like a bollywood film and the person will not be disappointed.this is a truly different movie and is worth a watch.
Inspired by Jane Austen's Pride and Prejudice, this Western-style Bollywood musical can't possibly achieve the heights that a union of the best of East and West movie making and English literature might suggests, but it manages to fulfil a delightful couple of hours of song and dance that Western cinema these days struggles to accomplish.
Like the novel, Bride and Prejudice uses the ideas that that first impressions are often wrong, and that a person can mature if he or she keeps an open mind. The unlikely courtship of Mr Darcy and (in our movie) a beautiful Indian girl starts with mutual contempt, but moves forward as they become wiser and learn that their first instincts, based on pride, prejudice and illusions, were wrong.
The scene moves between Amritsar and Goa to London and Beverley Hills, all in brighter-than-bright super-saturated colour, with an assortment of equally colourful characters, wonderful costumes, lavish dance pieces and heavenly bollywood-style ballads. While almost everything is in English (except for a few subtitled songs), nearly all the characters are top Indian performers.
In the golden age of musicals, stars such as Gene Kelly and Fred Astaire had a whole sub-industry to draw on for good dancers who could also sing and act well, plus the technicians used to producing high-end musicals. As demand waned, so did supply, and the West is now hard pressed to produce song and dance films that don't rely on snappy editing to suggest good dancing from top actors, or heavy coaching to suggest top dancers can act. Bollywood, on the other hand, has no such shortage, and Bride and Prejudice is the sumptuously choreographed musical with Indian dancing that has become nigh impossible with western dancers.
Admittedly it's a bit cheesy at times - but it's self-consciously so, and as endearing as warm, gushy Indian hospitality. The sets and dialogue give authentic, if stereotypical, glimpses of Indian life and values. Like many east-meets-west movies, the stereotypes are a handle to allow easy assimilation of foreign ideas, and the heavy Indian involvement wards off any tendency to patronise (which is one of the themes explored in the film).
This is not high drama or high art, but it's an accomplished romantic comedy / song-and-dance film, and one that warms the heart and makes you want to wave your arms in the air Indian-dance-style for the sheer joy and exuberance of happy endings.
Like the novel, Bride and Prejudice uses the ideas that that first impressions are often wrong, and that a person can mature if he or she keeps an open mind. The unlikely courtship of Mr Darcy and (in our movie) a beautiful Indian girl starts with mutual contempt, but moves forward as they become wiser and learn that their first instincts, based on pride, prejudice and illusions, were wrong.
The scene moves between Amritsar and Goa to London and Beverley Hills, all in brighter-than-bright super-saturated colour, with an assortment of equally colourful characters, wonderful costumes, lavish dance pieces and heavenly bollywood-style ballads. While almost everything is in English (except for a few subtitled songs), nearly all the characters are top Indian performers.
In the golden age of musicals, stars such as Gene Kelly and Fred Astaire had a whole sub-industry to draw on for good dancers who could also sing and act well, plus the technicians used to producing high-end musicals. As demand waned, so did supply, and the West is now hard pressed to produce song and dance films that don't rely on snappy editing to suggest good dancing from top actors, or heavy coaching to suggest top dancers can act. Bollywood, on the other hand, has no such shortage, and Bride and Prejudice is the sumptuously choreographed musical with Indian dancing that has become nigh impossible with western dancers.
Admittedly it's a bit cheesy at times - but it's self-consciously so, and as endearing as warm, gushy Indian hospitality. The sets and dialogue give authentic, if stereotypical, glimpses of Indian life and values. Like many east-meets-west movies, the stereotypes are a handle to allow easy assimilation of foreign ideas, and the heavy Indian involvement wards off any tendency to patronise (which is one of the themes explored in the film).
This is not high drama or high art, but it's an accomplished romantic comedy / song-and-dance film, and one that warms the heart and makes you want to wave your arms in the air Indian-dance-style for the sheer joy and exuberance of happy endings.
Went to see that movie twice and it only came out on the 22nd December in France!!! Full of color and great music!! If u want to spend a really nice time in cinema and laughing your head off over Mr Kholi, go at once.... And if u wanna check out nice a nice guy , go at least for Mr Will Darcy!! All jokes aside, Ash's first "american" movie is a success. They are all acting greatly and makes us want to go and visit Amritsar!! A big surprise also for hip-hop lovers: Ashanti's appearance for "Payal Bajake"'s song. The landscapes are wonderful. East really meets West.. and it's an enjoyable mix or how to teach a Westerner that he doesn't have it all...And as in all of Chandha movie's, the end is a delight!! ENJOY!!
Le saviez-vous
- AnecdotesAishwarya Rai Bachchan gained about 20 pounds for this film because she felt it was more suitable for her character to not look like a fashion model and to give her a more realistic appearance.
- GaffesWhen Lalita's mother asks Balraj to find Lalita 'a nice Indian husband' right in front of Darcy, Lalita and Darcy exchange lengthy dismayed looks as they realise that Lalita's parents don't view Darcy as a potential marriage match. Yet in the next scene, her parents smile and laugh and openly signal permission when Darcy looks to them for permission to embrace Lalita. Their sudden total change of heart is never explained.
- Citations
Lalita Bakshi: I though we got rid of imperialists like you!
Will Darcy: I'm not British, I'm American.
Lalita Bakshi: Exactly!
- Crédits fousOut-takes, behind the scenes footage and clips of the cast and crew singing along to the music are shown during the credits.
- Bandes originalesDeh Shiva Bar Mohe
Courtesy of Saregama India Ltd.
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- How long is Bride & Prejudice?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- Bodas y prejuicios
- Lieux de tournage
- Amritsar, Punjab, Inde(on location)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 7 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 6 605 592 $US
- Week-end de sortie aux États-Unis et au Canada
- 385 848 $US
- 13 févr. 2005
- Montant brut mondial
- 24 716 440 $US
- Durée2 heures 2 minutes
- Mixage
- Rapport de forme
- 2.39 : 1
- 2.35 : 1
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