NOTE IMDb
6,2/10
22 k
MA NOTE
Adaptation moderne du roman classique de Jane Austen, Orgueil et Préjugés, qui raconte la vie de quatre filles célibataires dans une famille indienne.Adaptation moderne du roman classique de Jane Austen, Orgueil et Préjugés, qui raconte la vie de quatre filles célibataires dans une famille indienne.Adaptation moderne du roman classique de Jane Austen, Orgueil et Préjugés, qui raconte la vie de quatre filles célibataires dans une famille indienne.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire et 6 nominations au total
Aishwarya Rai Bachchan
- Lalita Bakshi
- (as Aishwarya Rai)
Meghna Kothari
- Maya Bakshi
- (as Meghnaa)
Peeya Rai Chowdhary
- Lakhi Bakshi
- (as Peeya Rai Choudhuri)
Shivaani Ghai
- Bride
- (as Shivani Ghai)
Avis à la une
A fun movie. I watched it twice, once at the theater and once on DVD. The DVD has extended versions of the song and dance sequences which were also great.
What I like about this movie: Well, first of all, the fun factor. The pretty stars, the toe-tapping music, the dance sequences, the scenery of India, England and the US. These things all added up to pretty tasty eye-candy.
I also liked the international flavor and themes of the film. As was pointed out in the DVD commentary, it was a British film with a decidedly non-Eurocentric point of view. It was this while being a populist film at the same time. There are Indian actors from India, as well as British Indians and US Indians. Of course, there are white folk too.
The movie handles conflict between "Western arrogance" and native defensiveness without making one side more righteous than the other. And, of course, in the end, love conquers all. Well, love and wealth conquers all... Which leads me to what I didn't like about the film.
I have to admit, one reason I liked the film was because I loved looking at the beautiful, young actresses. So, maybe it is a tad hypocritical of me that the biggest turn-off was that the main appeal of the male protagonists (to the female characters) was their wealth and power.
Anyway. I thoroughly enjoyed the film and recommend it highly.
What I like about this movie: Well, first of all, the fun factor. The pretty stars, the toe-tapping music, the dance sequences, the scenery of India, England and the US. These things all added up to pretty tasty eye-candy.
I also liked the international flavor and themes of the film. As was pointed out in the DVD commentary, it was a British film with a decidedly non-Eurocentric point of view. It was this while being a populist film at the same time. There are Indian actors from India, as well as British Indians and US Indians. Of course, there are white folk too.
The movie handles conflict between "Western arrogance" and native defensiveness without making one side more righteous than the other. And, of course, in the end, love conquers all. Well, love and wealth conquers all... Which leads me to what I didn't like about the film.
I have to admit, one reason I liked the film was because I loved looking at the beautiful, young actresses. So, maybe it is a tad hypocritical of me that the biggest turn-off was that the main appeal of the male protagonists (to the female characters) was their wealth and power.
Anyway. I thoroughly enjoyed the film and recommend it highly.
Well, God help me, I enjoyed it. Director Gurinder Chadha's follow-up to smash hit "Bend it Like Beckham" is enjoyable nonsense, an earnestly acted mess of vibrant Bollywood musical sequences (sometimes set to English-language songs) and romantic pap. It doesn't seem to take itself seriously at all, which instantly puts it ahead of most nonsense. Eh, it's pointless to go on any further. It's rubbish, really, I'm not quite sure why I sat through it but bizarrely it manages to be a lot of fun. Chadha is a solid enough director to keep things more or less interesting, and the musical sequences are pulled off with aplomb. Naveen Andrews is good here as well.
6/10
6/10
Inspired by Jane Austen's Pride and Prejudice, this Western-style Bollywood musical can't possibly achieve the heights that a union of the best of East and West movie making and English literature might suggests, but it manages to fulfil a delightful couple of hours of song and dance that Western cinema these days struggles to accomplish.
Like the novel, Bride and Prejudice uses the ideas that that first impressions are often wrong, and that a person can mature if he or she keeps an open mind. The unlikely courtship of Mr Darcy and (in our movie) a beautiful Indian girl starts with mutual contempt, but moves forward as they become wiser and learn that their first instincts, based on pride, prejudice and illusions, were wrong.
The scene moves between Amritsar and Goa to London and Beverley Hills, all in brighter-than-bright super-saturated colour, with an assortment of equally colourful characters, wonderful costumes, lavish dance pieces and heavenly bollywood-style ballads. While almost everything is in English (except for a few subtitled songs), nearly all the characters are top Indian performers.
In the golden age of musicals, stars such as Gene Kelly and Fred Astaire had a whole sub-industry to draw on for good dancers who could also sing and act well, plus the technicians used to producing high-end musicals. As demand waned, so did supply, and the West is now hard pressed to produce song and dance films that don't rely on snappy editing to suggest good dancing from top actors, or heavy coaching to suggest top dancers can act. Bollywood, on the other hand, has no such shortage, and Bride and Prejudice is the sumptuously choreographed musical with Indian dancing that has become nigh impossible with western dancers.
Admittedly it's a bit cheesy at times - but it's self-consciously so, and as endearing as warm, gushy Indian hospitality. The sets and dialogue give authentic, if stereotypical, glimpses of Indian life and values. Like many east-meets-west movies, the stereotypes are a handle to allow easy assimilation of foreign ideas, and the heavy Indian involvement wards off any tendency to patronise (which is one of the themes explored in the film).
This is not high drama or high art, but it's an accomplished romantic comedy / song-and-dance film, and one that warms the heart and makes you want to wave your arms in the air Indian-dance-style for the sheer joy and exuberance of happy endings.
Like the novel, Bride and Prejudice uses the ideas that that first impressions are often wrong, and that a person can mature if he or she keeps an open mind. The unlikely courtship of Mr Darcy and (in our movie) a beautiful Indian girl starts with mutual contempt, but moves forward as they become wiser and learn that their first instincts, based on pride, prejudice and illusions, were wrong.
The scene moves between Amritsar and Goa to London and Beverley Hills, all in brighter-than-bright super-saturated colour, with an assortment of equally colourful characters, wonderful costumes, lavish dance pieces and heavenly bollywood-style ballads. While almost everything is in English (except for a few subtitled songs), nearly all the characters are top Indian performers.
In the golden age of musicals, stars such as Gene Kelly and Fred Astaire had a whole sub-industry to draw on for good dancers who could also sing and act well, plus the technicians used to producing high-end musicals. As demand waned, so did supply, and the West is now hard pressed to produce song and dance films that don't rely on snappy editing to suggest good dancing from top actors, or heavy coaching to suggest top dancers can act. Bollywood, on the other hand, has no such shortage, and Bride and Prejudice is the sumptuously choreographed musical with Indian dancing that has become nigh impossible with western dancers.
Admittedly it's a bit cheesy at times - but it's self-consciously so, and as endearing as warm, gushy Indian hospitality. The sets and dialogue give authentic, if stereotypical, glimpses of Indian life and values. Like many east-meets-west movies, the stereotypes are a handle to allow easy assimilation of foreign ideas, and the heavy Indian involvement wards off any tendency to patronise (which is one of the themes explored in the film).
This is not high drama or high art, but it's an accomplished romantic comedy / song-and-dance film, and one that warms the heart and makes you want to wave your arms in the air Indian-dance-style for the sheer joy and exuberance of happy endings.
Unless you're just determined not to have a good time, I can't imagine how you could watch "Bride & Prejudice" and not come out of it with a smile on your face. Colorful, splashy, cheesy, and starring a bunch of gorgeous actors, both male and female, it updates Jane Austen's classic tale and tells it in the style of a Bollywood musical.
Like most Bollywood musicals, the music in this is catchy while it's playing, but you won't remember any of it afterwards, since there are no strong discernible melodies. And the dance numbers aren't necessarily dance numbers so much as they are choreographed movement. But everything is sold so energetically that the festive mood is infectious.
Aishwarya Rai just may be the most beautiful woman on the face of the earth, but women viewers will have plenty of eye candy to keep them happy as well. And fans of Marsha Mason will be pleased, as she makes an unexpected cameo late in the film.
A treat.
Grade: A-
Like most Bollywood musicals, the music in this is catchy while it's playing, but you won't remember any of it afterwards, since there are no strong discernible melodies. And the dance numbers aren't necessarily dance numbers so much as they are choreographed movement. But everything is sold so energetically that the festive mood is infectious.
Aishwarya Rai just may be the most beautiful woman on the face of the earth, but women viewers will have plenty of eye candy to keep them happy as well. And fans of Marsha Mason will be pleased, as she makes an unexpected cameo late in the film.
A treat.
Grade: A-
Went to see that movie twice and it only came out on the 22nd December in France!!! Full of color and great music!! If u want to spend a really nice time in cinema and laughing your head off over Mr Kholi, go at once.... And if u wanna check out nice a nice guy , go at least for Mr Will Darcy!! All jokes aside, Ash's first "american" movie is a success. They are all acting greatly and makes us want to go and visit Amritsar!! A big surprise also for hip-hop lovers: Ashanti's appearance for "Payal Bajake"'s song. The landscapes are wonderful. East really meets West.. and it's an enjoyable mix or how to teach a Westerner that he doesn't have it all...And as in all of Chandha movie's, the end is a delight!! ENJOY!!
Le saviez-vous
- AnecdotesAishwarya Rai Bachchan gained about 20 pounds for this film because she felt it was more suitable for her character to not look like a fashion model and to give her a more realistic appearance.
- GaffesWhen Lalita's mother asks Balraj to find Lalita 'a nice Indian husband' right in front of Darcy, Lalita and Darcy exchange lengthy dismayed looks as they realise that Lalita's parents don't view Darcy as a potential marriage match. Yet in the next scene, her parents smile and laugh and openly signal permission when Darcy looks to them for permission to embrace Lalita. Their sudden total change of heart is never explained.
- Citations
Lalita Bakshi: I though we got rid of imperialists like you!
Will Darcy: I'm not British, I'm American.
Lalita Bakshi: Exactly!
- Crédits fousOut-takes, behind the scenes footage and clips of the cast and crew singing along to the music are shown during the credits.
- Bandes originalesDeh Shiva Bar Mohe
Courtesy of Saregama India Ltd.
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- How long is Bride & Prejudice?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- Bodas y prejuicios
- Lieux de tournage
- Amritsar, Punjab, Inde(on location)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 7 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 6 605 592 $US
- Week-end de sortie aux États-Unis et au Canada
- 385 848 $US
- 13 févr. 2005
- Montant brut mondial
- 24 716 440 $US
- Durée2 heures 2 minutes
- Mixage
- Rapport de forme
- 2.39 : 1
- 2.35 : 1
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