Ajouter une intrigue dans votre langueTwo 'very straight' old timers have to learn how to pass as a loving gay couple after falsely claiming same-sex status to take advantage of newly legislated tax laws.Two 'very straight' old timers have to learn how to pass as a loving gay couple after falsely claiming same-sex status to take advantage of newly legislated tax laws.Two 'very straight' old timers have to learn how to pass as a loving gay couple after falsely claiming same-sex status to take advantage of newly legislated tax laws.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 3 nominations au total
Avis à la une
Normally, the thought of having to put up with Paul Hogan for two hours would be enough keep most people away from a theatre, but Hogan and Caton as the affectionate 'squabbling old-couple' friendship is a highlight.
The premise is not overly original, a small town theatre owner (Paul Hogan) convinces a mechanic friend (Michael Caton) to pretend they are a gay couple to claim tax advantages. What follows as they try to hide their scheme from the other townsfolk, while trying to learn how to be 'gay' for the tax inspector, are the highlights of the movie. Hilarity ensues when our heroes travel to Sydney for the (gay) mardi-gras to study gay culture.
The climax is very predictable and somewhat unsatisfying, but overall the slapstick style is worth the cost of admission.
I watched the DVD of 'Strange Bedfellows' tonight with my partner and we both laughed like hyenas throughout. Even though most of the plot twists are obvious, half the pleasure comes from predicting what's going to happen next, and then seeing it actually happen as poor Vince and Ralph are plunged deeper into their charade. Michael Caton is brilliant, and Paul Hogan shines too, a few slightly wooden scenes notwithstanding. The rest of the cast allows anyone who's grown up with Aussie TV to play a quick game of "Ooh, isn't that...?"
The tax law reform which sets the plot in motion is very improbable - now moreso than when the film was made just last year - but it's clearly just a mcguffin to get the plot rolling, and it's not worth slamming the film for it.
Some people have been saying that the film is full of negative gay stereotypes; since the only part of the film with "real" gays (as opposed to Vince and Ralph's hilariously inept mincing) is set in Oxford St Sydney on a Friday(?) night, it's hardly surprising everyone's all frocked up for a night out. The important lesson here is that once Vince and Ralph sit and talk with them and get to know them, the gay guys are just, well, guys. Which is pretty much the moral of the story. Strip away the glitter and the glam, forget about who does what to whom in the bedroom - if you just stop and look, people are all just people.
I loved this - it's the Australian 'In And Out'. More like this, please.
Although I am a fan of the three lead actors in the film (Paul Hogan, Michael Caton and Pete Postlethwaite), I confess that before the film began I was slightly anxious that this would be a bit of a toe-curling cringe-making event that relied on wheeling out cardboard character stereotypes and putting them in lots of unbelievable 'not going to happen' silly scenarios. I was very pleasantly surprised. There are certainly some moments when I almost cringed a little too more than you are supposed to as part of the comedy but in my view the blanket of warmth running through this film carried them off.
The lead characters are backed up very well by some fine supporting performances. In particular, I liked the parts played by the hairdresser and the straight 'pub' and gay 'club' mates.
In terms of criticism, I think the script could have been a bit stronger in places and, in some parts, you have to disable your cynicism sensors when looking at the leads' very old-fashioned notions of how they think they should act to blend in as 'gay people' (but then I suppose this could fly on account of their country upbringing/lack of exposure - no offence to country folk meant here).
I would not quite rate this film as a classic in the sense that "The Full Monty" may have been, but as with that movie, I did feel quite a bit happier from the experience of watching it. If you are in the right mood for this film, you will find it very enjoyable.
Vince (Paul Hogan) has tax problems and the Australian government has just passed a law that allows same-sex couples a tax break - and it's retroactive. Scheming to save his arse, Vince convinces his best mate Ralph (Michael Caton) to pretend to be a same-sex couple to get the break.
Laughs ensue as they try to hide their secret from the local town folk, and get ready for an audit to prove they are actually gay. They enlist the help of the only know gay in town, predictable the hairdresser, and find out a clever secret he has been hiding. He helps them, and they go to Sidney to immerse themselves in gay culture before the tax man cometh.
While this is going on, Ralph's daughter is coming for a visit to introduce her partner. Everything comes together at the Fireman's Ball with Ralph and Vince, the whole town, the hairdresser, and a select few from Sydney, and, oh yes, Ralph's daughter and partner coming together.
Great fun!
Le saviez-vous
- AnecdotesThe film that Paul Hogan's character screens is The Last of the Knucklemen (1979) which also features Michael Caton and Stewart Faichney.
- Citations
Ralph Williams: Vince! We're fucked!
Vince Hopgood: No. Look, I'll keep Faith away from Russell; you come up with an excuse for the dancing; the ball will be finished, and we're done.
[Ralph and Vince's gay friends from Sydney arrive on motorcycles]
Vince Hopgood: We're fucked.
- Crédits fousYvonne did finally catch up with the mailman... ...it was love at first sight... ...they marry on Valentine's Day
- ConnexionsFeatures The Last of the Knucklemen (1979)
- Bandes originalesLooking At You
Composed by Cole Porter
Meilleurs choix
- How long is Strange Bedfellows?Alimenté par Alexa
Détails
Box-office
- Montant brut mondial
- 3 481 387 $US
- Durée1 heure 40 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1