Braqueurs amateurs

Jim Carrey is hard to beat in a role like this. He looks like the all American yuppie - tall, clean shaven, well dressed, and in control of his life - and his comedic delivery has been refined into a polished riff. All is believable when he lets loose because you know this is a guy who has a great sense of humor and he can get you to laugh until you lose your breath without grossing you out or making you groan at absurd silliness. Even while prancing or jabbing the air or contorting his face, Carrey is - hands down - the sexiest comedian on screen today. Tea Leoni is a good match for him because she too can be sexy while doing pratfalls or ending up with mud on her face. This is a dream coupling that should be repeated in more light comedies the way William Powell & Myrna Loy were paired in The Thin Man series.

I found this remake head and shoulders above the original because it had far more energy and there was more 'sympatico' in the match of personalities of Dick & Jane. The new version also has a much more important message about corporate shenanigans and its grave impact on modern society. The film moves at a quick pace and was too short for me, but that's only because I didn't want to leave these characters. They became that fun couple you always invite to your get-togethers because they are the life of every party.

Jim Carrey has come a long way since his early days on In Living Color. He became a hit actor in the likes of Ace Ventura: Pet Detective (a personal childhood favourite), The Mask and Dumb and Dumber. He tried hard for an Oscar nom, but always contended with winning Golden Globes. And for years now, he has basically been bouncing around dramas, comedies, and dramedies. So now, he has tackled a remake (of a comedy no less), and the results as per the last few years, are mixed at best.

Carrey is Dick, an employee at Globodyne (read: Enron) who is promoted just in time to help sail the company into oblivion on television. He tells his wife Jane (Tea Leoni) to leave her job only hours before hand, and upon returning stunning home, realizes that he may be in a bit of trouble. As the months go on, the pair's assets slowly begin to dwindle, and hope for continued survival begins to evaporate. So with nothing left to do, they turn to life of petty crime and hope for the best.

It is not an original concept at all, but Carrey and Leoni do a valiant job keeping this boat floating. While the film does have a few hilarious moments, the rest of it is bogged down by mere snicker-filled sequences or just scenes that are totally unfunny. It's not like these two actors are having any trouble being funny, it's that the material is not funny. Judd Apatow did wonders with The 40-Year-Old Virgin, but he fumbles here pretty hard with his writing partner Nicholas Stoller, who does not have nearly enough credits to his name. A parody on what happened at Enron was inevitable, but this just seems lackluster and barely thought out. Subplots are brought in, but barely resolved, and the key storyline just feels very weak by the end. It's not terrible, it just feels a tad bit incomplete.

The sorry thing about the entire film is the fact that much of it just feels like an extended montage with little payoff. It is only ninety minutes long, so it feels like a lot was trimmed down or cut right out. But the film suffers as a result. If it was longer, it undoubtedly could have had more potential for more funny moments, and as a whole, feel more complete.

While Carrey and Leoni do their best, it's Leoni who gives a stronger performance. Yes, Carrey is right at home with his zany character, and totally overshadows Leoni in every single aspect. But he just lacks that integral element of human comedy here, that made him so famous in the first place. It's unfortunate, and makes me wonder if the old Carrey will ever return, or if we'll have to contend with semi-funny Carrey for the rest of his career. Leoni is much better, and feels more in tune with what she's doing.

Even more unfortunate is the wasted supporting cast does very little. Alec Baldwin as the sleazy CEO Jack McCallister is sparingly unfunny, as is Richard Jenkins as the right hand man Frank Bascombe, who spends most of the movie drunk and not doing anything (besides setting up for the finale). The rest of the cast has little to no screen time, or are simply silly supporting characters that just feel like excess waste in the entire scheme of things.

For all of it's faults, the film is a worth while watch. As said, I did laugh at some of it. A bit of work on the screenplay would have benefited everyone here. Just do not go in expecting a comedy classic with Jim Carrey. If so, you will be sadly disappointed.

6.5/10.

Dick and Jane is a comedy I didn't expect to do very well. I wasn't sold by the trailers, and another remake is something the world can live happily without. Dick and Jane is an underrated hit though, and Carrey and Leoni are remarkably not as annoying as they sometimes can be. Carrey is, thankfully, as hyperbolic as the character of Dick will let him be and Jane isn't as complicated a role for Leoni to fall on. The movie excellently thanks corporations for its inspiration in the final credits.

Dick has a happy, healthy upper-middle class family. A promotion to the upper echelon believes him to convince his wife Jane to quit her job and get that hot tub they always wanted. A sudden change in corporate direction however, changes their future as they must resort to drastic measures when the bills aren't getting paid.

I didn't find myself laughing as much as I wanted to for a movie. In a year dominated by comedy-remake stinkers like the Honeymooners and Bewitched, Dick and Jane is one of the better movies of the year to watch. If you want a good movie to watch and understand a little bit of corporate history, I recommend Dick and Jane for you.

I think the reason why this film wasn't so well-received was because of its serious theme as people expected it to be an out-and-out comedy. However, I think it touches on some very relevant issues, especially today when the economy is at a recession where people are losing their jobs, their houses and slowly everything they own. But coming, back to the comedy element, there's plenty of that and a lot to laugh about so I still don't understand all the negativity towards this fun movie. For me the funniest sequence was the swollen mouth sequence. Carrey and Leoni are awesome together. They make a great comedic pair on screen. Richard Jenkins is terrific too and Alec Baldwin isn't bad either. I haven't watched the original version but I saw an interview of Jim Carrey where he mentions that the movie is more relevant today than it was in 1977. I couldn't agree more.

Have we lost our humor in America? This is a very funny movie. In many ways it's a dark comedy with a happy ending. But it moves quickly, is a parody on timely issues and has some of the best physical acting you'll ever see.

Jim Carrey and Tea Leoni work very well together. And while the 1977 original had two of my favorite people (whacko politics aside for Jane Fonda because she was a hoot in Barbarella), I think this version was more light hearted and more up to date.

I have a strange feeling that younger people didn't understand the concept, 20-30's thought it implausible for them and people above were frightened by its premise.

7 out of 10 for an entertaining time.