Un mariage de princesse

Good watch, could watch again, but can't recommend unless you just really liked the first one.

Of all the boring premises, a legal requirement is a really boring choice. Forcing a marriage is not only not relatable for America (Mia's country of origin), but also not exciting to watch Anne Hatheway reject guys and have to settle. And all the while they ignore the obvious solution.

There is a lot of fun with the idea of a American princess just having fun with a lot of resources, and touching bits with her using her power for good.

Sadly, again, the movie doesn't feel like it does anything special, despite all the "pizazz" they layer on.

Again, it's good, but it is weaker than the original, and unless you have the background of that movie, you're not missing anything by skipping this one.

The sequel to a quite charming predecessor, isn't too bad, but like the predecessor it does have a number of failings that let the film down considerably. I will say that there are some lovely locations, a nice soundtrack and very spirited performances from Anne Hathaway as Mia and Julie Andrews as Clarisse. Another big treat was hearing Andrews sing at the pyjama party. Even seven years of not being able to sing at all, her voice is not too bad, even if it lacks the angelic quality that made her so memorable in Mary Poppins and Sound of Music. However, had he had some better material to work with, John Rhys Davies could have been really entertaining. Because that wasn't to be, he was merely good, as we didn't learn very much from his character. Other failings include a rather contrived plot- then again the predecessor wasn't entirely successful at that either-, an underdeveloped romance and some uneven scripting. Overall, not bad at all, but could have been better. 6/10 Bethany Cox.

What does it mean to be a princess? Besides wearing tiaras and twin sets, dancing at balls…attracting fame and fortune simply for being beautiful? A princess is stuck forever in extended adolescence – she only has the trappings of power. Symbolically, at least, a queen has real power, and does not necessarily need to be beautiful.

For hundreds of years, fairy tales have filtered through our consciousness to involuntarily fuel our dreams. In the last century, what began as cautionary tales to lecture children have been sugar-spun into a Disneyfied notion of desire. But with Disney's latest, Princess Diaries 2: Royal Engagement, the recent trend of recasting fairy tales to reflect modern ideals continues, albeit with a gentler hand than yesteryear's feminists.

Simply, it's not enough to be a princess anymore. Although ostensibly a conventional tween romantic comedy, Princess Diaries 2 features a heroine who is more independent than Drew Barrymore's character in Ever After (1998) and less frustrated than Julia Stiles' Mary Donaldson clone in the The Prince and Me (2004). And, even better, in Princess Diaries 2, there are no handsome princes, just boys on the side.

I'm not a fan of much of director Gary Marshall's work – although Pretty Woman's a classic, Runaway Bride, Raising Helen and the original Princess Diaries are very ordinary films. But in this enchanting sequel, he and screenwriter Shonda Rhimes give us a character who's not just beautiful, klutzy and funny. Mia Mignonette Thermopoulos Rinaldi is growing into her power.

Princess Diaries 2 begins five years after the original at Mia's 21st birthday party. After the schemings of John Rhys Davies triggers an ancient Genovian law, Mia has one month to marry, otherwise she will forfeit the throne. As two very different suitors court her, Mia relies on her now affectionate relationship with her grandmother, Queen Clarisse (Julie Andrews), to guide her. Meanwhile security chief Joe (Hector Elizondo) woos the Queen.

There are hackneyed moments, the worst of which is a pajama party featuring dozens of little princesses who are designed to reflect their aspirant audience. Although enjoyable, this scene serves no dramatic function, except perhaps to showcase Julie Andrew's expertise in mattress surfing. The change in Queen Clarisse's character is also unexplained – she's transformed from being an acerbic biddy in the first film to being the dream grandmother. However, this film is entertaining, humorous and has a positive message. The cast and characters are also strong, particularly Anne Hathaway as Mia, and there's plenty of chemistry between her and Nicholas (Chris Pine). Heather Matarazzo and Fat Louie the cat also make brief appearances.

Princess Diaries 2: Royal Engagement improves on the original, and will be a particular hit with its target audience: tween and teen girls. But this film's got enough substance to appeal to an older audience…if you let it. ***/***** stars.

Disney have proved yet again why they are a head and shoulders above the competition when it comes to producing movies that aren't admittedly brain food, but are "good clean fun", (if you'll forgive the cliché), for kids. For every little girl who ever dreamed of becoming a princess, this film is the perfect way to spend two hours.

True, it was grossly unfaithful to Meg Cabot's original novels, but still managed to convey the charm and slick veneer that has come to be associated with Disney, and the valuable message of independence for little princesses everywhere.

For the more mature audience, this is a happy chance to revisit childhood, or simply breathe a sigh of relief that what your child is watching is not in any way compromising or damaging, and will not have to be explained later.

Good message. Solid performances. Sweet (if bland and predictable at times) story line. Great movie!

Highly recommended for two hours of escapism on a summer's afternoon.

The sequel to the highly successful Princess Diaries has come. This time, Mia who is slowly but surely adapting in her life as a princess is faced with a dilemma wherein she has to according to an obscure law must marry before she can ascend to the throne of Genovia. She must no chose between her duty to her new homeland or the affairs of her heart. In the background, lurks characters that are to benefit should she choose not to take the crown.

My very first reaction after watching the film was that I did not really enjoy the humour that the film had. There were a lot of elements that was taken from the first film. Whereas in the first film, it proved to be funny and quite charming, in this film it was the complete opposite. It's just like you listening to a joke that you have already heard before; it just doesn't have the same effect on you unlike the first time. It really looked quite silly that Anne Hathaway, who obviously has matured since the last PD movie, would come up with the same clumsy moves. In the past she could have gotten away with it but not this time around. I sincerely hope this is the last time she goes and does a movie like this because she has definitely outgrown this type of roles.

The story I also thought was rather dull and boring. It's pretty much a run of the mill story, which is really one of the weaker points of this movie. Yes it was rather predictable.

Overall this movie was a weak sequel and rather one to forget. I really hope that this franchise be put to rest as I really think a third film would really harm the franchise in the end. Then again this movie did make almost $100 Million and Disney might just try to squeeze a little more from the film.