Ajouter une intrigue dans votre langueJenna Jameson plays a more buxom and hardcore version of _Masseuse, The (1990)_, who gets paid for increasingly sexual requests from her client. Revealing she has a family, they meet one las... Tout lireJenna Jameson plays a more buxom and hardcore version of _Masseuse, The (1990)_, who gets paid for increasingly sexual requests from her client. Revealing she has a family, they meet one last time and finally go all the way.Jenna Jameson plays a more buxom and hardcore version of _Masseuse, The (1990)_, who gets paid for increasingly sexual requests from her client. Revealing she has a family, they meet one last time and finally go all the way.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 8 victoires et 7 nominations au total
Avis à la une
She is now trying to go into mainstream movies with parts in Private Parts, SamHain and now this flick "The Masseuse".
True this is story a xxx flick but its not a standard porn video in that Jenna hardly does any sex scenes for the first forty five minutes, no she acts in the movie.
Jenna is now making thousands of doing "scenes" in her new films, so its obvious she control and do what she wants to do.
She plays the part of a sexy masseuse, who becomes involved with a guy who might into some of criminal activity.
As always Vivid knows how to deliver high quality adult entertainment, the industry has been thriving for them, although much of their rentals come from dead couples who cant consummate their love. lol
Jenna and friends are as always great as ever and in the second half she eventually gives us what we want to see in Jenna.
Eventually, their relationship spices up a bit, with Barbara coming over to Jim's house to indulge in his shed of sex toys, whips, paddles, chains, and trinkets. Contrary to romantic (and perhaps pornographic) convention, love isn't in the air on Barbara's end. Whenever Jim tries to further the relationship past casual, compensated sex, Barbara pushes away, claiming things will get "too complicated" and reaffirming her love for keeping things simple and easy to manage.
So much of The Masseuse is heartbreaking as it is arousing. Consider the scene when Jim and Barbara are trying to negotiate a price for the night's escapades. Barbara starts at $200. "That doesn't leave me much for the week," Jim feebly replies, "how about $150?," he counters, to which she accepts. This is a sad scene, even if it doesn't come off like that, and not in a pathetic way. The fact that Jim is about ready to give up his weekly income on a woman who (a) doesn't love him and (b) doesn't really care about his personal life shows his desperation for some level of human companionship and compassion. Jim's entire life has ostensibly been about playing safe and anticipating results over process. Barbara is the first thing in his life that adds unpredictability and attention to interrupt the banal doings of his every day busy work.
The loneliness writers Dean Nash and Mark Haggard profile in The Masseuse is one even the most independent films have a hard time adequately portraying, and they do it with great pacing and situational drama. Jameson and Sterling also spark terrific chemistry, sexual and conversational, especially Sterling as an actor, who's stammer and weak voice comes through to say more about his character than he could ever effectively say himself.
The Masseuse, however, works just fine as a pornographic film; its sex scenes are erotic and methodical, taking their time to build to a rewarding and satisfying climax. Jameson's beauty and energy compliments many of the scenes, and the way both her and Sterling exercise mannered patience with the escalation of their sex makes the film that much more charming and worthy of recognition. Nothing is rushed, nothing is unclear, and the videography is pristine.
Not since the original Taboo did I find myself anticipating the actual dialog scenes more than the sex scenes in a pornographic film but The Masseuse is a film with brain and a personality to add to its explicit sex. It also features one of the first lesbian scenes I actually found myself enjoying on a sexual level, rather than just being bored and disinterested throughout the entire time. Much like Taboo in a narrative sense, if one truly mustered the motivation and maturity to watch the film, they could enjoy it as a film in addition to an arousing piece of art.
Starring: Jenna Jameson and Justin Sterling. Directed by: Paul Thomas.
My Porn Grade: B+
Le saviez-vous
- Citations
Jim: Did I do something wrong?
Barbara: No. Just hand me a towel.
Jim: Are you sure?
Barbara: Yes, Jim. I'm positive.
Jim: You're not real happy, OK. So whatever I did, I'm sorry.
Barbara: I shouldn't blame you. You'll be all right when you grow up.
Jim: What do you mean, "grow up?"
Barbara: Just what I said. Mentally.
- Versions alternativesThe UK release was cut, cut required to remove sight of woman both bound and gagged, and so unable to indicate any withdrawal of consent, engaged in sexual activity with a second woman, in order to obtain an 18 classification. Cut made in accordance with BBFC Guidelines and policy. An uncut classification was not available.
- ConnexionsFeatured in X-Rated: The Greatest Adult Movies of All Time (2015)