End of the Century

I just returned from a screening of this film and what can I say other than WOW!!! As a life long fan of The Ramones I was very happy to see that this film was going to be playing as part of a annual documentary film festival not far from where I live... To see The Ramones in all their glory and up on the big screen no less was quite a thrill... I could ramble on about the content of the film but hell The Ramones tell their story so much better than I ever could so all I will say is that if you consider yourself a music fan than you quite simply MUST see this film... As a side note Michael Gramaglia, one of the directors of the film, was present along with his brother (who helped edit the film) at the screening and participated in a Q & A after the film and I am very happy to pass on that he mentioned that he had just inked a deal with Warner Bros. that should get a DVD of the film in the stores around next February or March which will include a bunch of extras including a lot more that Dee Dee had to say as well as Joe Strummer's interview in it's entirety... Also Michael hinted that he may be returning to similar subject matter soon for his next project... Yep you heard it here first... Warner Bros has approached Michael and his brother about possibly doing a doc about CBGB's... He said nothing is definite but let's all keep our fingers and toes crossed in hope that everything comes together for another classik film!!!

I've been a Ramones fan since the release of their first album. The first song I learned to play in 1978 when I joined my first decent punk band was "Now I Wanna Sniff Some Glue". But I've never been the kind of fan who felt the need to know a great deal more about the bands I loved. With most of the Ramones gone, and knowing that this documentary had been well received, I decided it was time to reacquaint myself with these old friends of my youth.

Obsessive troubled shy liberal giant Joey. Laid-back easy-going drug addict Dee Dee. Angry driven tough guy neocon Johnny. Alcoholic Marky. Intelligent and over-sensitive Tommy. The core members of the Ramones could not have been more different people. To create a sense of unity, they cultivated a trademark look and gave themselves the surname Ramone. Then, in 1975, they basically invented American punk and inspired a whole generation of DIY rock and rollers. For the next 20 years, this disparate group would behave more or less as if they really were a band of brothers.

All five of the core members, and even CJ and Ricky, speak very openly about the band and their frustrations with the U.S. music industry, and there is plenty of music, including some rare early live stuff, to keep the film rolling. In addition to what the Ramones say about themselves, the film offers a very strong vision of the personalities that drove the band. Johnny comes across as honest, incredibly forceful and domineering - and the sheer volume of words he presents could leave you with the impression that he dominates the film. He does not. Dee Dee, who did not even stay with the band through the 1990s, got equal time. And even Tommy, the often absent founding drummer and later producer, might have been given equal time. Joey - never a great talker - is so quiet off-stage that he will leave you wishing for more.

This retrospective documentary is not an expose, but rather a respectful tribute. Framed around the band's induction into the Rock and Roll Hall of Fame, the film spends a great deal of time discussing the band's failure (in their own eyes at least) to achieve commercial success in the U.S.A. As somebody who was involved in Punk Rock from its beginnings in the U.S., I found this surprising. After all, the Ramones had more commercial success than virtually any American punk band of their generation, and, long before they broke up, achieved the status of a legend. If anything, this more-or-less constant theme is the most monotonous aspect of the film.

The documentary is good and very much worth watching for Ramones fans. The directing, editing and cinematography are not particularly innovative, but they get the story across in a straight-forward way. The Ramones were never boring, but this documentary, at times, gets pretty close.

Highly recommended for Ramones fans. Others may wish to avoid.

I'm a fan of the Ramones, but not an hard core 'owns every LP' fan. That said - I found this doc very informative. Some of the B&W footage from CBGBs is fascinating, and the interviews with the band members were great though often conflicting. The late Dee Dee in particular is highly entertaining. The print that I saw had a fair bit of white text over sections of live footage, but my guess is that this will be removed for the final print or (hopefully) DVD. Johnny comes across as one tough-minded SOB, but I get the impression that without him the band wouldn't have functioned at all.

In Auckland in the 70's we saw/heard much more from the Sex Pistols and Clash although everyone knew about NY Dolls and Ramones. The documentary was great in covering some of the gaps and in that the surviving members got to comment on their own memories or lack of them.

In an early tour to England the Ramones met the Clash and Pistols whom they helped through a back window. It was energising to think that many of the personal connections through a relatively small groups of bands reasonated so widely and so far. It was also of interest to realize that Ramones for all their fame never really cracked it and that is partly what makes them so interesting now.

It was great to relive some of the magic moments and also a bit sad to catch up on more recent events. I wasn't a huge fan but I do remember the day Joey died. I also enjoyed learning about the image making and the constructed views including those awful bowl haircuts. Johnnys role as brand director and developer was a revelation.

There are two groups of people that will go see this film, and I can recommend the film to both groups on different reasons, though one group will more than likely out-weight the other. For the punk-rock or hard rock fan, The Ramones mean a lot even before walking into the theater. In their arena they have, at last perhaps, elevated to the level of The Beatles for their style of music- they gave hope and aspirations for millions of kids all across the world who felt down in the dumps in their life, or maybe just wanted to learn how to play rock and roll without having to flip through a Led Zeppelin notebook. And unlike England's punk scene (and other facets of the NY punk scene of the 70's), as the film shows, they never restricted themselves to writing songs about politics and hardcore societal issues (though they did sometimes). A lot of their best songs were love songs (some of them ironic "I don't wanna walk around with you", some kinda sweet "I wanna be your boyfriend"), and wrote enough pop tunes for three bands. They were real, they were raw, and for the fan of the Ramones who may know a lot about them or may be more or less just a casual observer with one or two CD's, the revelations and tales about Joey, Johnny, Dee-Dee, Tommy, Marky, CJ, etc., it's life. Often very funny, as well as sad, weird, shocking, and enlightening in a way. Certainly as much of an enthralling document of rock and roll as well as the psychology.

Then for the other audience, the ones who know of the Ramones strictly from their songs being played on car commercials or in the ballpark ("Blitzkrieg Bop" and "I wanna Be Sedated" have become hits like those The Beatles and The Stones had for their time). For the non-fans, the kind that just 'walk in' from off the streets of Manhattan or LA or wherever you see it (if you're seeing it in it's theatrical run) and just want to see a compelling and involving documentary, the film still delivers the goods. The filmmakers Jim Fields and Michael Gramaglia assemble their interview footage and concert footage in a fascinating, grunge style, with the digital look corresponding with the subject matter as being about the "under-ground" of the times. The music selections, much like clips of speeches in a political documentary, inform the fan or non-fan on what they were like musically, and feature some of their finest live and non-live tracks ("Judy is a Punk", "Teenage Lobotomy", "Loudmouth", "Mama's Boy", "California Sun"). Now, if you go into the theater and you already don't like the Ramones, it's hard to tell if you'll be turned on to them after two hours in the dark. But one thing is for sure, is that End of the Century bravely captures a rock and roll story without pulling punches, and like The Filth and the Fury, it gets its sprawling story across in a limited time. (strong) A