Une série d'événements met à l'épreuve les croyances d'un petit village de campagne isolé.Une série d'événements met à l'épreuve les croyances d'un petit village de campagne isolé.Une série d'événements met à l'épreuve les croyances d'un petit village de campagne isolé.
- Réalisation
- Scénario
- Casting principal
- Nommé pour 1 Oscar
- 4 victoires et 24 nominations au total
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It's not what you think it is. It's not horrific. It's not gory. It is however a very well written and played thriller drama, with a fantastic love story woven into it to keep it from getting overbearing.
I've seen the 6th Sense and thought it was fantastic, and passed on Signs because I'd already been sick of alien movies by then, though it looks like I should see it.
I went into this film without preconceptions about M. Night Shyamalan or his previous work. I wanted to see a good scary movie. Good it was. Scary it was less. Don't go into it expecting to get horrified, and you won't leave the movie upset about it.
I liked this movie a lot, largely because it caught me by surprise at many points. It's too easy to spoil the movie if I mention why though, so I'll just say you have to see it for yourself.
The acting, particularly by Bryce Howard, Joaquin Phoenix, Adrien Brody, and William Hurt, was played well with the right subtlety and nuance to make the characters believable.
Howard's role as the smart, emotionally strong tomboy who also happens to be blind was played with an understanding you don't often see in a period role. She was Ivy, and she was living in the late 19th century. She showed an innocence that she could only have gotten away with in this character, and she played it like the time was hers.
There was no doubt of who she was. She conveyed the strength (both her real strength and that which she exuded with a feminine machismo) of her character very well, but never pushing it over the top. She never shouted an emotion; she whispered it, but it was loud and clear. When she spoke about love and fear, you felt it. When she cried she wasn't hamming it up; she exuded grief from eyes, face, and body. She was brilliant, and I can't wait to see her on screen again. She also happens to be incredibly beautiful. Did that cloud my judgment? Go see the movie.
Phoenix continues to upstage his previous roles in every movie I've seen him in. His expressions are classic. The theater laughed more from his modest look of confusion in one scene than I've heard at the last 3 comedies I've watched. He was being more serious than ever, but the comedy of his emotions, however brief, was transmitted perfectly through his stone cold face, only barely showing what he felt inside, but saying everything. Throughout the movie, he was quiet, thoughtful, brave, and pure of spirit, and he said it all in so few words. When he spoke of emotion, it had a power that gripped me. The lines he delivered, though incredibly well written, were meant for him.
Shyamalan's dialogue helped, in that it was rarely obtrusive when spoken by these actors.
About the story: It twists in ways few could imagine. That makes it a bit upsetting. Expect to be let down a little. If you're not looking for gory horror, then you might just love it. When it's not changing directions though it's fantastic in it's subtleties. I can't avoid that word because it applies well to how Shyamalan put this together.
I don't buy many movies, but I will be purchasing this when it comes out on DVD.
I've seen the 6th Sense and thought it was fantastic, and passed on Signs because I'd already been sick of alien movies by then, though it looks like I should see it.
I went into this film without preconceptions about M. Night Shyamalan or his previous work. I wanted to see a good scary movie. Good it was. Scary it was less. Don't go into it expecting to get horrified, and you won't leave the movie upset about it.
I liked this movie a lot, largely because it caught me by surprise at many points. It's too easy to spoil the movie if I mention why though, so I'll just say you have to see it for yourself.
The acting, particularly by Bryce Howard, Joaquin Phoenix, Adrien Brody, and William Hurt, was played well with the right subtlety and nuance to make the characters believable.
Howard's role as the smart, emotionally strong tomboy who also happens to be blind was played with an understanding you don't often see in a period role. She was Ivy, and she was living in the late 19th century. She showed an innocence that she could only have gotten away with in this character, and she played it like the time was hers.
There was no doubt of who she was. She conveyed the strength (both her real strength and that which she exuded with a feminine machismo) of her character very well, but never pushing it over the top. She never shouted an emotion; she whispered it, but it was loud and clear. When she spoke about love and fear, you felt it. When she cried she wasn't hamming it up; she exuded grief from eyes, face, and body. She was brilliant, and I can't wait to see her on screen again. She also happens to be incredibly beautiful. Did that cloud my judgment? Go see the movie.
Phoenix continues to upstage his previous roles in every movie I've seen him in. His expressions are classic. The theater laughed more from his modest look of confusion in one scene than I've heard at the last 3 comedies I've watched. He was being more serious than ever, but the comedy of his emotions, however brief, was transmitted perfectly through his stone cold face, only barely showing what he felt inside, but saying everything. Throughout the movie, he was quiet, thoughtful, brave, and pure of spirit, and he said it all in so few words. When he spoke of emotion, it had a power that gripped me. The lines he delivered, though incredibly well written, were meant for him.
Shyamalan's dialogue helped, in that it was rarely obtrusive when spoken by these actors.
About the story: It twists in ways few could imagine. That makes it a bit upsetting. Expect to be let down a little. If you're not looking for gory horror, then you might just love it. When it's not changing directions though it's fantastic in it's subtleties. I can't avoid that word because it applies well to how Shyamalan put this together.
I don't buy many movies, but I will be purchasing this when it comes out on DVD.
I disagree with other commenter. the ending twist was not obvious. I found this to be a thoughtful, deep movie with effective dialogue. I had to give Shamalan props as the result was not the typical Hollywood plot. If you go into watching it wanting a horror action movie, you will be disappointed. However, if you go into it with an open mind and like drama/suspense with a good premise, this is a very nice movie! The camera work was effective. Adrian Brody plays a good role albeit not a large one. Rating the Shamalan movies, I'd say The Village was second only to Sixth Sense. It was better than both Signs and Unbreakable. Definitely turned out to be a pleasant surprise.
I read somewhere that The Village was M. Night Shyamalan's best and most underrated movie. I wouldn't agree with that as The Sixth Sense was his best to me. But that's my opinion. The Village is entertaining though, like most of his movies, with the right amount of suspense. The cast is great as well, all top class actors and actresses so bad acting isn't present in this movie. To be honest this is my second viewing of this movie, and I liked it more the first time but that's just because of the element of surprise that plays a big role in his movies. It's a good movie for a first time viewing.
This appears to be a really divisive movie. It seems to me that people wanted another Sixth Sense and when The Village arrived, people were disappointed. Maybe the distributor didn't help by giving the impression it's a horror movie. It isn't. Or maybe some have taken against the writer/director.
It's a story of someone going to great lengths for someone they love. It just so happens there's a twist on the way.
I've recently rewatched The Village after many years. And whilst I knew the twist, there was plenty to keep me entertained and I think it's held up well. Put it this way, I persuaded my 14 year old to watch it with me, and she thoroughly enjoyed it. There were jump scares, good performances and it looked good. The twist completely wrong footed her, and we both thoroughly enjoyed it.
It's a story of someone going to great lengths for someone they love. It just so happens there's a twist on the way.
I've recently rewatched The Village after many years. And whilst I knew the twist, there was plenty to keep me entertained and I think it's held up well. Put it this way, I persuaded my 14 year old to watch it with me, and she thoroughly enjoyed it. There were jump scares, good performances and it looked good. The twist completely wrong footed her, and we both thoroughly enjoyed it.
In recent years, M Night Shyamalan's reputation has taken a serious beating, having directed universally panned Razzy films (such as The Last Airbender and The Happening), and even some recent successes (Split, Glass) haven't been enough to salvage his career. However, slightly earlier in his directorial filmography sits this genuine horror-mystery masterpiece, criminally underrated and judged undeservedly.
The Village is a different take on a horror trope, detailing an isolated community's resolve against a hidden threat in the surrounding forest. As this genre goes, the cast does not get any better: Sigourney Weaver, Joaquin Phoenix, Adrien Brody and Brendan Gleeson all feature prominently, as well as relative unknowns Jesse Eisenberg and Dallas Bryce Howard in some of their earlier roles. All are individually excellent and well-cast, perfectly depicting the repressed fear of a society without outside influences.
The plot of is consistent and of genuine quality, which doesn't often translate in the horror genre; however, do not be dissuaded by the premise of horror - The Village plays more off the resulting drama than cheap jump scares, and slow burns until the revelations in the second half blow the script open. The forest village is the ideal setting for this hidden evil, sparsely populated and somewhat bleak - the integral use of red and yellow elevate the cinematography further, making the environment more distressing.
The Village should be a must-watch purely on the merit of the plot: some may not connect with the subtleties of the script and the nuances of the story, but those who take the time to invest will be thoroughly rewarded with a quality film.
The Village is a different take on a horror trope, detailing an isolated community's resolve against a hidden threat in the surrounding forest. As this genre goes, the cast does not get any better: Sigourney Weaver, Joaquin Phoenix, Adrien Brody and Brendan Gleeson all feature prominently, as well as relative unknowns Jesse Eisenberg and Dallas Bryce Howard in some of their earlier roles. All are individually excellent and well-cast, perfectly depicting the repressed fear of a society without outside influences.
The plot of is consistent and of genuine quality, which doesn't often translate in the horror genre; however, do not be dissuaded by the premise of horror - The Village plays more off the resulting drama than cheap jump scares, and slow burns until the revelations in the second half blow the script open. The forest village is the ideal setting for this hidden evil, sparsely populated and somewhat bleak - the integral use of red and yellow elevate the cinematography further, making the environment more distressing.
The Village should be a must-watch purely on the merit of the plot: some may not connect with the subtleties of the script and the nuances of the story, but those who take the time to invest will be thoroughly rewarded with a quality film.
Le saviez-vous
- AnecdotesDirector M. Night Shyamalan put the entire cast through a 19th century "boot camp" in order for them to get a good feel for the time period.
- GaffesAt the wedding dinner there is a child wearing red when red is the "bad color" and represents evil, yet nobody gets upset.
- Citations
Ivy Walker: Sometimes we don't do things we want to do so that others won't know we want to do them.
- Crédits fousDuring the end credits we see pictures of the village.
- Bandes originalesNoah Visits
Composed by James Newton Howard
Conducted by Pete Anthony
Performed by The Hollywood Studio Symphony
Published by Hollywood Records
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Détails
Box-office
- Budget
- 60 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 114 197 520 $US
- Week-end de sortie aux États-Unis et au Canada
- 50 746 142 $US
- 1 août 2004
- Montant brut mondial
- 256 697 520 $US
- Durée
- 1h 48min(108 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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