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Ajouter une intrigue dans votre langueMario Van Peebles' half-documentary/half-homage to his father Melvin Van Peebles' movie Sweet Sweetback's Baadasssss Song (1971).Mario Van Peebles' half-documentary/half-homage to his father Melvin Van Peebles' movie Sweet Sweetback's Baadasssss Song (1971).Mario Van Peebles' half-documentary/half-homage to his father Melvin Van Peebles' movie Sweet Sweetback's Baadasssss Song (1971).
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 3 victoires et 11 nominations au total
Ralph P. Martin
- Tommy David
- (as Ralph Martin)
Avis à la une
"Baadasssss!" beats out Truffaut's "Day For Night" as the greatest movie ever made about the movie business. What Mario Van Peebles does here is nothing short of extraordinary: he manages to inform the viewer about independent film-making while also incorporating an enthralling portrayal of a man obsessed by his unique version of the American dream.
Like "Adaptation", the film is a dizzying array of comedy, satire, family drama, and a little bit of Freudian psychology. Van Peebles, casting himself as his father, obviously doesn't glorify the production, but tells the story of the making of "Sweetback" in a low-key and understandable manner. He doesn't make his father a hero or a villain but rather a man pushed to his limits. The backstage antics are sometimes funny, but more often are simply incredible to believe. Van Peebles' daring use of "American Splendor"-like documentary transitions are also wonderfully effective.
It must be said that I have not seen "Sweet Sweetback's Baadasssss Song" and it's hard to fathom that this film would actually be better upon after viewing it (I'm not suggesting that I won't look for the film next time I'm at the video store). Like its subject, "Baadasssss!" is a revolutionary film, and should not be limited to film buffs or fans of Mario Van Peebles; this is a movie any casual film-goer would thoroughly enjoy.
Like "Adaptation", the film is a dizzying array of comedy, satire, family drama, and a little bit of Freudian psychology. Van Peebles, casting himself as his father, obviously doesn't glorify the production, but tells the story of the making of "Sweetback" in a low-key and understandable manner. He doesn't make his father a hero or a villain but rather a man pushed to his limits. The backstage antics are sometimes funny, but more often are simply incredible to believe. Van Peebles' daring use of "American Splendor"-like documentary transitions are also wonderfully effective.
It must be said that I have not seen "Sweet Sweetback's Baadasssss Song" and it's hard to fathom that this film would actually be better upon after viewing it (I'm not suggesting that I won't look for the film next time I'm at the video store). Like its subject, "Baadasssss!" is a revolutionary film, and should not be limited to film buffs or fans of Mario Van Peebles; this is a movie any casual film-goer would thoroughly enjoy.
I had been putting off seeing this, and then was pleasantly surprised.
I didn't know much about Mario Van Peebles, nor of his father ("Sweet Sweetback's Baad Asssss Song" came out 2 years before I was born) but after seeing this homage to Mr. Van Peebles and seeing how much he risked - everything from finances to his family and his own health, for his dream of "the world" to really see life from the African American point of view, the way it really is, is well impressive to say the least.
The unimaginable struggle, the pressure and the sheer will that Mario portrays in his father is a touching tribute. Mario reveals his father's motives for making "Sweetback" in a moving and heartfelt way, documenting how Hollywood portrayed races other than white - if you are not white, then you are the white man's servant - how at that time - no one and no other film had film portrayed a Black Man as a hero or the struggles that he or any other race faces. It is a tale that is bigger than him and despite the risk and struggle, he fights to tell it. This is a fitting homage to a pioneer of a Genre and a Father.
"Baadasssss!" It also depicts the rugged world of guerrilla film-making and the rabid fight involved in making an indie film from inception to distribution. After seeing this I take a much greater heed of the Van Peebles Name, "Baadasssss!" is worthy film as a Drama in its own right, an Homage to a Pioneer and Father and as a Documenty Tribute to a Piece of Film History.
I didn't know much about Mario Van Peebles, nor of his father ("Sweet Sweetback's Baad Asssss Song" came out 2 years before I was born) but after seeing this homage to Mr. Van Peebles and seeing how much he risked - everything from finances to his family and his own health, for his dream of "the world" to really see life from the African American point of view, the way it really is, is well impressive to say the least.
The unimaginable struggle, the pressure and the sheer will that Mario portrays in his father is a touching tribute. Mario reveals his father's motives for making "Sweetback" in a moving and heartfelt way, documenting how Hollywood portrayed races other than white - if you are not white, then you are the white man's servant - how at that time - no one and no other film had film portrayed a Black Man as a hero or the struggles that he or any other race faces. It is a tale that is bigger than him and despite the risk and struggle, he fights to tell it. This is a fitting homage to a pioneer of a Genre and a Father.
"Baadasssss!" It also depicts the rugged world of guerrilla film-making and the rabid fight involved in making an indie film from inception to distribution. After seeing this I take a much greater heed of the Van Peebles Name, "Baadasssss!" is worthy film as a Drama in its own right, an Homage to a Pioneer and Father and as a Documenty Tribute to a Piece of Film History.
Man this one was awesome,the movie just blew me away!As a black man and a movie buff i always knew about melvin van peebles and his great contribution, not just to ethnic filmmakers but to all entertainment as a whole.This man was 1 of the pioneer who truly changed entertainment as we know it.Filmmakers of less talent and courage get credit and attention while a man of true importance gets ignored.This was one of the most inspirational movies i have ever seen(view from the top was another)if you have a dream,i don't care what it is, this movie will make you want to push to the max to achieve it!great movie check it french
Ever wonder what it would be like to make your own film without a studio to support you and no money in the bank to fund it. Well, thankfully Mario Van Peebles' father forged ahead in the 70s with a dream and passion like no other. While Hollywood was content with making pictures that negatively depicted African Americans, Melvin Van Peebles decided to break this cultural norm and change the face of cinema.
With no budget, money from friends and drug dealers, and a non-union crew, Melvin created the impossible. He grabbed a hold of an idea and let nothing get in the way from accomplishing it. Melvin had a dream of making an African American the center of the film, one that took no sass from anyone and criticized the modern white Government. While big studios backed away from this project, Melvin jumped forward made Sweet Sweetback's Baadasssss Song. There were trial and tribulations to get it done, but thanks to a very surprising source the film became a success. It was the first independent film to become the number one film in America.
Similar to the passion seen in Melvin's eyes when he is making his low-budget film, Mario portrays that exact same involvement when making this low-budget film. What I loved about this film is that there is so much raw, unbridled emotion behind Mario's eyes that you can tell that he 1) loves his Dad and 2) wanted to show America the truth behind this innovator's life. This is Mario's past, and he superbly reenacts it on screen. He carries this film, showing us the many facets of his father. He shows the angry American, the independent talent, the powerful leader, and even the emotional parent. Through all of this Mario continues to keep this film focused and interesting. We cannot keep our eyes off his portrayal of his father. I would not be surprised if he is nominated for an Oscar this year.
Finally, this is a very powerful film that speaks about a side of Hollywood that is less known. It shows how the boundaries of racism can be broken with imagination and persistence. It shows that 'all men are created equal' and that if you have a dream you should pursue it. If you are in the process of making your own film and need a movie that will inspire and motivate, this would be the film to watch. From the moment I put this film in my DVD player, I was glued. What a powerful story coupled with interesting actors (Adam West and Sally Struthers) and told with a very realistic voice.
I highly recommend this film.
Grade: **** out of *****
With no budget, money from friends and drug dealers, and a non-union crew, Melvin created the impossible. He grabbed a hold of an idea and let nothing get in the way from accomplishing it. Melvin had a dream of making an African American the center of the film, one that took no sass from anyone and criticized the modern white Government. While big studios backed away from this project, Melvin jumped forward made Sweet Sweetback's Baadasssss Song. There were trial and tribulations to get it done, but thanks to a very surprising source the film became a success. It was the first independent film to become the number one film in America.
Similar to the passion seen in Melvin's eyes when he is making his low-budget film, Mario portrays that exact same involvement when making this low-budget film. What I loved about this film is that there is so much raw, unbridled emotion behind Mario's eyes that you can tell that he 1) loves his Dad and 2) wanted to show America the truth behind this innovator's life. This is Mario's past, and he superbly reenacts it on screen. He carries this film, showing us the many facets of his father. He shows the angry American, the independent talent, the powerful leader, and even the emotional parent. Through all of this Mario continues to keep this film focused and interesting. We cannot keep our eyes off his portrayal of his father. I would not be surprised if he is nominated for an Oscar this year.
Finally, this is a very powerful film that speaks about a side of Hollywood that is less known. It shows how the boundaries of racism can be broken with imagination and persistence. It shows that 'all men are created equal' and that if you have a dream you should pursue it. If you are in the process of making your own film and need a movie that will inspire and motivate, this would be the film to watch. From the moment I put this film in my DVD player, I was glued. What a powerful story coupled with interesting actors (Adam West and Sally Struthers) and told with a very realistic voice.
I highly recommend this film.
Grade: **** out of *****
I can't begin to say how great this film is, and how much it meant to me. I'm not a big fan of some of Mario Van Peebles' work, so to me, this is by far his best job, acting and directing. He captured the power and the struggle of fighting for a dream/vision, and he made the audience take the journey with him. In fact, this film renewed by interest in the original "Sweetback ..." and made me appreciate the original film to a much greater degree. I saw this film on it's opening weekend, and I pre-ordered it as soon as I found out it was coming to DVD.
Essentially, Mario plays Melvin (his father) while he was creating the independent film classic, 'Sweet Sweetback's Baad Asssss Song'. We watch as Van Peebles struggles with family, "the man" and his own personal demons to complete a film that, by all industry models, should not have been made. It was black, sexual, political, and there was barely enough money to get it off the ground. But Van Peebles was a bad mother{watch your mouth}, and he was determined to make it anyway.
If you are a filmmaker, put this film in your "must see" list. If you are struggling to build a business, follow a path less traveled, or go for any dream that seems almost out of reach, this film is also a must see for you. And, if you just want to see the power of passion, and see what a person can do on too little budget with too little time when all he has to make up for the deficit is his heart, see this film! (That last comment was about Mario, but it is also apropos for Melvin, the subject of this film).
There is nudity and strong language in the film. I mention that because I wouldn't want to send anyone to a film that might offend them without forewarning. That said, see this film!
Essentially, Mario plays Melvin (his father) while he was creating the independent film classic, 'Sweet Sweetback's Baad Asssss Song'. We watch as Van Peebles struggles with family, "the man" and his own personal demons to complete a film that, by all industry models, should not have been made. It was black, sexual, political, and there was barely enough money to get it off the ground. But Van Peebles was a bad mother{watch your mouth}, and he was determined to make it anyway.
If you are a filmmaker, put this film in your "must see" list. If you are struggling to build a business, follow a path less traveled, or go for any dream that seems almost out of reach, this film is also a must see for you. And, if you just want to see the power of passion, and see what a person can do on too little budget with too little time when all he has to make up for the deficit is his heart, see this film! (That last comment was about Mario, but it is also apropos for Melvin, the subject of this film).
There is nudity and strong language in the film. I mention that because I wouldn't want to send anyone to a film that might offend them without forewarning. That said, see this film!
Le saviez-vous
- AnecdotesDuring a July 2004 interview with Terry Gross on the National Public Radio program "Fresh Air," Mario Van Peebles explained that he did not want to put any child actor in the same position he was put in on the set of Sweet Sweetback's Baadasssss Song (1971), especially because he felt like, as a thirteen-year-old, his father had given him no choice but to participate in a sex scene with a much older woman--partly by threatening to confiscate the bicycle he had received as a Christmas present if he didn't perform. "I didn't enjoy it at all. I didn't want to be in that scene. I didn't want to have to give that bike back--that bike had a banana seat!...I didn't want to make anyone do that scene twice, so in Baadasssss! (2003) I just used the original footage of me as a kid in "(Sweet) Sweetback('s Baadasssss Song)" during that scene. So the kid I cast (to play the younger version of me, Khleo Thomas) wasn't going to have to do anything like that. And that's just something that I wanted to do--I said, 'well, I'm not going to repeat, do unto someone else what I didn't like having done unto me. ' But I did want to show the scene because I thought it was a point in my life, and it just showed something interesting about Melvin, that he was sort of like that 'Great Santini-esque' father--almost that which does not kill in a Friedrich Nietzsche-esque way you makes you stronger."
- GaffesWhile in the "D"...Detroit, The DJ announces the radio station's call letters beginning with "K" Call letters for radio and television stations in that area of the country start with "W".
- Citations
Melvin Van Peebles: Is this something negative, Priscilla? Because if it's negative, I can't even deal with it right now. I'm a broke, pissed off nigger from Chicago, and I'm down to my last cigar.
- Crédits fousReal-life participants of the production of "Sweet Sweetback's..." give testimony during the closing credits, including Earth, Wind & Fire founding member Maurice White, who confirmed the "bounced check" story. Melvin Van Peebles himself appears onscreen when the credits finish.
- ConnexionsFeatured in Anatomy of a Scene: Baadasssss (2004)
- Bandes originalesDamn All the Fallacies
Performed by Tree Adams
New Dog Old Trix Publishing
Written by (c) Adam Hirsh
Courtesy of Treehouse Music Inc.
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Badass
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 365 727 $US
- Week-end de sortie aux États-Unis et au Canada
- 45 331 $US
- 30 mai 2004
- Montant brut mondial
- 365 727 $US
- Durée1 heure 49 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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