Modigliani

It took a while for me to get into it, but by the end I really liked it a lot. It could have been more consistent and seamless--the casting was so-so. In the first part of the movie the intensity of the characters didn't come across, but as the movie progressed, especially near the end, their emotions were more convincing and believable. The music was possibly the most passionate and moving part of the whole thing -- I hope a sound track is released. I liked the sets, the costumes and filming was pretty good. The subject matter was of particular interest to me as I am an artist. It's probably not for everyone and definitely not for those who like formula, action films.

This movie is very much a mixed bag.. it's a good film. It's nice to watch, the acting is good, the direction is good and the story is engaging. But I feel it doesn't capture the real spirit of the era and the Paris artist community. It focuses too much on the immoral behavior and madness of the artists and leaves out the way these people viewed the world and their concepts of beauty. It's good the film tries to show the grittiness of it all, but there was so much more... i'd really would've liked to see more about what drove modigliani to paint as he did and what exactly drove him to destruction. This film only just touches on that...

it tries too much to please the American audience in their quest for standardized Hollywood stories, but on the other hand it tries to have a certain "artsy" flair that remains just polish because it lacks depth. Add to that some production-decisions that are a bit unfortunate, like the for any European obviously fake accents. They should've taken the original languages (french, Italian, Spanish, German) or English. Not this lame compromise..

Still you gotta see this. Not for an actual representation of modiglianis life or that era, just for it being a good film, dealing with passion, loyalty, madness, love and hate. See it for the atmosphere ,which although not accurate, is beautiful. See it for the good acting and the wonderful chemistry between modi and picasso. It could've been so much more but it is what it is.. good, intelligent entertainment.

I was lucky to see this movie in Paris where this movie was first

released in the cinemas. I was really impressed by the brilliant

performances of Andy Garcia and Elsa Zylberstein and the rest of the cast. Andy Garcia is a VERY versatile and extremely talented actor. We may already know this story is about the last years' of life of the Italian painter Amedeo Modigliani and set in Paris in 1919. However this movie has a new approach and new ideas and it is not an ordinary biography movie. The spirit of Paris in that period comes alive in this movie. Everyone who involved in this movie worked with passion and passion is actually a main theme of this movie.

I totally enjoyed seeing this movie and I hope that this movie will be released widely and many people will be able to see it. We are all surrounded by those big blockbuster movies nowadays and it is so nice to see Modigliani, a real gem.

Colorful and engaging, albeit, self-important lengthy Bio-Pic. Acting values range from screaming to sublime. Artist portrayals are always difficult to convey on the screen, and in this case, a painter, comes across as self-serving, ultimately unsympathetic but full of great art. His oeuvre speaks volumes but his lifestyle, littered with latch key kid lacking, results in some sad and destructive behavioral patterns that he never could outgrow. Backstory handled effectively and the anti-semitic storyline brutally honest but ham-fisted by the script. The debauched artists are overwhelmed by pistols, pity and the tortured artist syndrome. The scenes between the Big M and Pablo Picasso are the most interesting because of the tension created by the actors in each of the scenes; but Diego Rivera is reduced to bows and grunts. Excessive use of blood overstates some of the violence and one of the characters spends all his time yelling, about anything and everything. The "age" of the baby bothered my gal-pal ("M's" lover is seven months pregnant and carrying a three month old in her arms...say what?!) and the bad guys are straw-men with blackjacks to wield. Although there are scenes of "M" studying the bone structure of his subjects and checking out the rain on his window pane his artistic inspiration may be too subtle for the cinema to effectively embrace, without including his bouts with booze and hash. Keep this guy away from mommy's purse, he's a man on binge mission. Of course how do you portray inspiration? That's a puzzle. Too bad, too, because ultimately "M" left me mostly unmoved and wanting to take a trip to The Prado; rather than watch a vain and valiant Andy Garcia doing his Leaving Las Vegas cocktail chug-a-lug tumble down the auteur hole of dipsomania and consumption. Not a pretty slide. Not since Steven Boyd sucked his last gasp in Ben Hur has a character expelled air with such profound pathos. The women are pretty pawns in the directors hand's and the Salon Artist Paint-off "Contender" sequence rivals March Madness in frustration, respect and triumph. The euro trash tune-age is redolent of Cirque Du...and the salon scenes are gaudy but filled to the brim with odd balls and period patches.

Has the film a USA distributor? And for who is the pic targeted? The Hitch and Robots crowds will have a hard time pronouncing the title let along paying ten bucks to walk through the doors of the local multiplex to catch this one. Wait till DVD, rent it; and then go to an art gallery.

The story of Modigliani is well-known. However, this film gives it life with a wonderful script, amazing cinematography, and mind-blowing performances by Andy Garcia and Elsa Zylberstein, a little-known French actress. I was glued to the screen from start to finish and have recommended it to everyone. If this film, Garcia, and Zylberstein don't receive Academy Award nominations, there's something wrong with Hollywood... at least more than is already wrong with it.

Run don't walk to the nearest theatre showing "Modigiliani". Forget the mega-publicized studio films being released now (Winter 2004-2005). See it while you can. It's a true find, and one that will stay with you long after you left the theatre.