Soul Plane
NOTE IMDb
4,6/10
26 k
MA NOTE
Ajouter une intrigue dans votre langueThings get raucously funny aboard the maiden flight of a black-owned airline, thanks to some last-minute passenger additions.Things get raucously funny aboard the maiden flight of a black-owned airline, thanks to some last-minute passenger additions.Things get raucously funny aboard the maiden flight of a black-owned airline, thanks to some last-minute passenger additions.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 nomination au total
Sofía Vergara
- Blanca
- (as Sofia Vergara)
Avis à la une
This movie wasn't too funny. It wasn't too horrible either. Just a fun ride aboard the Soul Plane. It's a black-owned flight service with a kick-ass disco, beautiful bar, and pumping stewards. The plot takes you through the whole idea of a black (not race or color, but 'style') -owned plane with the same style of black humor. At times, there are some great rare scenes like when the main character uses the 'normal' lavatory in the 'normal' plane. Check that out. There are lulls, however, and I find it most in the character who played the Soul Pilot. Watch to find out who it is. All in all, it's a fun movie. Tom Arnold adds to the fun with his 'cracker' attitude. This is one movie to watch when playing poker, when you're drunk, or just vegging.
For all of you that like the black comedic-type films similar to some of the Wayans Brothers work, then this is the film for you. But if you can't handle or dislike outrageous silliness, which can only make you laugh because it's just...well, too silly (why else would we laugh?), then you might want to pass this one up. Rather simply, I have already summed this film up - outrageous silliness. And it centers around some of the more popular themes like....sex, more sex, sex again, drugs, sex, and.........this is a shocker.....(no, no more sex) manages to throw in, with a semi-effort, profound themes like a father's feelings of losing his daughter, consummate love and immolation, and the definition of true friendship. Intertwined within all of this is humor common to the stereotypical definition of the ghetto and the hood. In other words "phat" rims, cool rides, foxy booty honeys, pimp daddys, gold chains, puffing on the "L", sexual chocolate, and an asuntry of other familiar brandings. Prepare yourself for a crazy flight aboard the Soul Plane. Peace out.
Most comments submitted to IMDb about "Soul Plane" are so negative that it would appear this film should not hold anyone's interest. While it is no masterpiece, the movie is not half as bad as most critics seem to indicate.
First of all, other mainstream spoofs have dealt with the same clichés one sees in "Soul Plane". Jesse Terrero, the director, shows a flair for the material. The director has gathered a lot of talented black entertainers in a comedy that is best watched with a lot of friends because there are some hysterical moments in it that are a riot.
It's true there are stereotypes, but it doesn't seem the creators of the film set out an agenda to hurt anyone. Some jokes play better than others, but with the right attitude, the movie proves to be fun. The use of some of the music plays well within the context of the film.
Kevin Hart, Tom Arnold, Snoop Dog, K.D. Cubert, the funny Mo'nique, and the beautiful Sofia Vergara make this a movie with a lot of laughs.
Instead of dwelling in the negative aspects of "Soul Plane", just relax, sit back and enjoy.
First of all, other mainstream spoofs have dealt with the same clichés one sees in "Soul Plane". Jesse Terrero, the director, shows a flair for the material. The director has gathered a lot of talented black entertainers in a comedy that is best watched with a lot of friends because there are some hysterical moments in it that are a riot.
It's true there are stereotypes, but it doesn't seem the creators of the film set out an agenda to hurt anyone. Some jokes play better than others, but with the right attitude, the movie proves to be fun. The use of some of the music plays well within the context of the film.
Kevin Hart, Tom Arnold, Snoop Dog, K.D. Cubert, the funny Mo'nique, and the beautiful Sofia Vergara make this a movie with a lot of laughs.
Instead of dwelling in the negative aspects of "Soul Plane", just relax, sit back and enjoy.
Yes, Soul Plane is no Kurosawa or de Sica stuff, but it's funny.
Yes, it contains vulgarity, nauseating scenes, foul-mouthing, insults, indiscriminate use of the omnipresent "N-word" and "Motherf---ers", racial stereotyping and what-have-you, but everything in it is so absurd that it becomes funny. Actually absurdity is, in my opinion,the strongest point of this movie; it's so extreme in its incredulity that not for a single moment does it let one feel that this movie, even in one's wildest dream (with or without any assistance from pot), could have the slightest similarity to reality! Thus, all one needs to do to enjoy this movie is to switch off all logical reasoning and just watch it for the fun of it.
Though I am not an African-American person (and thus, I can not comment on the humiliation felt by some African-American reviewers), I can see that this is not a racist movie; rather, it pokes fun at many of the prevailing stereotypes, though definitely not in a polished way.
Come on! If a movie like this can make one believe that all blacks are busy smoking pots and whoring, then one must be having the brain of a caterpillar. I'm sure, most people know about renowned personalities such as Langston Hughes, Tony Morrison and Condoleezza Rice (to name just a few)and their contributions in their respective field of choice.
Actually, I found it more offending to see Jammie Foxx using "motherf---er" in "Collateral" (because it did not fit his decent disposition, and that, to me, was surely Hollywood stereotyping, where every black actor must foul mouth!) than Muggsy using the N-word here. I also found it equally funny, when Marsellus Wallace asks Butch:"Are you my ni---r?" in "Pulp Fiction", but not when, Harvey Keital used the N-word in "Reservoir Dogs". But then, that's me!
Yes, it contains vulgarity, nauseating scenes, foul-mouthing, insults, indiscriminate use of the omnipresent "N-word" and "Motherf---ers", racial stereotyping and what-have-you, but everything in it is so absurd that it becomes funny. Actually absurdity is, in my opinion,the strongest point of this movie; it's so extreme in its incredulity that not for a single moment does it let one feel that this movie, even in one's wildest dream (with or without any assistance from pot), could have the slightest similarity to reality! Thus, all one needs to do to enjoy this movie is to switch off all logical reasoning and just watch it for the fun of it.
Though I am not an African-American person (and thus, I can not comment on the humiliation felt by some African-American reviewers), I can see that this is not a racist movie; rather, it pokes fun at many of the prevailing stereotypes, though definitely not in a polished way.
Come on! If a movie like this can make one believe that all blacks are busy smoking pots and whoring, then one must be having the brain of a caterpillar. I'm sure, most people know about renowned personalities such as Langston Hughes, Tony Morrison and Condoleezza Rice (to name just a few)and their contributions in their respective field of choice.
Actually, I found it more offending to see Jammie Foxx using "motherf---er" in "Collateral" (because it did not fit his decent disposition, and that, to me, was surely Hollywood stereotyping, where every black actor must foul mouth!) than Muggsy using the N-word here. I also found it equally funny, when Marsellus Wallace asks Butch:"Are you my ni---r?" in "Pulp Fiction", but not when, Harvey Keital used the N-word in "Reservoir Dogs". But then, that's me!
I don't know what Moviecaine is talking about. Some people read to much into movies, and pick apart every minute detail, failing to see the humor in movies such as this. This was a hilarious movie, and would recommend it to every hip-hop movie fan out there. The part where Hughley was in the bathroom with Tom Arnold, and kicks on Push It is great. Snoop, Method Man were in fine style all the way through the movie. It borders on unrealism with the plane, as it almost seems like the plane is bigger then it is with all the rooms, the big party room, high class seating, and no-class seating.
The soundtrack definitely fit the flow of the movie, and added to the mood.
The soundtrack definitely fit the flow of the movie, and added to the mood.
Le saviez-vous
- AnecdotesKevin Hart credits the film's box-office failure to bootlegging of the film. According to Hart, the film was bootlegged three months before the theatrical release. Hart has said that during the premiere, fans were asking him to sign bootleg copies of the film.
- GaffesAfter the plane lands in Central Park, the front landing gear is stolen, causing the plane to tilt forward. In the next scene in the Business Class "dance club", the patrons and bar glasses are all level.
- Citations
Captain Mack: Ladies and Gentlemen, we have reached our cruising altitude of 33 thousand feet... 33 THOUSAND FEET? Oh shit, man! We fuckin' higher than Redman at the Source Awards!
- Crédits fousAfter the credits roll Snoop Dogg says he'll be back for the sequel.
- ConnexionsFeatured in Wheel of Fortune: Wheel Goes to the Movies 4 (2004)
- Bandes originalesSoul Plane
Written by Snoop Dogg (as Calvin Broadus), Battlecat (as Kevin Gilliam), Soopafly, Terry Brown, Don Cornelius, Dick Griffey, Hollis Pippin
Produced by B Sharp
Performed by Snoop Dogg featuring LaToiya Williams (as La Toiya Williams)
Snoop Dogg appears courtesy of Geffen Records
La Toiya Williams appears courtesy of Doggy Style Records
Meilleurs choix
Connectez-vous pour évaluer et suivre la liste de favoris afin de recevoir des recommandations personnalisées
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- Ульотний транспорт
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 16 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 14 190 750 $US
- Week-end de sortie aux États-Unis et au Canada
- 5 648 486 $US
- 30 mai 2004
- Montant brut mondial
- 14 821 824 $US
- Durée
- 1h 26min(86 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant