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5,0/10
5,1 k
MA NOTE
Ajouter une intrigue dans votre langueAnna is a servant who accepts a post at the St. Ange. She arrives to confront an unsettling lack of orphans, save for one. Then the bizarre sights and sounds begin, which seem to elude detec... Tout lireAnna is a servant who accepts a post at the St. Ange. She arrives to confront an unsettling lack of orphans, save for one. Then the bizarre sights and sounds begin, which seem to elude detection by the other servant or the gloomy director.Anna is a servant who accepts a post at the St. Ange. She arrives to confront an unsettling lack of orphans, save for one. Then the bizarre sights and sounds begin, which seem to elude detection by the other servant or the gloomy director.
- Réalisation
- Scénario
- Casting principal
Christophe Lemaire
- Un homme des services sociaux
- (non crédité)
Louis Thevenon
- Un déménageur
- (non crédité)
Franck Vestiel
- Man in Black
- (non crédité)
Avis à la une
First off, this is supposed to come out as a treat for fans of Fulci's The Beyond (it even features the return of its star Catriona MacColl) and his other gloomy films. So it's got nice locations (romanian studios), pretty minimal as the whole movie takes place in a great mansion supposed to be a WWII orphanage, its narrowing woods and cellars. Cast is pretty top notch with kinky Virginie Ledoyen (L'Eau Froide, La Cérémonie, La fille seule - her only good movies in my opinion - The Beach) and wacko Lou Doillon (Jane Birkin's daughter - one of the most irritating actress to come out of french cinema lately, but physically disturbing and therefore probably appropriate for this movie!).
Beautiful photography, gloomy atmosphere, weird and nasty children (kinda reminiscent of the evil ones in Cronenberg's The Brood, but not really either), derelict locations, potential scream queens, this movie shows good production values but sadly remains pretty lazy storywise. I won't describe the story too much, but after a pretty classy/classic (easy) hour of ghost induced story, the movie goes wacko and tries to become a bit disturbing. Unfortunately, even if the scenery and filming shows you some very weird and dare I say effective clinical & morbid images (the only part giving the movie a little of its own personality), those images bears no real depth and fall flat in utter stupidity! So even though I admire the plastic quality of the last half hour, I remain highly skeptical in its capacity to convey an interesting story falling back on its feet without relying on weirdness because the lazy writer(s?) have no real vision of the story as a whole. Also, the twist revelation about the cats killer's identity is really lame. Sadly, another example of France incapacity to produce thoughtful and provocative fantasy...
Think a mixture of Furie's "The Entity", Robert Wise's "The Haunting" with Fulci's "The Beyond" and Chris Cunningham's clinical imagery.
Just one's opinion.
4/10
Beautiful photography, gloomy atmosphere, weird and nasty children (kinda reminiscent of the evil ones in Cronenberg's The Brood, but not really either), derelict locations, potential scream queens, this movie shows good production values but sadly remains pretty lazy storywise. I won't describe the story too much, but after a pretty classy/classic (easy) hour of ghost induced story, the movie goes wacko and tries to become a bit disturbing. Unfortunately, even if the scenery and filming shows you some very weird and dare I say effective clinical & morbid images (the only part giving the movie a little of its own personality), those images bears no real depth and fall flat in utter stupidity! So even though I admire the plastic quality of the last half hour, I remain highly skeptical in its capacity to convey an interesting story falling back on its feet without relying on weirdness because the lazy writer(s?) have no real vision of the story as a whole. Also, the twist revelation about the cats killer's identity is really lame. Sadly, another example of France incapacity to produce thoughtful and provocative fantasy...
Think a mixture of Furie's "The Entity", Robert Wise's "The Haunting" with Fulci's "The Beyond" and Chris Cunningham's clinical imagery.
Just one's opinion.
4/10
I just finished watching this and after reading some of the brutal reviews and message board comments, I felt that I really should write a 'brief' review.
First off, when all was said and done I didn't really find the film ultimately that satisfying; but, I think I am objective enough to say that mainly it is due to my personal taste and NOT because it is a bad film. I really wish people would be a little more fair when writing about these movies and separate the fact that THEY did not like it with whether or not it indeed was a bad film.
Overall I truly felt that the director worked his @$$ off in this film and put his heart and soul into it. Also, THIS WAS HIS VERY FIRST MOVIE! So, c'mon, compared to the mountain of drivel that passes for Horror these days, graded fairly and comparatively, it was very well made. Very nice cinematography and direction as far as planning out every move meticulously and blending the lighting, sound, stormy atmosphere, etc. He also elicited competent performances from his actors too. BUT... for me personally anyway, here is the clincher... The pacing was WAAAAAAAAY off and the buildup WAY to long and the truly effective bits and visuals WAY too spare and subtle. If he had tightened up the pacing just a little and (I KNOW this next bit is gonna sound REAL Hollywood) livened up the visual scares a little, and would have given us much more visceral Gothic imagery and / or more startling clues (I mean COME ON, just one vague file folder and just about NOTHING else!???) Basically I feel that to make the film FAR more effective he needed to add some SUBSTANTIAL elements to drive it a bit more. I DON'T mean shallow jump scares, etc. (although a few more would have helped a little) Just look at THE master of this kind of film, Guillermo Del Torro. Now, that guy is very subtle too, BUT, and it is a VERY BIG BUT like Mariah Carrey's, he knows how to pace a film and ratchet up TRUE suspense and eerie atmosphere. I honestly think this director here has some excellent insight and quality to his film making, BUT I think he dwelt WAY too much on the drama between the ladies instead of building a better story. It was so melodramatic at so many points I was really thinking that a woman had directed it (NOT meaning at all to be unkind to women directors, etc., but merely that women directors USUALLY tell stories from a much more emotional and dramatic perspective then men do) So, the bottom line is, IF you have the time to kill and you are very, Very, VERY patient, you will see some very good technical film making; but, don't expect TOO much of a punch from the story itself. BTW, I really liked the ending; now THAT is exactly the kind of thing he needed much more of! He just needed a bit more in the way of disturbing imagery, subtle but more evocative of the atmosphere a film like this should have.
First off, when all was said and done I didn't really find the film ultimately that satisfying; but, I think I am objective enough to say that mainly it is due to my personal taste and NOT because it is a bad film. I really wish people would be a little more fair when writing about these movies and separate the fact that THEY did not like it with whether or not it indeed was a bad film.
Overall I truly felt that the director worked his @$$ off in this film and put his heart and soul into it. Also, THIS WAS HIS VERY FIRST MOVIE! So, c'mon, compared to the mountain of drivel that passes for Horror these days, graded fairly and comparatively, it was very well made. Very nice cinematography and direction as far as planning out every move meticulously and blending the lighting, sound, stormy atmosphere, etc. He also elicited competent performances from his actors too. BUT... for me personally anyway, here is the clincher... The pacing was WAAAAAAAAY off and the buildup WAY to long and the truly effective bits and visuals WAY too spare and subtle. If he had tightened up the pacing just a little and (I KNOW this next bit is gonna sound REAL Hollywood) livened up the visual scares a little, and would have given us much more visceral Gothic imagery and / or more startling clues (I mean COME ON, just one vague file folder and just about NOTHING else!???) Basically I feel that to make the film FAR more effective he needed to add some SUBSTANTIAL elements to drive it a bit more. I DON'T mean shallow jump scares, etc. (although a few more would have helped a little) Just look at THE master of this kind of film, Guillermo Del Torro. Now, that guy is very subtle too, BUT, and it is a VERY BIG BUT like Mariah Carrey's, he knows how to pace a film and ratchet up TRUE suspense and eerie atmosphere. I honestly think this director here has some excellent insight and quality to his film making, BUT I think he dwelt WAY too much on the drama between the ladies instead of building a better story. It was so melodramatic at so many points I was really thinking that a woman had directed it (NOT meaning at all to be unkind to women directors, etc., but merely that women directors USUALLY tell stories from a much more emotional and dramatic perspective then men do) So, the bottom line is, IF you have the time to kill and you are very, Very, VERY patient, you will see some very good technical film making; but, don't expect TOO much of a punch from the story itself. BTW, I really liked the ending; now THAT is exactly the kind of thing he needed much more of! He just needed a bit more in the way of disturbing imagery, subtle but more evocative of the atmosphere a film like this should have.
OK, so the film isn't great, but it surely ain't awful either. It is reminiscent of other films, The Innocents and The Others to name but two, but there's no harm in that. There's very few films today that could be called truly original these days. Originality doesn't matter, it's the telling of the story that matters, and like the aforementioned, this film moves at a slow pace, admittedly too slow at times but it does deliver a certain creepiness and suspense. Where this film falls down for some (taking into consideration the comments already left) is that it doesn't end with an explanation. But so what? Like The Innocents you are left to come up with your own conclusions and I for one like it when the facts aren't spelled out to me in cinematic semaphore. Ambiguity is all but lost under the onslaught of mind-numbing American releases that offer nothing but 90 minutes of entertainment and then nothing. Saint Ange is a film you can chew on for days afterwards. It's very well shot, capably acted and offers a few shivers along the way. Not nearly as bad as people would have you believe.
I understand why some people decided to give this movie a low rating, but I do not believe this movie deserves a low rating. If you were looking for a "horror" film in the slasher, in-your-face, gory, bloody sense, then I can see how you were disappointed. But if that is your only definition of a scary movie, I don't think you should be reviewing movies. This movie had many good qualities, and I believe many people could enjoy it if they gave it a chance. Foreign horror movies have a very different approach, and if you can get on board with that, I think you will like this. If Saw IV is your idea of quality horror, don't bother.
Saint Ange starts pretty amazing and sets you in the movie's gloomy mood immediately but the truth is that the movie is bad. The settings for the movie are indeed very good and with a solid storyline and correct flow the movie would have been a great one. The shots, colors, lighting and close ups are truly amazing but it's a shame that the movie starts to bore you after halfway, also there are lots of things that don't really make sense leaving you confused and in the end it's somewhat unbearable so you pray for it to end finally. My 3 rating is only because the film's photography is truly brilliant otherwise i would have sticked to 1.
Le saviez-vous
- AnecdotesShot back to back in two versions, one in French and the other in English.
- Gaffes(at around 15 mins) The movie is supposed to take place in 1958, as the opening scenes state. When the children leave the house in the beginning of the movie, one of the cars accompanying the buses full of children is clearly a white Peugeot 404. Peugeot introduced this model in 1960, and made it available to the public a year later.
- ConnexionsReferenced in Viande d'origine française (2009)
- Bandes originalesI'm in the Mood for Love
Performed by Vera Lynn, Charlie Kunz and the Casani Club Orchestra
Music by Jimmy McHugh
Lyrics by Dorothy Fields
© Famous Music corp. C/o BMG Music Publishing France with BMG Music Vision approval
(P)1983 Decca Records Company ltd with the kind participation of Universal Music Projets Speciaux
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Détails
Box-office
- Budget
- 5 320 000 € (estimé)
- Montant brut mondial
- 6 782 283 $US
- Durée
- 1h 38min(98 min)
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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