Un ancien combattant de la guerre du Golfe est envoyé à tort dans un établissement psychiatrique pour criminels aliénés, où il devient l'objet des expériences d'un médecin. Sa vie en est com... Tout lireUn ancien combattant de la guerre du Golfe est envoyé à tort dans un établissement psychiatrique pour criminels aliénés, où il devient l'objet des expériences d'un médecin. Sa vie en est complètement affectée.Un ancien combattant de la guerre du Golfe est envoyé à tort dans un établissement psychiatrique pour criminels aliénés, où il devient l'objet des expériences d'un médecin. Sa vie en est complètement affectée.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire et 2 nominations au total
Avis à la une
To this end, "The Jacket" represents the apotheosis of this rising genre, and is both an artistic psychological thriller, as well as what you might call a metaphysical tragedy, and easily envelopes the viewer into its morose and sterile world replete with dreary snow scapes, perpetual grey skies and faces, muted and washed out colours, institutional isolation, and the angst of working class loners. The film's imagery and the pace of the story and script immediately command one's attention from the outset and the film is unrelenting in both its tension and gumption. Because of this, despite the story's meandering timeline and lack of feasible explanations for the protagonist's "visions", the viewer is still to an extent able to believe what they're seeing. Because the film takes itself so seriously, and actually pulls it off, the viewer then buying into the fantasy of the story becomes far more palatable than it does in other misguided attempts at this same sort of risky and artsy storytelling ie: "The Butterfly Effect".
This is an ambitious film which taps into both the romanticism and pain of our dreams and our memories, and how they both act upon us, and cause us to act upon them. It examines what is real versus perceived, the fragility of life, how each persons's life effects others, even passing strangers, and the sovereignty of the self and the mind. The film features outstanding performances from just about everyone on screen, particularly Brody as the hapless and tortured Jack Starks, and Kristofferson as the morally ambiguous and equally tortured Dr. Becker.
Despite the big names on the marquee, however, this, as previously mentioned, is not a cut and dry "popcorn flick" and will leave many people bewildered. It is for these people that the "Butterfly Effect" was made first, and now with them out of the way, the timing for a film of this caliber which deals with these issues properly is appropriate. "The Jacket" is a trippy and entertaining yet still very intelligent film which asks only that you check your preconceptions and logical rectitude at the door. By doing so, you'll find the imagination of this film is fact more real than you might have expected.
It was well designed and intrigued storyline, which leaves warm feeling when the movie ends. Since such movies definitely tickle into my taste and my mind I have quite positive feedback on The Jacket.
Should be watched by anyone, who is into such movies, as Shutter Island etc.
The whole idea of changing the future has been brought up before, but this time instead of changing the future by altering the past it brings new perspective by altering the present by adding new info from the future. At first it reminded me very much of Butterfly Effect. If you like that one, you'll love this one.
It also shines new light on the subject whether or not you can change your own destiny which hasn't been brought up in a while.
It surely is a "must-see".
The film really makes you think and I was disappointed not to be able to ask questions I had during the Q&A which followed the premiere. I think there are loads of things hidden in this film which you would have to see several times to catch. That is my idea of outstanding film making.
I could have done without the nudity which I saw no reason for. I think a love scene is much more erotic when you don't see anything. Body parts don't need to be shown. Most of us have decent imaginations. :-)
Chris
Le saviez-vous
- AnecdotesShots of Adrien Brody sobbing in the body drawer were real. Brody had asked director John Maybury to keep him locked in, even when they weren't filming, so he could get the feel of the character's despair. Eventually, Brody lost it during filming, and Maybury caught it.
- GaffesRegulation U.S. military dog tags do not have dates of birth on them.
- Citations
[letter Jack writes to Jean]
Jack Starks: Sometimes I think we live through things only to be able to say that it happened. That it wasn't to someone else, it was to me. Sometimes we live to beat the odds. I'm not crazy even though they thought I was. I live in the same world as everyone else. I just saw more of it, as I'm sure you have. They'll find my body tomorrow. You can check it out if you don't believe me. I've seen life after my death, and I'm telling you this because it's the only way to help you and your daughter have a better life of your own. Jean, you're gonna pass out one day smoking a cigarette and burn to death. Your daughter grows up living the same life you're living right now. And she misses you so much. Sometimes life can only really begin with the knowledge of death. That it can all end, even when you least want it to. The important thing in life is to believe that while you're alive, it's never too late. I promise you, Jean, no matter how bad things look, they look better awake than they do asleep. When you die, there's only one thing you want to happen. You wanna come back.
- Versions alternativesThere are two continuations to the last scene where Jackie gives Jack a ride and the sun shines behind them. In one version, we hear Jack screaming as Dr. Becker gets him out of the drawer. In the second version, we see that Jack died in Iraq.
- ConnexionsFeatured in The Look of 'The Jacket': Influences from the Avant-Garde (2005)
- Bandes originalesFleeting Smile
Written by Roger Eno
Performed by Roger Eno
Courtesy of Opal Ltd./All Saints Records
Under license from Opal Music, London/PRS except in N. America by Upala Music Inc. /BMI
Produced by Daniel Lanois
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Regresiones de un hombre muerto
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 29 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 6 303 762 $US
- Week-end de sortie aux États-Unis et au Canada
- 2 723 682 $US
- 6 mars 2005
- Montant brut mondial
- 21 733 230 $US
- Durée1 heure 43 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1