Idiot
- Mini-série télévisée
- 2003–
- 55min
NOTE IMDb
8,3/10
2,2 k
MA NOTE
Ajouter une intrigue dans votre languePrince Myshkin returns to Russia from Switzerland, where he was treated for a mental illness for several years. In St. Petersburg, he ends up in the house of his distant relatives. He finds ... Tout lirePrince Myshkin returns to Russia from Switzerland, where he was treated for a mental illness for several years. In St. Petersburg, he ends up in the house of his distant relatives. He finds himself in a cycle of passions and intrigues.Prince Myshkin returns to Russia from Switzerland, where he was treated for a mental illness for several years. In St. Petersburg, he ends up in the house of his distant relatives. He finds himself in a cycle of passions and intrigues.
- Récompenses
- 6 victoires et 2 nominations au total
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10kbenko
I did not expect to actually enjoy this. I had heard it was well done, so I thought I ought to force myself to watch at least some of it. Well, I've seen the first three episodes and can't wait to watch the rest. The acting is incredible, the cinematography imaginative, the pacing very good, and the dialog, since it is pure Dostoyevsky, is, of course, stellar. I've read the book (in English) a couple of times, but this movie brings the characters to life for me in a way the book never did. Perhaps the translation I read was not too great, but I think the biggest difference is the wonderful acting and directing in this mini-series. Eye contact, pauses, changes--or lack thereof--in tone of voice, all make such a big difference.
The DVD I am watching, from the Russian company CP Digital, has reasonably good-quality images, but terrible subtitles. For instance, one character told another, "You shouldn't miss this opportunity (to marry a very rich man)," but the subtitle said something like, "Isn't that interesting!" I know enough Russian to be able to tell when the subtitles are inaccurate, but unfortunately, not enough to watch it without subtitles. Perhaps the second or third time through I'll watch with subtitles turned off.
If only we could all have even a drop of Prince Myshkin's humility, compassion, love, honesty, candor.
The DVD I am watching, from the Russian company CP Digital, has reasonably good-quality images, but terrible subtitles. For instance, one character told another, "You shouldn't miss this opportunity (to marry a very rich man)," but the subtitle said something like, "Isn't that interesting!" I know enough Russian to be able to tell when the subtitles are inaccurate, but unfortunately, not enough to watch it without subtitles. Perhaps the second or third time through I'll watch with subtitles turned off.
If only we could all have even a drop of Prince Myshkin's humility, compassion, love, honesty, candor.
Mironov is Myshkin - incredible acting, with or without words, you know exactly what he is thinking and feeling. Absolutely wonderful adaptation of one of my favourite books. Mashkov is also outstanding as Rogozhin, a very scary man indeed! Mashkov does have a very commanding screen presence in everything I've ever seen him in (try Vor), but this was just great. All the lead actresses were great in my view, especially Olga Budina as Aglaya Ivanovna. I do have to echo the comments about the subtitles though! I was really surprised to find them on my DVD (no idea about international availability, bought here), I didn't think that a Russian TV series would have them, but I supposed the International Television Festival attention - and award for Mironov made them necessary. Very sad that a better job wasn't made. I was very glad I didn't need them! Some bits are fine, and others have daft spelling mistakes, and elementary mistakes in grammar and translation. What was going on? It really distracted from the actors' work. The best films with subtitles are those where you forget that you are watching a subtitled film. This cannot happen with these.
It is just not fair to make films like that. The director discovered hidden visual dynamite in the bottomless text of the dark genius of Dostoevsky. The best actors of the world's oldest acting school perform like there is no tomorrow. Together, they crash on your senses with an impact of a natural disasters rather then a human-made entertainment.
Every episode goes at amazing pace, rich in events, and crafted brilliantly. It never fails to captivate. Every scene has action, intensity, emotion and impact. TV drama format suits it perfectly - viewers need these breaks.
Although the language is a problem for general English-speaking public, the film is strongly recommended to industry professionals and academics. It has material for 10 years of research and following.
P.S. I am not associated with anyone in that film in any way.
Every episode goes at amazing pace, rich in events, and crafted brilliantly. It never fails to captivate. Every scene has action, intensity, emotion and impact. TV drama format suits it perfectly - viewers need these breaks.
Although the language is a problem for general English-speaking public, the film is strongly recommended to industry professionals and academics. It has material for 10 years of research and following.
P.S. I am not associated with anyone in that film in any way.
Dostoyevsky, the world master of classic literature, is a psychopathic psychologist. He is the disease and the cure. No one but him can deliver a true Russian character, full of life's passions: love and hatred. Dostoyevski's characters are simultaneously capable of cruelty and compassion. They are sinful and repentant - but never dull. Idiot gives one so much to ponder about the meaning of life. Film's psychedelic characters represent our innerly hidden demons, which can easily surface, when disturbed. The acting is great. I recommend this film to anyone who is a philosopher. It will stimulate your mental energy for a quite some time.
I don't know if it is a good film. But, for certain ,it is a masterpiece.
For Dostoievsky's universe the words are unavailing. The comments are only games of vain ambition, trips in narcissistic nooks. The biography, the verdicts are slices of personal vision and not search of truth.
Dostoievsky is expression of his work. And his books are the territory of a well-organized world.
This film is the exceptions of my remarks. "Idiot" is a jeweler's achievement. Every nuance, every detail is careful polished. It is a example of to restore a masterpiece. A subtle acting, a gorgeous Lev Myshkin, a spectacular script. In fact, the result of a terrible fight between novel and film, between word and image, expression of Bortko's deep respect for a magnificent creation.
It is so remarkable for his art that the beginning of East European pride is made. But this film is not TV product. It is foretaste of a impressive spirituality, of a special refuge, about the price of illusion in Russian space, about the relation with a far Occident.
The first value of film is the language. Soft, worm, subtle, old, it is the atmosphere of a fascinating time and space, a literature and belief. Is it too little?
For Dostoievsky's universe the words are unavailing. The comments are only games of vain ambition, trips in narcissistic nooks. The biography, the verdicts are slices of personal vision and not search of truth.
Dostoievsky is expression of his work. And his books are the territory of a well-organized world.
This film is the exceptions of my remarks. "Idiot" is a jeweler's achievement. Every nuance, every detail is careful polished. It is a example of to restore a masterpiece. A subtle acting, a gorgeous Lev Myshkin, a spectacular script. In fact, the result of a terrible fight between novel and film, between word and image, expression of Bortko's deep respect for a magnificent creation.
It is so remarkable for his art that the beginning of East European pride is made. But this film is not TV product. It is foretaste of a impressive spirituality, of a special refuge, about the price of illusion in Russian space, about the relation with a far Occident.
The first value of film is the language. Soft, worm, subtle, old, it is the atmosphere of a fascinating time and space, a literature and belief. Is it too little?
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- ConnexionsFeatured in Namedni 1961-2003: Nasha Era: Namedni 2003 (2003)
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Détails
- Date de sortie
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- The Idiot
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- Durée55 minutes
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