Un homme décide de reprendre sa vie moribonde en main avec la reconquête de son ex-petite amie, en se réconciliant et en faisant face à toute une communauté revenue d'entre les morts pour ma... Tout lireUn homme décide de reprendre sa vie moribonde en main avec la reconquête de son ex-petite amie, en se réconciliant et en faisant face à toute une communauté revenue d'entre les morts pour manger les vivants.Un homme décide de reprendre sa vie moribonde en main avec la reconquête de son ex-petite amie, en se réconciliant et en faisant face à toute une communauté revenue d'entre les morts pour manger les vivants.
- Réalisation
- Scénario
- Casting principal
- Nomination aux 3 BAFTA Awards
- 14 victoires et 20 nominations au total
Keir Mills
- Clubber 1
- (as Kier Mills)
Sonnell Dadral
- Danny
- (as Sonell Dadral)
Avis à la une
Shaun Of The Dead was an absolute comedic treasure. From the punny name itself (poking fun at Dawn of The Dead) to the beginning and then to the end, this movie was an absolute laugh and masterfully written. There's so many funny one liners throughout and an actual story line behind everything. Every time I watch this, I notice new Easter eggs of funny or witty things included. The whole movie is just the perfect blend of humor and an actual story line with drama and suspense. There's never been such a success movie before that's done what this movie has done. Absolutely recommend this movie to anyone.
10dee.reid
...He'll kill some zombies too! Brace yourself for some nonstop zombie action and laughs with the delightful horror-comedy "Shaun of the Dead."
Armed with a cricket bat, razor-sharp wit, and an attitude, Shaun (Simon Pegg) is perhaps the last guy that you'd want to save the world from the legions of the living dead that have suddenly begun to storm the London neighborhood where he lives. It could be stated, as this is a running gag here, that we're all dying slow deaths, so it's no surprise that when zombies begin to eat the flesh of the living, Shaun couldn't be any more oblivious to the chaos that has gripped most of London.
Shaun loves his dead-end existence of wasting his days at the Winchester, a local pub, with his friend and flat mate Ed (Nick Frost). The film's money shot arrives about 20 minutes in, when Shaun, hungover from a hard night's drinking, goes to the store and because he's so hungover and is worried about his ex-girlfriend Liz (Kate Ashfield), he doesn't even notice that the street behind him is teeming with the living dead.
While in the store buying a beverage, he doesn't notice the bloody handprints on the refrigerator door and he almost slips in a puddle of blood. I was quite amazed at the response this film got from people in the theater: it seemed that every time something funny happened, the response was almost always with riotous laughter.
Straight from Britain, we have what is certainly one of the most original horror movies to come out in a long time. Even in a genre that embraces gore, "Shaun of the Dead" is fairly light on it (at least for the first 45 minutes) and is dominated by laughs galore.
You may remember the character of "Ash" (Bruce Campbell of "Evil Dead" fame), who has remained pretty much the supreme demon slayer in the horror genre. But you know, Campbell's pushed past 40 and people today may not be weary of his history slaying evil Deadites in Sam Raimi's notorious film series. So maybe with "Shaun of the Dead," the torch has been passed to Simon Pegg, who slays more than his fair share of the living dead in this film.
It's pretty obvious that "SOTD" was greatly influenced by the works of George A. Romero (the director of 1978's supreme epic of zombie action-mayhem "Dawn of the Dead") and 2002's "28 Days Later" (directed by Danny Boyle). There are little itty-bitty references to the two zombie flicks throughout the movie.
Granted "Shaun of the Dead" is aimed largely at the gorehounds who idolized Romero's "Living Dead" trilogy, but it's also the first zombie flick to attempt making a hit with the mainstream. I guarantee any viewers out there that you'll spend more time laughing than you will being frightened.
10/10
Armed with a cricket bat, razor-sharp wit, and an attitude, Shaun (Simon Pegg) is perhaps the last guy that you'd want to save the world from the legions of the living dead that have suddenly begun to storm the London neighborhood where he lives. It could be stated, as this is a running gag here, that we're all dying slow deaths, so it's no surprise that when zombies begin to eat the flesh of the living, Shaun couldn't be any more oblivious to the chaos that has gripped most of London.
Shaun loves his dead-end existence of wasting his days at the Winchester, a local pub, with his friend and flat mate Ed (Nick Frost). The film's money shot arrives about 20 minutes in, when Shaun, hungover from a hard night's drinking, goes to the store and because he's so hungover and is worried about his ex-girlfriend Liz (Kate Ashfield), he doesn't even notice that the street behind him is teeming with the living dead.
While in the store buying a beverage, he doesn't notice the bloody handprints on the refrigerator door and he almost slips in a puddle of blood. I was quite amazed at the response this film got from people in the theater: it seemed that every time something funny happened, the response was almost always with riotous laughter.
Straight from Britain, we have what is certainly one of the most original horror movies to come out in a long time. Even in a genre that embraces gore, "Shaun of the Dead" is fairly light on it (at least for the first 45 minutes) and is dominated by laughs galore.
You may remember the character of "Ash" (Bruce Campbell of "Evil Dead" fame), who has remained pretty much the supreme demon slayer in the horror genre. But you know, Campbell's pushed past 40 and people today may not be weary of his history slaying evil Deadites in Sam Raimi's notorious film series. So maybe with "Shaun of the Dead," the torch has been passed to Simon Pegg, who slays more than his fair share of the living dead in this film.
It's pretty obvious that "SOTD" was greatly influenced by the works of George A. Romero (the director of 1978's supreme epic of zombie action-mayhem "Dawn of the Dead") and 2002's "28 Days Later" (directed by Danny Boyle). There are little itty-bitty references to the two zombie flicks throughout the movie.
Granted "Shaun of the Dead" is aimed largely at the gorehounds who idolized Romero's "Living Dead" trilogy, but it's also the first zombie flick to attempt making a hit with the mainstream. I guarantee any viewers out there that you'll spend more time laughing than you will being frightened.
10/10
The great British sit-com has undergone something of a revival in recent years. Galvanised by the new wave of smart, sassy imports from the US, the Brits have girded their loins and produced a spate of quality comedies that have banished memories of the bland, identikit dross of the late eighties and early nineties.
One such series is Spaced, a wholly original and delightfully quirky comic bagatelle which has built up a small but dedicated following in the UK. Now writer/actor Simon Pegg and director Edgar Wright have teamed up once again to give us Shaun of the Dead which is, in a nutshell, a feature-length episode of Spaced (with added zombies). Happily timed to coincide with the Hollywood remake of the 1978 classic shocker Dawn of the Dead, Shaun is the perfect antidote: Irreverent, warm and very funny.
Shaun (Pegg) is your stereotypical sit-com loser: An ineffectual slob in a dead-end job, he is terminally afraid of commitment and spends all his time with his flat-mate Ed (Nick Frost, also from Spaced) who is an even bigger loser. After his girlfriend dumps him, Shaun and Ed seek solace in their local pub the Winchester - a good old-fashioned English hostelry with warm beer and pork scratchings which is infamous for its lock-ins. They stagger home in a state of advanced refreshment, unaware that the dead are now walking the earth. Indeed, it takes Shaun a little while to work it out the following morning despite interacting with a few of them (one of the recurring themes is that most of us go through the drudgery of our daily routines in a trance close to inertia).
When the penny drops, Shaun resolves to rescue his mother and his (ex) girlfriend and generally stand up for himself for the first time in his life. There is not much more of a plot than that. The film, like Spaced relies on a flawless script, observational humour and the theatre of the absurd. Pegg has perfected this in his writing but he is also a surprisingly good actor. It helps that he has surrounded himself with the pick of the British comedy fraternity who seem to have been lining up (literally in one scene) for a cameo. The stars of similarly acclaimed series' such as Black Books, The Office and Little Britain are all on show here as well as Jessica Stevenson, Pegg's Spaced co-writer, who plays a jolly-hockey-sticks human vigilante with a stiff-upper lip and can-do attitude ready to give those nasty zombie's what-for.
Veteran support comes from Penelope Wilton (a sit-com stalwart from a bygone age) as Shaun's curtain-twitching mother and Bill Nighy as her fearsome second husband who performs one of the most dignified and poignant descents into zombieness ever caught on camera.
Despite all the high praise, it must be acknowledged that Shaun of the Dead is still a spoof - a comic tool that you could argue is as low a form of wit as sarcasm. But where it scores highly is in its respect for the original material. Most spoofs (the Scary Movie franchise, for example) are vicious lampoons that unmercifully mock the films they are taking off. Shaun of the Dead gently pokes fun but doesn't lose sight of the fact that if something is worth parodying, it must have some merit. Pegg is also careful to ensure that his film can stand up on its own - there is barely a minute goes by without a very good joke and despite the light-heartedness, there are some satisfyingly scary moments and ample gore.
What is most encouraging is that us Brits have started playing to our strengths. It took a long time for comedy writers to realise that making an English version of Friends is doomed to failure (in the same way that The Office will not work with an American make-over). We should celebrate the Britishness of this film, laugh knowingly at the in gags, and be proud that it doesn't take a huge budget or movie stars to entertain people at the cinema.
8/10
One such series is Spaced, a wholly original and delightfully quirky comic bagatelle which has built up a small but dedicated following in the UK. Now writer/actor Simon Pegg and director Edgar Wright have teamed up once again to give us Shaun of the Dead which is, in a nutshell, a feature-length episode of Spaced (with added zombies). Happily timed to coincide with the Hollywood remake of the 1978 classic shocker Dawn of the Dead, Shaun is the perfect antidote: Irreverent, warm and very funny.
Shaun (Pegg) is your stereotypical sit-com loser: An ineffectual slob in a dead-end job, he is terminally afraid of commitment and spends all his time with his flat-mate Ed (Nick Frost, also from Spaced) who is an even bigger loser. After his girlfriend dumps him, Shaun and Ed seek solace in their local pub the Winchester - a good old-fashioned English hostelry with warm beer and pork scratchings which is infamous for its lock-ins. They stagger home in a state of advanced refreshment, unaware that the dead are now walking the earth. Indeed, it takes Shaun a little while to work it out the following morning despite interacting with a few of them (one of the recurring themes is that most of us go through the drudgery of our daily routines in a trance close to inertia).
When the penny drops, Shaun resolves to rescue his mother and his (ex) girlfriend and generally stand up for himself for the first time in his life. There is not much more of a plot than that. The film, like Spaced relies on a flawless script, observational humour and the theatre of the absurd. Pegg has perfected this in his writing but he is also a surprisingly good actor. It helps that he has surrounded himself with the pick of the British comedy fraternity who seem to have been lining up (literally in one scene) for a cameo. The stars of similarly acclaimed series' such as Black Books, The Office and Little Britain are all on show here as well as Jessica Stevenson, Pegg's Spaced co-writer, who plays a jolly-hockey-sticks human vigilante with a stiff-upper lip and can-do attitude ready to give those nasty zombie's what-for.
Veteran support comes from Penelope Wilton (a sit-com stalwart from a bygone age) as Shaun's curtain-twitching mother and Bill Nighy as her fearsome second husband who performs one of the most dignified and poignant descents into zombieness ever caught on camera.
Despite all the high praise, it must be acknowledged that Shaun of the Dead is still a spoof - a comic tool that you could argue is as low a form of wit as sarcasm. But where it scores highly is in its respect for the original material. Most spoofs (the Scary Movie franchise, for example) are vicious lampoons that unmercifully mock the films they are taking off. Shaun of the Dead gently pokes fun but doesn't lose sight of the fact that if something is worth parodying, it must have some merit. Pegg is also careful to ensure that his film can stand up on its own - there is barely a minute goes by without a very good joke and despite the light-heartedness, there are some satisfyingly scary moments and ample gore.
What is most encouraging is that us Brits have started playing to our strengths. It took a long time for comedy writers to realise that making an English version of Friends is doomed to failure (in the same way that The Office will not work with an American make-over). We should celebrate the Britishness of this film, laugh knowingly at the in gags, and be proud that it doesn't take a huge budget or movie stars to entertain people at the cinema.
8/10
Shaun of the Dead is quite a surprising and brilliant piece of work which I suspect will achieve the accolade of instant cult status as word of mouth snowballs this film to richly deserved recognition.
Simon Pegg, both the joint writer and the main star of the film, has been a comedic force for some time, most notably in the fantastic BBC2 series 'Hippies' (which inexplicably bombed in the ratings) and the cult Channel 4 series 'Spaced'. Both programs hinted at Pegg's saliently dead pan comedic manner (and writing skills) which comes to full fruition in 'Shaun of the Dead'.
In a nut shell, this film is a romantic comedy with zombies (or zom-rom-com) who appear for no good clear reason (although some tantalizing clues are offered). The film is an amazing blend of the funny, the violent and the poignant.
Pegg has cast himself as one hell of a serious loser in this film. And not in the 'American' form of: 'I am a loser but I work in TV and have Jennifer Aniston as my wife' kind of loser as portrayed in tripe such as 'Bruce Almighty' or dozens of other US 'loser' films. Pegg's Shaun is a genuine loser and extremely recognisable too, he's an everyday man who works for an electrical retailer and his life is just plain dull and disappointing - and this is where all the comedy comes from in this film. There are two scenes in the film which seem to summarise this (and also shine a light of Simon Pegg as a very clever and funny writer) and both scenes simply involve Shaun walking to the nearby corner shop. The first time Shaun plods semi-comatose to the store we simply get the feeling that he is a loser. However, by the time the film shows him making the same journey again we realise that there is a lot more going on! The scene is played with such exquisite subtleness that it has to be one of the funniest scenes I have ever seen in any film! Not that this film is subtle however, there is a stunning array of visual comedy, one liners and (best of all) some digs at other films from the horror genre. The funniest being a very subtle snipe at Boyles `28 days later' - see if you can spot it!
The only problem with reviewing this film is that there are so many funny moments in it that it is hard to pick any to write about without spoiling the film. All I can say is that I cannot remember a film ever being this consistently funny with probably five or six serious laugh-out-loud moments. It was a joy to watch and my only disappointment is that I can never watch this film for the first time ever again - every viewing will forever be a repeat viewing.
Shaun of the Dead is not very everyone though - the language from the beginning is strong and the violence was quite surprising for a 15 certificate film (in the UK). This film is definitely going to be most appreciated by horror fans who know a huge back catalogue of horror films. It will also be enjoyed by teenagers (who filled the cinema when I viewed this film which was terrific, as they laughed loudest). Finally, I do have some criticism of this film and that is there is some wasted talent in the movie. Black Book's (channel four) star Dylan Moran seemed a bit wasted and so was Martin Freeman (from BBC2's The Office) - who would have made a terrific zombie! Also, did I spot Matt Lucas (from BBC3's 'Little Britain') in this film? I am not sure as I was laughing too hard maybe!
These problems however are so minor and can easily be forgiven. My suggestion is to go and slowly shuffle down to your local cinema to see this film and give Simon Pegg the money and recognition he deserves so that he can go on and make more films that are this good including what the UK papers have suggested as his next project - `From Dusk 'Till Shaun'.
Simon Pegg, both the joint writer and the main star of the film, has been a comedic force for some time, most notably in the fantastic BBC2 series 'Hippies' (which inexplicably bombed in the ratings) and the cult Channel 4 series 'Spaced'. Both programs hinted at Pegg's saliently dead pan comedic manner (and writing skills) which comes to full fruition in 'Shaun of the Dead'.
In a nut shell, this film is a romantic comedy with zombies (or zom-rom-com) who appear for no good clear reason (although some tantalizing clues are offered). The film is an amazing blend of the funny, the violent and the poignant.
Pegg has cast himself as one hell of a serious loser in this film. And not in the 'American' form of: 'I am a loser but I work in TV and have Jennifer Aniston as my wife' kind of loser as portrayed in tripe such as 'Bruce Almighty' or dozens of other US 'loser' films. Pegg's Shaun is a genuine loser and extremely recognisable too, he's an everyday man who works for an electrical retailer and his life is just plain dull and disappointing - and this is where all the comedy comes from in this film. There are two scenes in the film which seem to summarise this (and also shine a light of Simon Pegg as a very clever and funny writer) and both scenes simply involve Shaun walking to the nearby corner shop. The first time Shaun plods semi-comatose to the store we simply get the feeling that he is a loser. However, by the time the film shows him making the same journey again we realise that there is a lot more going on! The scene is played with such exquisite subtleness that it has to be one of the funniest scenes I have ever seen in any film! Not that this film is subtle however, there is a stunning array of visual comedy, one liners and (best of all) some digs at other films from the horror genre. The funniest being a very subtle snipe at Boyles `28 days later' - see if you can spot it!
The only problem with reviewing this film is that there are so many funny moments in it that it is hard to pick any to write about without spoiling the film. All I can say is that I cannot remember a film ever being this consistently funny with probably five or six serious laugh-out-loud moments. It was a joy to watch and my only disappointment is that I can never watch this film for the first time ever again - every viewing will forever be a repeat viewing.
Shaun of the Dead is not very everyone though - the language from the beginning is strong and the violence was quite surprising for a 15 certificate film (in the UK). This film is definitely going to be most appreciated by horror fans who know a huge back catalogue of horror films. It will also be enjoyed by teenagers (who filled the cinema when I viewed this film which was terrific, as they laughed loudest). Finally, I do have some criticism of this film and that is there is some wasted talent in the movie. Black Book's (channel four) star Dylan Moran seemed a bit wasted and so was Martin Freeman (from BBC2's The Office) - who would have made a terrific zombie! Also, did I spot Matt Lucas (from BBC3's 'Little Britain') in this film? I am not sure as I was laughing too hard maybe!
These problems however are so minor and can easily be forgiven. My suggestion is to go and slowly shuffle down to your local cinema to see this film and give Simon Pegg the money and recognition he deserves so that he can go on and make more films that are this good including what the UK papers have suggested as his next project - `From Dusk 'Till Shaun'.
I've seen a lot of Zombie movies, a subgenre that I think has been overdone but I keep going back to it to see how different can your storytelling be?
I'd always heard good things about this movie and finally got around to this 'cult classic', and I see it's got that status. This was a zombie movie like none other, you've got to watch it to find out why.
This, as the card says, is a romantic comedy with zombies. Didn't think you could introduce romance and humor in zombie movie without making it a "Scary Movie" but huh, they've done it, and have ended up making a very deep movie out of it, with all sorts of social commentary.
If, like me, you've been sleeping on this movie, don't. Watch it soon and read up on what people have to say about it to enjoy it even more.
I'd always heard good things about this movie and finally got around to this 'cult classic', and I see it's got that status. This was a zombie movie like none other, you've got to watch it to find out why.
This, as the card says, is a romantic comedy with zombies. Didn't think you could introduce romance and humor in zombie movie without making it a "Scary Movie" but huh, they've done it, and have ended up making a very deep movie out of it, with all sorts of social commentary.
If, like me, you've been sleeping on this movie, don't. Watch it soon and read up on what people have to say about it to enjoy it even more.
Le saviez-vous
- AnecdotesGeorge A. Romero, creator of the movies to which this movie pays homage and lampoons, was so impressed with Simon Pegg and Edgar Wright's work that he asked them to cameo in Le Territoire des morts (2005) as zombies.
- GaffesSimon Pegg appears to shout 'Nick look out' as the car runs over the zombie, referring to actor Nick Frost and not his character, who is called Ed.
- Crédits fousThe credits end with the incidental Mall Muzak from Zombie : Le Crépuscule des morts-vivants (1978).
- ConnexionsEdited into Funky Pete (2004)
- Bandes originalesGhost Town
Written by Jerry Dammers (as Dammers)
Performed by The Specials
Courtesy of EMI Records Limited
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- El desesperar de los muertos
- Lieux de tournage
- The Duke of Albany - 39 Monson Road, New Cross, Londres, Angleterre, Royaume-Uni(exteriors: The Winchester)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 4 000 000 £GB (estimé)
- Montant brut aux États-Unis et au Canada
- 14 461 359 $US
- Week-end de sortie aux États-Unis et au Canada
- 3 300 000 $US
- 26 sept. 2004
- Montant brut mondial
- 31 636 877 $US
- Durée1 heure 39 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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