Un homme décide de reprendre sa vie moribonde en main avec la reconquête de son ex-petite amie, en se réconciliant et en faisant face à toute une communauté revenue d'entre les morts pour ma... Tout lireUn homme décide de reprendre sa vie moribonde en main avec la reconquête de son ex-petite amie, en se réconciliant et en faisant face à toute une communauté revenue d'entre les morts pour manger les vivants.Un homme décide de reprendre sa vie moribonde en main avec la reconquête de son ex-petite amie, en se réconciliant et en faisant face à toute une communauté revenue d'entre les morts pour manger les vivants.
- Réalisation
- Scénario
- Casting principal
- Nomination aux 3 BAFTA Awards
- 14 victoires et 20 nominations au total
Keir Mills
- Clubber 1
- (as Kier Mills)
Sonnell Dadral
- Danny
- (as Sonell Dadral)
Avis à la une
I've seen a lot of Zombie movies, a subgenre that I think has been overdone but I keep going back to it to see how different can your storytelling be?
I'd always heard good things about this movie and finally got around to this 'cult classic', and I see it's got that status. This was a zombie movie like none other, you've got to watch it to find out why.
This, as the card says, is a romantic comedy with zombies. Didn't think you could introduce romance and humor in zombie movie without making it a "Scary Movie" but huh, they've done it, and have ended up making a very deep movie out of it, with all sorts of social commentary.
If, like me, you've been sleeping on this movie, don't. Watch it soon and read up on what people have to say about it to enjoy it even more.
I'd always heard good things about this movie and finally got around to this 'cult classic', and I see it's got that status. This was a zombie movie like none other, you've got to watch it to find out why.
This, as the card says, is a romantic comedy with zombies. Didn't think you could introduce romance and humor in zombie movie without making it a "Scary Movie" but huh, they've done it, and have ended up making a very deep movie out of it, with all sorts of social commentary.
If, like me, you've been sleeping on this movie, don't. Watch it soon and read up on what people have to say about it to enjoy it even more.
The great British sit-com has undergone something of a revival in recent years. Galvanised by the new wave of smart, sassy imports from the US, the Brits have girded their loins and produced a spate of quality comedies that have banished memories of the bland, identikit dross of the late eighties and early nineties.
One such series is Spaced, a wholly original and delightfully quirky comic bagatelle which has built up a small but dedicated following in the UK. Now writer/actor Simon Pegg and director Edgar Wright have teamed up once again to give us Shaun of the Dead which is, in a nutshell, a feature-length episode of Spaced (with added zombies). Happily timed to coincide with the Hollywood remake of the 1978 classic shocker Dawn of the Dead, Shaun is the perfect antidote: Irreverent, warm and very funny.
Shaun (Pegg) is your stereotypical sit-com loser: An ineffectual slob in a dead-end job, he is terminally afraid of commitment and spends all his time with his flat-mate Ed (Nick Frost, also from Spaced) who is an even bigger loser. After his girlfriend dumps him, Shaun and Ed seek solace in their local pub the Winchester - a good old-fashioned English hostelry with warm beer and pork scratchings which is infamous for its lock-ins. They stagger home in a state of advanced refreshment, unaware that the dead are now walking the earth. Indeed, it takes Shaun a little while to work it out the following morning despite interacting with a few of them (one of the recurring themes is that most of us go through the drudgery of our daily routines in a trance close to inertia).
When the penny drops, Shaun resolves to rescue his mother and his (ex) girlfriend and generally stand up for himself for the first time in his life. There is not much more of a plot than that. The film, like Spaced relies on a flawless script, observational humour and the theatre of the absurd. Pegg has perfected this in his writing but he is also a surprisingly good actor. It helps that he has surrounded himself with the pick of the British comedy fraternity who seem to have been lining up (literally in one scene) for a cameo. The stars of similarly acclaimed series' such as Black Books, The Office and Little Britain are all on show here as well as Jessica Stevenson, Pegg's Spaced co-writer, who plays a jolly-hockey-sticks human vigilante with a stiff-upper lip and can-do attitude ready to give those nasty zombie's what-for.
Veteran support comes from Penelope Wilton (a sit-com stalwart from a bygone age) as Shaun's curtain-twitching mother and Bill Nighy as her fearsome second husband who performs one of the most dignified and poignant descents into zombieness ever caught on camera.
Despite all the high praise, it must be acknowledged that Shaun of the Dead is still a spoof - a comic tool that you could argue is as low a form of wit as sarcasm. But where it scores highly is in its respect for the original material. Most spoofs (the Scary Movie franchise, for example) are vicious lampoons that unmercifully mock the films they are taking off. Shaun of the Dead gently pokes fun but doesn't lose sight of the fact that if something is worth parodying, it must have some merit. Pegg is also careful to ensure that his film can stand up on its own - there is barely a minute goes by without a very good joke and despite the light-heartedness, there are some satisfyingly scary moments and ample gore.
What is most encouraging is that us Brits have started playing to our strengths. It took a long time for comedy writers to realise that making an English version of Friends is doomed to failure (in the same way that The Office will not work with an American make-over). We should celebrate the Britishness of this film, laugh knowingly at the in gags, and be proud that it doesn't take a huge budget or movie stars to entertain people at the cinema.
8/10
One such series is Spaced, a wholly original and delightfully quirky comic bagatelle which has built up a small but dedicated following in the UK. Now writer/actor Simon Pegg and director Edgar Wright have teamed up once again to give us Shaun of the Dead which is, in a nutshell, a feature-length episode of Spaced (with added zombies). Happily timed to coincide with the Hollywood remake of the 1978 classic shocker Dawn of the Dead, Shaun is the perfect antidote: Irreverent, warm and very funny.
Shaun (Pegg) is your stereotypical sit-com loser: An ineffectual slob in a dead-end job, he is terminally afraid of commitment and spends all his time with his flat-mate Ed (Nick Frost, also from Spaced) who is an even bigger loser. After his girlfriend dumps him, Shaun and Ed seek solace in their local pub the Winchester - a good old-fashioned English hostelry with warm beer and pork scratchings which is infamous for its lock-ins. They stagger home in a state of advanced refreshment, unaware that the dead are now walking the earth. Indeed, it takes Shaun a little while to work it out the following morning despite interacting with a few of them (one of the recurring themes is that most of us go through the drudgery of our daily routines in a trance close to inertia).
When the penny drops, Shaun resolves to rescue his mother and his (ex) girlfriend and generally stand up for himself for the first time in his life. There is not much more of a plot than that. The film, like Spaced relies on a flawless script, observational humour and the theatre of the absurd. Pegg has perfected this in his writing but he is also a surprisingly good actor. It helps that he has surrounded himself with the pick of the British comedy fraternity who seem to have been lining up (literally in one scene) for a cameo. The stars of similarly acclaimed series' such as Black Books, The Office and Little Britain are all on show here as well as Jessica Stevenson, Pegg's Spaced co-writer, who plays a jolly-hockey-sticks human vigilante with a stiff-upper lip and can-do attitude ready to give those nasty zombie's what-for.
Veteran support comes from Penelope Wilton (a sit-com stalwart from a bygone age) as Shaun's curtain-twitching mother and Bill Nighy as her fearsome second husband who performs one of the most dignified and poignant descents into zombieness ever caught on camera.
Despite all the high praise, it must be acknowledged that Shaun of the Dead is still a spoof - a comic tool that you could argue is as low a form of wit as sarcasm. But where it scores highly is in its respect for the original material. Most spoofs (the Scary Movie franchise, for example) are vicious lampoons that unmercifully mock the films they are taking off. Shaun of the Dead gently pokes fun but doesn't lose sight of the fact that if something is worth parodying, it must have some merit. Pegg is also careful to ensure that his film can stand up on its own - there is barely a minute goes by without a very good joke and despite the light-heartedness, there are some satisfyingly scary moments and ample gore.
What is most encouraging is that us Brits have started playing to our strengths. It took a long time for comedy writers to realise that making an English version of Friends is doomed to failure (in the same way that The Office will not work with an American make-over). We should celebrate the Britishness of this film, laugh knowingly at the in gags, and be proud that it doesn't take a huge budget or movie stars to entertain people at the cinema.
8/10
Some 5 years before the making of this film the same team behind it wrote and directed series (season) 1 and 2 of an offbeat UK sitcom named "Spaced". Massively overlooked at the time of broadcast yet with a hardcore fan base of loyal devotees a third series was long overdue but never did materialise.
Shaun of the Dead is the continuation of what went before; of a similar format yet in a completely new setting, with new characters, plus new cast members and for the first time a feature-length run time for the big screen. So how does it play out? Even with such a departure from the original setting, the history of TV to cinema adaptations is a dodgy one to say the least. Fortunately for those of us who already fans or (more likely) if you've never seen the series before prepare to be impressed.
The style is all it's own. With inventive direction and editing making the visual impact which fans will instantly recognise, to the writing which importantly is firstly genuinely funny, interspersed with references to popular culture of the past two decades, always with a self-knowing grin, a wink to the viewer rather than a pretentious nod. And of course several self-references and in-jokes of the TV series all fill in the gaps between the tastefully presented killings. There is blood, after all this is a "rom-zom-com" or "romantic zombie comedy" - a self-proclaimed new genre and rightly so. This is as about as original as it gets. They actually manage to pull off humour, violence, decapitations, action, romance, suspense, sadness and joy all within the space of 90 minutes!
This is the best film I've seen in ages, and a real credit to British film, we already knew about "Fried Gold", now the rest of the World can see it too. An instant classic.
Shaun of the Dead is the continuation of what went before; of a similar format yet in a completely new setting, with new characters, plus new cast members and for the first time a feature-length run time for the big screen. So how does it play out? Even with such a departure from the original setting, the history of TV to cinema adaptations is a dodgy one to say the least. Fortunately for those of us who already fans or (more likely) if you've never seen the series before prepare to be impressed.
The style is all it's own. With inventive direction and editing making the visual impact which fans will instantly recognise, to the writing which importantly is firstly genuinely funny, interspersed with references to popular culture of the past two decades, always with a self-knowing grin, a wink to the viewer rather than a pretentious nod. And of course several self-references and in-jokes of the TV series all fill in the gaps between the tastefully presented killings. There is blood, after all this is a "rom-zom-com" or "romantic zombie comedy" - a self-proclaimed new genre and rightly so. This is as about as original as it gets. They actually manage to pull off humour, violence, decapitations, action, romance, suspense, sadness and joy all within the space of 90 minutes!
This is the best film I've seen in ages, and a real credit to British film, we already knew about "Fried Gold", now the rest of the World can see it too. An instant classic.
Shaun Of The Dead was an absolute comedic treasure. From the punny name itself (poking fun at Dawn of The Dead) to the beginning and then to the end, this movie was an absolute laugh and masterfully written. There's so many funny one liners throughout and an actual story line behind everything. Every time I watch this, I notice new Easter eggs of funny or witty things included. The whole movie is just the perfect blend of humor and an actual story line with drama and suspense. There's never been such a success movie before that's done what this movie has done. Absolutely recommend this movie to anyone.
Shaun's nearing 30, stuck in a crappy sales job, and his girlfriend Liz is unhappy with the amount of time he spends with his ultra-slacker B-class drug dealer friend, Ed, at their local pub, the Winchester. When Liz dumps him, Shaun's so glum he doesn't even realise that London's been overrun with flesh-eating zombies. But somewhere within his console-happy lazy self, a hero is born.
I can't even begin to emphasise how cool this quintessentially British film is. The amount of time it takes for Shaun (Simon Pegg) and Ed (Nick Frost) to realise anything's wrong is priceless. Director Edgar Wright, who co-wrote the film with Pegg, also demonstrates that there's little difference between glassy eyed commuters and their undead brethren.
The plot rips along beautifully and parodies both the romantic comedy and zombie genres, while at the same time remaining true to them. Hopefully a new genre, the romzom com, has been born incidentally, that's where you can go to find out more about the movie romzom.com. The fabulous supporting cast includes Bill Nighy (Love Actually) as Shaun's supercilious stepfather, Penelope Wilton (Calendar Girls) as Shaun's absent-minded mum, Dylan Moran (Black Books) as Liz's snooty housemate David and Lucy Davis (The Office) as wannabe actress Diane.
Shaun of the Dead was partially inspired by the classic zombie flick, Dawn of the Dead. Its creator George Romero was reportedly so impressed with Shaun of the Dead that Simon Pegg and Edgar Wright are taking on cameo roles in Romero's latest instalment, Land of the Dead.
Shaun of the Dead is one of the best comedy of 2004 and a must-see for all rom zom com (romantic comedy with zombies) afficionados. ****½/***** stars.
I can't even begin to emphasise how cool this quintessentially British film is. The amount of time it takes for Shaun (Simon Pegg) and Ed (Nick Frost) to realise anything's wrong is priceless. Director Edgar Wright, who co-wrote the film with Pegg, also demonstrates that there's little difference between glassy eyed commuters and their undead brethren.
The plot rips along beautifully and parodies both the romantic comedy and zombie genres, while at the same time remaining true to them. Hopefully a new genre, the romzom com, has been born incidentally, that's where you can go to find out more about the movie romzom.com. The fabulous supporting cast includes Bill Nighy (Love Actually) as Shaun's supercilious stepfather, Penelope Wilton (Calendar Girls) as Shaun's absent-minded mum, Dylan Moran (Black Books) as Liz's snooty housemate David and Lucy Davis (The Office) as wannabe actress Diane.
Shaun of the Dead was partially inspired by the classic zombie flick, Dawn of the Dead. Its creator George Romero was reportedly so impressed with Shaun of the Dead that Simon Pegg and Edgar Wright are taking on cameo roles in Romero's latest instalment, Land of the Dead.
Shaun of the Dead is one of the best comedy of 2004 and a must-see for all rom zom com (romantic comedy with zombies) afficionados. ****½/***** stars.
Le saviez-vous
- AnecdotesGeorge A. Romero, creator of the movies to which this movie pays homage and lampoons, was so impressed with Simon Pegg and Edgar Wright's work that he asked them to cameo in Le Territoire des morts (2005) as zombies.
- GaffesSimon Pegg appears to shout 'Nick look out' as the car runs over the zombie, referring to actor Nick Frost and not his character, who is called Ed.
- Crédits fousThe credits end with the incidental Mall Muzak from Zombie : Le Crépuscule des morts-vivants (1978).
- ConnexionsEdited into Funky Pete (2004)
- Bandes originalesGhost Town
Written by Jerry Dammers (as Dammers)
Performed by The Specials
Courtesy of EMI Records Limited
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- El desesperar de los muertos
- Lieux de tournage
- The Duke of Albany - 39 Monson Road, New Cross, Londres, Angleterre, Royaume-Uni(exteriors: The Winchester)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 4 000 000 £GB (estimé)
- Montant brut aux États-Unis et au Canada
- 14 461 359 $US
- Week-end de sortie aux États-Unis et au Canada
- 3 300 000 $US
- 26 sept. 2004
- Montant brut mondial
- 31 636 877 $US
- Durée
- 1h 39min(99 min)
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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