Baron Rouge

Is funny how many film nerds take films literally and criticize them, narrow-minded and quick enough. Life is more than just obvious and literal things, so films usually try to show those things in a bit more exaggerate way so people realize how things are or at least, in order to express some idea or feeling. As books, movies sometimes tell about something else, and don't have to have taken literally. Is funny how many historian nerds claim faults in such film or other. Strictly historic accounts would take a unusual long movie to make. Always licenses are taken and some freedom, lyrically too, showed. Sometimes the faults are there, but sometimes too those faults are left aside for being uninteresting in a film making. I really failed to see or read the statement "this is a documentary film", or the like. On medics films, we hear the real medic persons complain about such drug or anesthetic. Come on, don't be so serious, films have to be dynamically paced, regardless its real pace speed. We have metaphors, remember? Boredom kills films more than anything on this world, perhaps.

I went sideways, I know... about the film:

With some lyric and historical licenses, this one adds something not shown before and with objectivity: man is being killed (as today) on both sides of the front, nothing else. Ideals are worthy as long as we keep them alive, even when gone with the idealist himself, or worthless when they die facing some majority "truth". The movie doesn't lack action and earthly brotherhood with your fellow man, or that should be. Has some romance without catchy parts, and have a strange flash in almost all scenes, like a private and intense sense in each of the chronologically arranged cuts. The hard-to-grasp feeling, as for today, of gentlemanly conduct, regarding human life in some circles, and at the same time, the brutal butchery developed along 4 years by both sides of the fence. I guess in ancient times was about same situation, but this time, and from then on, machinery came into scene and that allowed man to kill man quicker, from afar. Also leads us towards the fact that the man really got into flying, a dream long desired, and this flying was perfected through war, the great technology bringer. Enough said, this film worth the watch and have some good moments, as the ambiance is there, and that is more that we can say of many Hollywood, CA productions of late, or before. So long.

Despite an ending that can't help but make the viewer feel a little cheated, this film is a success on many levels. Only a little historical inaccuracy, which while certainly not a problem for most films but is almost demanded in a biopic, is a noticeable flaw.

Also, while perhaps not as "gritty" as one would like to see in a modern film, the ambiance of the film feels very "right." The viewer is seldom distracted by the realization that one is seeing CGI. The set decoration and costuming are rich and look accurate. The photography is excellent, although there is some mixing of exposure which is sometimes distracting. There is quite a bit of "floating" camera-work in establishing shots, which adds a little playful interest, almost as if one is watching from a small biplane buzzing through the scene.

The performances are understated, although the dialog does feel a little sparse at times.

Viewers who are hoping to experience another version of the exuberant athleticism of "Flyboys" from the German perspective may be underwhelmed by this film, but I found it most satisfying, especially in its restraint in delivering its anti-war message.

I had the opportunity to see this film yesterday during a pre-screening in hamburg. Technically not yet perfect (in terms of grading, sound design and some effects) we saw the final cut. And I am truly pleasantly surprised. The film being a German production, the lead roles Germans, mixed with an international cast, made me extremely skeptical because - apart from the perfume - I haven't seen a truly convincing German project for a "big film" yet. BUT, this film was really well done. Good performances by all actors throughout, an amazing production design, and - best of all - really astonishing and eye catching visual effects and cgi. The effects were very subtle all over and never really recognizable. That makes good VFX!

The film itself is not a flat action/history flick, it has a message to tell and that comes across really well. The relationship between the baron and his girl is told in a very subtle way, no cheesy romance-scenes. It all happens during WW1, there was simply no time for big emotions. So we don't see a "Pearl Harbour" Hollywood flick, but a picture that shows how it really might have been - flying a plane during war. There are no clichés, just a portrait of a hero that did not even want to be one. And the cruelty and absurdity of war itself, as even the main protagonist has to learn. The ending is also well done and not cheesy or over the top. Apart from that the film did not really grab me, I enjoyed watching but was seldomly thrilled or emotionally moved. Maybe some of the characters were simply a little too flat. Also the film jumps at times and leaves out some interesting battle scenes, I had the impression they did it to keep the VFX work down.. Overall I give it a 6.5/10.

it is not exactly the expected historical film. maybe a documentary. far by patriotic enthusiasm - so familiar from American films- , without emotional twists - the tone is almost blank, giving the portrait of a legendary German hero in precise lines. a cold sketch. about the Red Baron and his comrades, his girl friend, humor and passion for its duty. the historical accuracy is far to be the best point but the film gives a realistic portrait . and this is a real precious virtue.

The movie seems a bit slow at first. One wonders if it's going to be a realistic crude harsh war movie, as we have grown accustomed to in the last years, or a romantic poetic depiction of this folk hero/legend.

As one gets into the film, one discovers it's both things. There are several sub themes. The jealousy and competitiveness between brothers, the strong contrasting point of views from how the German pilots lived and saw the war as compared to their infantry mud submerged counterparts, the beauty of the initial sportsmanship displayed by Richthoffen and many other airmen in their practice of war, the love story, and many more.

Perhaps the most appealing to some of us is the gradual turn of things towards the impending tragedy, how the characters seem to express it just in the way they look at each other and how this epic sized hero, well represented by the unknown actor Tomas Koutnik, embraces his fate with a powerlessness and dignity that reflects the whole of humanity's ultimate choices when faced with the certain end: play out the role you've been assigned in this life with dignity.

Congratulations to this director, his craftsmanship, the actors, the staff, and let me not forget specially that wonderful Lena Heady who is very sensual and sublime!