Des gens ordinaires

That is how i see this movie: like a living photograph. There is not much going on plot wise, and nothing epic occurs at all, but this movie is engrossing just the same. It is a quick look into the lives of these people, and an unabashed, unbiased look at race relations.

To begin with, this largely unknown cast gives a fine performance. In particular i enjoyed Billoah Greene as Samel and Reg E. Cathey as Akbar. Samel was perhaps the most interesting character in the movie because, more than any of the others, he brakes through stereotypes. He is a young black man, but he has a white foster mother whom he greatly respects, he is smart, and not a womanizer. He represents in this movie, i feel, hope and forward movement in today's society, and the idea that things can get better. The interaction with him and the elderly man at the counter was one of the three most powerful in the movie (the other two being the mother and the daughter interaction and the interaction in the end between the corporate man and the older woman). All three of those interactions depicted the gap in generations trying to communicate with each other in varying degrees of positive and negative. His interaction showed a very positive and understanding interaction and seemed to show that these two very different people, only knowing each other for a few moments, could come to some understanding of what the other was about. This is opposed to the two other interactions that stalled and broke down as the characters were unwilling to accept each other. Samel stands in a stark contrast to the hoodlums show in the movie. He is also the opposite to Akbar who has lost hope completely but seems to be trying to convince himself that there is still some. It is as if his overly pro-black talk is more for himself to hear than anyone else and that he is trying to convince himself that what the corporate man said is not true, but what sadly is true in many inner city areas. Being white and from New York both these characters, in their actions and motivations was, for me, a powerful insight into the black male perspective in 21st century America.

The other life glimpses were profound as well. The single very young mother realizing that she has to resort to degrading herself just to make ends meet, while barely getting to see the son she is doing it for; the corporate man trying to find peace between what some see as selling out his roots and what he sees as the inevitable evolution of the city; the woman trying to make it the business world with an overabundant contempt for white people and her own black roots; the elderly men with families who are coming to realize that their lives have amounted to very little and the simple act of losing a low paying job could ruin even that; and the washed up ex-con who wants the life he threw away back. Overall these were brilliantly thought out caricatures and expertly played.

Before we go giving all the praise to the actors one cannot forget the writer/director. I have not had the privilege to see Jim McKay's previous two films, but based on the reviews, and what i have seen here in everyday People, he shows a strong ability to capture the images and essence of people of all races, religions, and ages. He has a keen understanding of the personal mind, the human condition, the collective unconscious, and how the three interact in the modern world on the everyday level of the average person. He also showed the slow death of 20th century America at the hands of 21st corporate America in ways so subtle it was brilliant. A good example of this is when the corporate man comments, while sitting in a genuine New York diner, that the Hard Rock Cafe will come in and bring real diner food to the neighborhood. He then goes on to chide the simple fact that he has been given free coleslaw and pickles with his meal. This showed so easily his utter ignorance to everyday America and to the lower working class. New York diners are considered some of the best in the world, and you always get a pickle and coleslaw with your meal so this comment illustrated that the corporate man may never have even set foot in a diner before then, which was a profound comment in and of itself. Aside from his screen writing he has a good director's eye for setting up his scenes to show contrast between interacting characters, and of the environments they cohabitate. I look forward to see where his skill takes him next and what he will have to give us in the future.

I find myself drawing a natural comparison between this and Monster's Ball, as Everyday People seems to deal with many of the same issues that it did. Monster's Ball was a big budget attempt at the same type of snapshot of life movie. I felt, next to Everyday People, that Monster's Ball was dry and forced, and handled by people who have been long out of touch with the types of characters they tried to create. Everyday People, with its low budget and its unknown actors, didn't let itself get distracted by its own weight and rolled out very naturally, as if you yourself could have been sitting in the restaurant simply observing these people.

A really good dramatic piece that feels almost documentive feature rather than a film, which is a testament to how close it came to its intent. I definitely recommend this film to anyone who wants a bit of an insight on lives they may never see or interact with.

9 out of 10

I'm just a white, middle-aged guy from Toronto, Canada, but all I can say is this is one of the most sincere, honest and true portrayals of the human spirit that I have ever seen depicted in film!

The characters are real, conflicted and familiar and are portrayed superbly by the actors.

I only wish that more films and TV offered as much insight into social conflict, change and diversity as this film portrays.

The title of this film delivers on it's promise of showing "Everyday People".

After seeing Jim McKay's "Girls Town" and "Our Song" (both shot VERY cheaply on video), I was totally unprepared for the beauty of EVERYDAY PEOPLE. It's gorgeously shot and edited and looks like a million bucks. Considering that it's mostly about a depressed Brooklyn neighborhood, this is all the more amazing. Whether this is due to the cinematographer, to McKay's direction, or just--at last--a bigger budget via HBO, I don't know. But congrats to all concerned. The movie itself is as wonderful as anything McKay has yet done. A famous Brooklyn eating hole looks like it's going out of business to make way for gentrification, and we viewers get to meet and spend some time with the owners and waiters, their relatives and friends, and even some of the "gentrifiers." The mix is bracing. Nobody ends up hero or villain, and if the movie never reaches the heights of great tragedy, comedy or romance, it also never overdoes anything. Scenes last only as long as they need to, each performance is real and exact, and by the end I'll bet you'll have chuckled often, (almost) shed a tear or two, and certainly better understood what a changing neighborhood means to a host of different people. As simple as "Everyday People" appears to be, this kind of ensemble of people and social issues is not easy to pull off without undue soapboxing. But McKay, his cast and his crew have done it. (And Billoah Greene, who plays Samel, should be going places, FAST!)

The ensemble cast of relatively unknown actors did a fine job and this is quite an enjoyable movie. This was about a restaurant in New York City owned by a jewish man; his patrons are largely black. He decides to close down the restaurant due to declining receipts, and this is about the impact his decision has on all of the people involved. Sounds a lot like Barbershop, but a little more true to life.

is something real, and rarely depicted so well; there is no melodrama; just people trying to survive. Besides the fact that there are many excellent, underexposed actors; Reg E. Cathey, as Akbar; as well as many of the younger cast members. The movie holds the interest of the audience, because each character is well-developed and believable.

The setting is a deli/restaurant in Brooklyn, which is being taken over by developers; this means that all the employees are out of a job, and the owner also struggles with his conscience as he realizes that: Yes, what he does has an affect on other people. This is a very pertinent story; especially in today's economy; where one either works for a "multi-national corporation" and sells out, as one character tells her mother, or pursues their dream, if they are able.

You will totally enjoy this movie, as it is something most people can relate to, and while it portrays cold reality, there is also a hopeful and positive ending.

As an addendum I would also say that I hope the writer is considering a follow-up to this story, many people who have seen this movie relate to the characters, and hope to see what happens in the future; movies like this are few and far between, substance and character, not slick Hollywood "trash for cash"; which most people tire of after age 20.