The Assassination of Richard Nixon

Refusing to lie to his customers was the thing that saw Samuel Bickle leave his job with his brother's tyre sales business and looks like it will be again in his new job as an office furniture salesman. Failing in his career, Sam has also failed in marriage, with an estranged wife who is seeing another man and children who barely notice whether he is around or not. Trying to do the honest thing and put in the hard work needed to make a success of himself is not easy as he still requires loans to do that. As he slowly crumbles under the pressure of seeing the life he believed he should have eluding him, he watches Nixon survive and sell himself to the nation for a second term. Bit by bit his anger finds a focus and his path is clear.

Although I know nothing of the "true story" back in the seventies, I am in no doubt that this film is very relevant today. Ignore the fact that Nixon was an unpopular President that took America into a war that few wanted (hmmm), this is relevant because many "little" people feel like Sam to some degree; even those not in his shoes will be able to feel for him and recognise why he feels the way he does. The narrative is interesting but the really this is a character study of Sam – although I don't know if it is the real man of the true story but the character study is of a man sold down the river by the dreams he has been promised and the lifestyle he has been sold. In this way the film succeeds because the writing is great; this is a man who is in a lot of pain but not totally pathetic or needy – just a man who wants the simple promise of a family, a job and a slice of the good life. It is telling that he has the standard three children and dog, but his white picket fence around his old home is faded and peeling. If it sounds a simple story then that's because it is, but it is compelling, depressing, recognisable and very relevant to a world where large numbers of people feel cut off from the ruling classes and entirely left out of the dream that we are told to aim for by adverts, the media and our upbringing.

The writing is great but the acting still needs to be good to make it work; luckily it is impressive in almost all areas. Yet again Penn gives a great performance but, unlike Mystic River, it is a performance of restraint and quiet moments that gripped me by how well observed it was. Watts is only in a small role comparatively but she works well as the contrast of Sam – she has been failed as well but she accepts it and just does it in the way most of us do. Cheadle is good as always and Thompson is perfectly cast as the slick embodiment of what it takes to get on – lies and spin! With this heavy support cast, it speaks volumes that Penn still dominates the film and his performance is worthy of awards when the season comes but I suspect that the subject matter and the timing of the film will not make that too easy.

Overall this is a strong film with a good narrative but it works best as a character study. Sam is disenfranchised, feeling betrayed and just trying to make good with the qualities that he has been taught will be enough to bring him a slice of the dream. It is compelling, relevant and sadly, depressingly convincing as a life that many of us will at least be able to recognise if not totally empathise with.

THE ASSASSINATION OF RICHARD NIXON (2004) *** Sean Penn, Naomi Watts, Jack Thompson, Don Cheadle, Michael Wincott. Penn continues to be our greatest living American actor in this volatile, highly implosive achievement as a frustrated businessman circa 1974 who vents all his shortcomings into a half-baked attempt to kill President Nixon in the hope his actions actually add some color to his miserable life and impose him as a significant human being. Novice filmmaker Niels Mueller (who collaborated on the screenplay with Kevin Kennedy) constructs a significant portrait of angst, anomie and alienation yet the outcome proves to be a touch anti-climactic spoiling the rage that has been festering throughout like an undercurrent of dread. Never-the-less Penn is ably supported particularly veteran character actor Thompson as his passive/aggressive prick boss.

I caught this film at AFI primarily due to my interest in Sean Penn and indeed his performance is spectacular. But Mr. Penn's performance alone is not what makes this a truly great film. The intelligent writing, well-timed and rich score, and supportive performances by Naomi Watts, Jack Thompson and Don Cheadle blend perfectly in this marvelously crafted feature transporting the viewer into the lives and era of the exquisitely human characters who are so elegantly portrayed. Sean Penn's performance leans heavily on the clever and complex writing which offers him the opportunity to display an impressive range of pathos. The writers have managed to depict the very human and sympathetic side of a character that would typically be cast as the villain. I think this is a hugely important film for that reason and on many other levels as well. The writers are able to very subtly include sociopolitical commentary without being "in your face" or at all judgmental as the political arena is viewed through the lead character's eyes yet not really distorted due to the inclusion of archival footage. The unexpected doses of humor matched perfectly with the poignancy of the lead character's plight. This film is so moving, scenes and dialogue echo in the corners of the mind for days after the first viewing. I'll definitely be seeing Assassination again.

I saw this film at Cannes and thought it was fantastic. There is not a flawed moment in the entire film. The performances are amazing and any intelligent film fan will see Sean Penn's performance as one of his best if not his very best ever.

Additionally, Naomi Watts is outstanding. She disappears entirely in her role as Marie and is almost unrecognizable from anything she's ever done in the past. Jack Thompson, the great Australian actor of Breaker Morant and Chant of Jimmy Blacksmith fame is stunning. I can't believe he hasn't been used more in the United States. Not to mention the always great Don Cheadle and others...

The story itself is chilling. This is one relevant film that everyone should see. I don't want to give anything away but suffice it to say that this film discusses with great depth and insight issues that are burning in everyone's minds these days -- terrorism, 9-11, powerlessness as a voting public, etc., etc.

This film is gripping from start to finish. It is a carefully crafted character dissection that takes you inside the mind and heart of Penn's character. The film couldn't have succeeded without Penn's brilliance. The art direction and cinematography are stand out as well as the editing which keeps the film moving at a very assured pace.

This film is as good as they come. It's the kind of film they used to make and I was thrilled to see that some filmmakers and actors had the courage to tackle such complexities as are tackled here.

Roger Ebert calls "Nixon" one of the best films at this year's Cannes film festival...Le Monde in France called it a near masterpiece and in Rome's largest paper they wondered why this film instead of Fahrenheit 911 wasn;'t garnering all the attention. I agree with all of them. Amazing what the director and cast were able to pull off, simply amazing.

This film is an absolute gem and a must see for any intelligent film-goer....It will become a classic...guaranteed.

I was lucky enough to find myself at a small screening of this picture and having no expectations, was blown away by what I saw. I felt a knot growing in my chest with every passing minute and it didn't let go until the credits rolled, when I had to take a couple deep breaths and heard the girl next to me doing the same.

What first struck me was the fragility Penn brings to his character. He's a man I'm used to seeing as well, a man's man, and to see him timid and frustrated, swallowing so much emotion in ever bigger chunks...it was remarkable to watch, his performance a credit to director Niels Mueller as well. Penn deserves another award, Noami Watts and Don Cheadle are also excellent, and Michael Wincott, as Penn's brother, makes his one scene memorable.

Niels and Kevin Kennedy have done a truly masterful job with the script, bringing unique voices and characters to life such as I rarely see on screen. Neils certainly doesn't look like a first timer behind the camera. Much of his framing feels emotionally

claustrophobic, while a few hand-held sequences made me think I was an unwilling, unwitting voyeur.

All in all this is a delicately crafted yet weighty and powerful film. I believe it gets released soon in New York and LA, but as Penn's Sam Bicke character might say "The system is unfair and everyone has a right to see this movie" so email ThinkFilm and tell them you want it in your city, too. Kudos to ThinkFIlm for getting behind this movie, they have another festival favorite of mine, "Kontroll" coming out in the spring.

I take my hat off to these filmmakers for their outstanding work.