Après avoir été enlevé et emprisonné pendant quinze ans, Oh Dae-Su est relâché, seulement pour découvrir qu'il doit trouver son ravisseur en cinq jours.Après avoir été enlevé et emprisonné pendant quinze ans, Oh Dae-Su est relâché, seulement pour découvrir qu'il doit trouver son ravisseur en cinq jours.Après avoir été enlevé et emprisonné pendant quinze ans, Oh Dae-Su est relâché, seulement pour découvrir qu'il doit trouver son ravisseur en cinq jours.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 43 victoires et 28 nominations au total
Ji Dae-han
- No Joo-hwan
- (as Dae-han Ji)
Oh Tae-kyung
- Young Dae-su
- (as Tae-kyung Oh)
Yoo Yeon-seok
- Young Woo-Jin
- (as Ahn Yeon-Seok)
Kim Young Ae
- Elevator Lady
- (as Kim Yeong-ae)
Résumé
Reviewers say 'Oldboy' is celebrated for its intricate plot, shocking twists, and emotional impact. Many praise its cinematography, direction, and Choi Min-sik's compelling performance. However, some critics argue the violence is gratuitous and the twist unconvincing, leading to mixed reactions. Despite the controversy, 'Oldboy' is often hailed for its bold storytelling and significant place in modern cinema.
Avis à la une
Oldboy takes a hammer and "batters" its American equivalents, leaving them as pulped as a chewed up squid. Park Chan Wook displays what America misses with his ultra-stylish, ultra-violent thriller. Why watch Ben Affleck fail spectacularly to summon any displayable talent, when Min sik Choi serves up a memorable role as the disturbed, vengeful Dae Su Oh, in the second of the Vengeance trilogy. Park skillfully creates a compelling plot that will have you guessing through the entire film, up until the final shocking revelation. The Cinematography expertly done by Jeong-hun Jeong, who also worked on the follow up to this film, Chinjeolhan geumjassi. Everything about this film is done in style and panache and creates a memorable experience, and has many memorable scenes.
Many people accuse this film of being "unrealistic". These people forget that this a film, not a documentary. No one complains About Star Wars being unrealistic, and rightly so. Films have a right to stretch out reality, don't forget the reason it does this is to be entertaining.
Although the film has strong violence of a graphic nature, I advise you to watch it, if only to broaden your perspectives of world and Asian cinema.
Many people accuse this film of being "unrealistic". These people forget that this a film, not a documentary. No one complains About Star Wars being unrealistic, and rightly so. Films have a right to stretch out reality, don't forget the reason it does this is to be entertaining.
Although the film has strong violence of a graphic nature, I advise you to watch it, if only to broaden your perspectives of world and Asian cinema.
10Xstal
Imagine what you'd do, when you wake from a bad dream, to find you're held by four square walls, for as long as someone deems, no idea why you're trapped, what you've done, why you're kidnapped, just a ceaseless line of dumplings going down your gyoza hatch. Now some fifteen years have passed, every question has been asked, and you're suddenly set free, can start your own avenging spree, before you do you need to feed, by eating something that's in need, so an octopus is ordered, and head first you cross the borders. But things aren't what they might seem, tied and tethered and undreamed, as the puppet master hovers, manipulates what you'll discover.
Some films you cannot watch too often and this is one of the greatest pieces of cinematic brilliance ever created.
Some films you cannot watch too often and this is one of the greatest pieces of cinematic brilliance ever created.
I haven't written a comment on IMDb for about 3 years but was inspired to with this film. It is not very often that I come across a film by accident (World Movies on cable) and the spend the next day scouring the internet to find out information about it and can't get it out of my head! Anyway, yep there are plot holes, but Old boy borrows a lot from surrealism and you are meant to suspend your disbelief! I don't buy comments when people say "it is so unrealistic because he should've done this ..." because it is a surrealist film and meant to be unrealistic! For me the sign of a good film is if it sticks on your head! THis one surely does (althought I did have to look away a few times ... ) Loved it!!!! Work of cruel genius!!! (HOLLYWOOD - Please don't ruin it by remaking it!!!)
I decided to check this movie out after Ebert's 4 star rave review, and the cult status this movie has received (and was also intrigued by the sexy-looking Ultimate Edition), so I decided to rent it. I was VERY surprised at how different it was than I expected it to be - I expected a ton of violence and not much in the way of writing or acting. The first time I saw it, I wasn't blown away, just kind of like whatever.
When I watched it for the second time, however, I really started to notice how well it's made, in addition to liking it more. Every shot is bursting with background detail, a great amount of attention on the production design (the theme of a certain color in a scene was restrained, yet perfectly balanced). The actors really gave it all, especially the 2 male leads who really blew me away. The music is a varied mix of beautiful classical music and some pretty cool techno. The screenplay is brilliant; the characters are developed very well, extremely complex, and the plot is not only ingenious, but the payoff and twists are 1000x better than any Shamaylan movie.
Simply put, from a technical point of view, it's one of the best movies ever. From a critic's point of view, it is a very well-done movie that goes a little overboard in sex and violence, and is just a little strange.
When I watched it for the second time, however, I really started to notice how well it's made, in addition to liking it more. Every shot is bursting with background detail, a great amount of attention on the production design (the theme of a certain color in a scene was restrained, yet perfectly balanced). The actors really gave it all, especially the 2 male leads who really blew me away. The music is a varied mix of beautiful classical music and some pretty cool techno. The screenplay is brilliant; the characters are developed very well, extremely complex, and the plot is not only ingenious, but the payoff and twists are 1000x better than any Shamaylan movie.
Simply put, from a technical point of view, it's one of the best movies ever. From a critic's point of view, it is a very well-done movie that goes a little overboard in sex and violence, and is just a little strange.
I read the review for "Oldboy" a few years ago and have since read praise about the movie from IMDb posters. Often times movies with that kind of hype tend to fall short and is a major disappointment. I don't know anything about Korean cinema so I had fairly low expectations. I had expected it to be a simplistic revenge film, shot in bad film stock. Well I have to say that I'm glad I was wrong, and even gladder still that I actually watched this film.
The basic story is that a man named Oh Dae-Su is kidnapped and held captive for 18 years and then released. He has no idea who or why this is being done to him. While in captivity he readies himself for the day when he gets out and take revenge on those who imprisoned him, and to find out why he was imprisoned. So far it sounds just like any old revenge martial art flick and up to this point it pretty much is, but it's incredibly well crafted. I have to admit I have not paid much attention to Asian martial arts films since Bruce Lee died and maybe I should now. Mainly because this movie doesn't have the jumpy camera work, or bad editing of those old flicks. This movie is a crisply shot as any Scorcese film. That alone elevates this movie to a higher plateau.
Once he is released, Oh Dae-Su goes on a quest to find what happened to his family and to find the identity of those who had him captured. During the quest for the bad guys, the movie played out like an old fashioned detective movie. The search wasn't rushed and neither was it boring. I suppose the set up made us want to go on this quest with Oh Dae-Su which sounds like Odysseus, and just as Odysseus went on one incredible quest so did Oh Dae-Su.
It's when he finds the man who had him held captive that the movie truly departs from being an average revenge film to something that is extra ordinary and extraordinarily disturbing. It's at this point that I have to say that the less said the better. It's something totally out of the ordinary and something that I think will repulse some viewers, but at the same time one can't help have sympathy for all the characters even the man who ordered Oh's incarceration.
The acting in the movie is excellent. I had no idea that Korean cinema has such skillful actors. They all really played their part incredibly well. Min-sik Choi, who played Oh Dae-Su was incredible. He goes through the rigors of being a desperate captive, to being a determined man on a mission. Along the way he runs through the gamut of so much emotion and not once did he hit a false note.
Overall I have to say that this movie is incredibly well crafted and as good as everybody say, however I find it a little disturbing so I can't give this movie a ten. But don't let my not giving the film a ten scare you away it's a good, enjoyable film.
The basic story is that a man named Oh Dae-Su is kidnapped and held captive for 18 years and then released. He has no idea who or why this is being done to him. While in captivity he readies himself for the day when he gets out and take revenge on those who imprisoned him, and to find out why he was imprisoned. So far it sounds just like any old revenge martial art flick and up to this point it pretty much is, but it's incredibly well crafted. I have to admit I have not paid much attention to Asian martial arts films since Bruce Lee died and maybe I should now. Mainly because this movie doesn't have the jumpy camera work, or bad editing of those old flicks. This movie is a crisply shot as any Scorcese film. That alone elevates this movie to a higher plateau.
Once he is released, Oh Dae-Su goes on a quest to find what happened to his family and to find the identity of those who had him captured. During the quest for the bad guys, the movie played out like an old fashioned detective movie. The search wasn't rushed and neither was it boring. I suppose the set up made us want to go on this quest with Oh Dae-Su which sounds like Odysseus, and just as Odysseus went on one incredible quest so did Oh Dae-Su.
It's when he finds the man who had him held captive that the movie truly departs from being an average revenge film to something that is extra ordinary and extraordinarily disturbing. It's at this point that I have to say that the less said the better. It's something totally out of the ordinary and something that I think will repulse some viewers, but at the same time one can't help have sympathy for all the characters even the man who ordered Oh's incarceration.
The acting in the movie is excellent. I had no idea that Korean cinema has such skillful actors. They all really played their part incredibly well. Min-sik Choi, who played Oh Dae-Su was incredible. He goes through the rigors of being a desperate captive, to being a determined man on a mission. Along the way he runs through the gamut of so much emotion and not once did he hit a false note.
Overall I have to say that this movie is incredibly well crafted and as good as everybody say, however I find it a little disturbing so I can't give this movie a ten. But don't let my not giving the film a ten scare you away it's a good, enjoyable film.
Le saviez-vous
- AnecdotesChoi Min-sik trained for six weeks and lost twenty pounds to get in shape for the role of Dae-su, and did most of his own stunt work.
- Gaffes(at around 1h 7 mins) When Mi-do is searching through the Internet for the word "Evergreen", you can see that the high school website already has been visited on that computer because the link is highlighted in purple colors.
- Citations
Woo-jin Lee: Remember this: "Be it a rock or a grain of sand, in water they sink as the same."
- Versions alternativesPark Chan-wook stated on his solo DVD commentary that there is an edited version for television broadcast. It omits some of the more extreme violence and the love scene between Oh Dae Su and Mi-do.
- ConnexionsEdited into 365 days, also known as a Year (2019)
- Bandes originalesBring My Love
by Starsailor
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- Cinco días para vengarse
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 3 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 2 458 200 $US
- Week-end de sortie aux États-Unis et au Canada
- 68 957 $US
- 27 mars 2005
- Montant brut mondial
- 17 617 021 $US
- Durée2 heures
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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