Jeux d'enfants

This may be one of the best French films I have seen in a long, long time. In many ways it reminds me of Berliner's "Ma Vie en Rose" (and not just because this film also uses Zazie's brilliant rendition of the Piaf song). It has much of the same Pierre et Giles aesthetic that made the other film so memorable and the child actors also display a similarly remarkable complexity that is so rare when they are usually depicted in film.

Very rarely does a film have the capacity to surprise me this much - either with the usually predictable storyline or when trying to understand the character's motivations etc. But this film continually had me reeling when trying to get a grip on it and, in the end, just when I thought it was a predictable love story...!! For this reason alone I found it a most remarkable film and I would strongly recommend seeing it.

This film will not appeal to lovers of mainstream American cinema - it is too intelligent in the way it challenges our usual expectations. We usually expect to finish watching a film and have no questions - to have everything wrapped up nice and neatly so we can get on with our lives.

If you do not want to suddenly find yourself asking "Pour quoi?" a week later or waking up with the haunting refrains of the unique renditions of the Piaf song in your head, then I would suggest you rent a more predictable movie.

However, if you like being alternately surprised, delighted and haunted by a unique film and wonderful soundtrack - check this one out.

Two children start an odd game of outdoing each other with limitless dares and stunts, but as they grow into adulthood their stunts become more dangerous and life threatening. Soon enough they realize that their continuation of the game had been a desperate attempt to hide the fact that they were meant for each other. Right away this film starts off in a dream like state, giving us the sense that we're really watching a school play put on by 4th graders. The mood is very light and playful and goes along with the child like innocence of Julien and Sophie. As the two characters mature so does the directing (for lack of a better phrasing). No longer do we feel like we are in the dream of a 10 year old. Reality settles in and eventually the mood in the film becomes very dark and almost depressing. I loved everything about this movie: the plot, the actors (and the chemistry between them) but most of all the directing. I liked the way Yann changed the mood in the film to match that of the character's ages. 9/10

I love this film. It's light, dreamy, and colorful. The movie does not ask you to take it seriously, but simply to watch as Julien and Sophie play with the elements of conventional life. I'm reminded of a character from Milan Kundera's Immortality, who played with the world in the same fervor and commitment.

We see Julien and Sophie's games becoming more and more elaborate as they grow up, affecting other lives even. And when they do, you understand at most levels that they do not mean to hurt other people. They just play as the game is supposed to be played.

It is fantasy in that it lets you suspend realism for a moment, and dwell on the things we take for granted many times- laughter, romance, and childlike innocence. This movie made me smile, and I have no need to question motivations etc. It would be absurd to questions things that are meant to be left alone in their wonder.

Yann Samuel and Antoine Roch the DOP have tried very hard to mimic Jeunet's 80s 90s style (green photography, digitally enhanced ultra-swift camera tracking etc...) which all came from the French TV advertising trendy aesthetics of the 80s. And achieved nothing but an irritating flick. Jeux d'Enfants contains nothing you have not seen before. You wish filmmakers had turned the page... No. The whole "stylish" shooting is so much in your face that it prevents you from following the ultra slim story line. The actors are good (Canet and Cotillard have proved elsewhere that they can act) so what's so wrong and phony about Jeux d'Enfants? You have to look towards the director, who must value photography and camera moves more than actor's direction. What about the script? As often these days, the concept is the whole thing (Open Water, Phone Booth etc...): short and easy to market. What about the spectator who's paid his ticket? Is there anything left for him? Like life, emotions, tears, joy, fear, laughter? Nope. He's been conned. The dialogs are not funny. They're actually incredibly sloppy and vulgar (an 8 year old girl saying "blow job" to her teacher is tasteless and not funny, if not completely unrealistic). The story is unbelievable, and the characters are heartless. No emotions, no depth, no fun. Sheer vulgarity. With color grading gone bad. A talentless caricature of wannabe trendy French cinema. Thank God there are films about youth like Billy Elliot who talk to one's heart, eyes, brains and soul...

It will make you gasp, laugh, cry, scream, sing, and love. This is the greatest comedic love story I've ever seen on the silver screen. You will never forget this movie, from its playful beginning to its OMG-what-just-happened ending. For those of you who don't speak French, you do not need subtitles to understand the beauty, the depth, and the tragically hilarious love affair of Julien and Sophie. The movie will take you to every extreme of human emotion and leave you completely breathless with its UNBELIEVABLE ending. I was so entranced by the film that I sat there through the entire end credits, hoping for just a little more. This is a movie you cannot miss...it is one of the greatest films to be made in France. Watch it....I dare you. Are you game or not?