Le ravisseur

The Keeper is a story about a young dancer who gets abducted and imprisoned by a corrupt police officer, who's assistant desperately tries to solve the case of the dancer. The plot is quite OK here, but nothing special or surprising. The acting by Dennis Hopper is great, and he really blends the movie with his insane character (officer Krebs). I suppose what didn't made this movie "do it" for me was the poor development here. It all starts out cool, but the further the plot develops the worse it gets. In the end, it feels like everyone and everything has just freaked out and what is left to digest is nothing. 4/10 because of the performance by Hopper and this movie might be "OK" entertainment if you have nothing else to do (or watch).

This Canadian 'maniac cop'-type thriller inaugurates a lengthy series of movies that I plan to watch throughout this month in tribute to its hell-raising star, the late Dennis Hopper. His co-star here is the equally notorious Italian starlet Asia Argento who, portraying a stripper that instills dubiously redemptive tendencies in Hopper, shows that she still has trouble in shedding her heavy accent which needs to be excused by making her an émigré. The presence of these two (who appeared together again a year later in George A. Romero's LAND OF THE DEAD) would have been enough to entice me to watch this modest effort somewhere along the line but, thankfully, the screenplay adds a few interesting touches to the overly-familiar COLLECTOR scenario.

In fact, Hopper has a sideline in puppeteering which he exploits by touring schools in an anti-drug campaign (which, knowing Hopper's highly-publicized drug-fueled antics of the past, makes for the ultimate irony); to further complicate matters, one of the teachers (Helen Shaver) has a big crush on him and wants to manage his 'career' and turn him into a household word!; Hopper's junior partner starts getting in too deep into Argento's disappearance and, inevitably, getting on Hopper's nerves; and, finally, an escaped serial killer who has been hunting down Argento's 'colleagues'.

Unfortunately, director Paul Lynch's (of the original PROM NIGHT fame) thoroughly uninspired handling deadens most of the impact that these subplots might have had and it is left to the two lead actors – but mostly Hopper (whose mania is predictably explained as being caused by a religious-fanatic-of-a-cop dad), since Argento's predicament limits her movements (although she still gets to do a pole dance over the opening credits sequence and have a couple of gratuitous showers along the way!) – to keep non-discriminating viewers watching.

The only reason to watch this badly written movie would be if you were a fan of either Helen Shaver (a great actress) or the legendary Dennis Hopper. If you desire to see these two together in a film, choose 'The Ostetrman Weekend', which is by far the better film. The basic story line is the prisoner wanting to escape the jailer. (similer to the much better 'Misery')

Without going into too much detail so as not to spoil the plot (well, what plot there is), lets just say this is best avoided. There are millions of films out there to spend 90 minutes on, don't make it this one.

In Redwood County, the dancer Gina (Asia Argento) is attacked and her boyfriend is killed by a maniac in a motel. Gina is attended by Sergeant Burns (Lochlyn Munro) and Lieutenant Krebs (Dennis Hopper) insists in giving a lift to her when she leaves the hospital. However, he kidnaps Gina and arrests her in a cell in the basement of his isolated house. The deranged policeman has a serious trauma from his childhood with dancers of night-clubs and establishes rules and punctuations for Gina while she is imprisoned. Meanwhile, Lieutenant Krebs is stalked by a local, Ruthie (Helen Shaver), who has a crush on him and wants to promote his amateurish puppet show with the character Deputy Rock, his alter-ego. Sgt. Burns is trying to find a clue where the missing Gina may be.

"The Keeper" is another predictable rip-off of William Wyler's "The Collector". This time, the captor is a deranged lieutenant and the captive is a dancer. The story entertains, but Dennis Hopper is too old and fat for the lead character. The heavy make-up on his face is highlighted in the image of the DVD. It is ridiculous the scene where a young dancer that is keeping her shape working-out in her cell is chased by an old fat man that is able to catch her. Today is a rainy day in Rio de Janeiro, and this movie was a reasonable choice for a boring afternoon. My vote is five.

Title (Brazil): "Obsessão" ("Obsession")

The beginning of this movie really annoyed me. Asia Argento performs in a strip club, takes a shower, and nearly gets raped, all without actually having a nude scene! Don't get me wrong--even low-budget potboilers like this don't necessarily need nude scenes to be good, but it's annoying when a movie relentlessly teases the viewer with the promise of nudity but doesn't deliver (besides, it's not like Argento exactly has the pristine image of that other stripper-who-doesn't-strip, Natalie Portman--she's done nude scenes in movies directed by her FATHER, and supposedly had unsimulated sex on screen in her own directorial effort "Scarlet Diva").

After the beginning though this movie wasn't THAT bad. For once, we have a movie with a believable stalker in Dennis Hopper. It's really stupid how in Hollywood movies stalkers always seem to be young, beautiful women (Erica Christensen, Rebecca DeMornay, Alicia Silverstone, ad infinitum), the people who in real life are much more likely to be the ones being stalked. And Hopper's performance as "Deputy Rock" is uncharacteristically subdued and psychologically nuanced. He isn't primarily interested in Argento for sex (although that element is there), but keeps her in a cage in what he views as an effort to protect her. He really is the straight-arrow cop he appears to be, just to a completely psychotic extent. I also liked Lochlyn Munro as the good guy cop and Helen Shaver as the woman producing an anti-drug show with Deputy Rock (who turns out to be just as crazy as he is). Which brings us back to Argento, who is probably the weakest link here, but she's certainly not awful. It's refreshing, for instance, that while she eventually fights back, she doesn't completely turn into the butt-kicking babe dispatching the villain with a stupid one-liner (a stereotype every bit as annoying as the old-fashioned "damsel in distress"--and even more unrealistic). Her character obviously feels morally compromised as a stripper and rape victim even before she's taken prisoner, and she has to overcome this as well as her captor. Argento can believably play a morally compromised character better than most big-name American actresses, so she's well suited for the role at least (even if she never does get around to actually taking her clothes off).