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6,1/10
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Dans un monde avec des implants d'enregistrement de mémoire, Alan Hakman est un cutter, une personne avec le pouvoir de modifier définitivement les histoires enregistrées des gens. Sa derniè... Tout lireDans un monde avec des implants d'enregistrement de mémoire, Alan Hakman est un cutter, une personne avec le pouvoir de modifier définitivement les histoires enregistrées des gens. Sa dernière mission est celle qui le met en danger.Dans un monde avec des implants d'enregistrement de mémoire, Alan Hakman est un cutter, une personne avec le pouvoir de modifier définitivement les histoires enregistrées des gens. Sa dernière mission est celle qui le met en danger.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire et 4 nominations au total
Tarek Bishara
- Hasan
- (as Thom Bishops)
Avis à la une
Set in a world with memory implants, Robin Williams plays a cutter, someone with the power of final edit over people's recorded histories. His latest assignment is one that puts him in danger.
While this is an interesting science fiction universe in and of itself, it also has an interesting message on surveillance and Neo-Luddism. While the idea of having your life on film for future generations may sound pleasant (or horrible), it puts everyone in the path of a camera -- anyone who looks at you may be recording your every move.
This is an idea that is thoughtful and well-presented. Maybe they could have explored the theme more, and it might even be worth returning to this universe in a future film...
While this is an interesting science fiction universe in and of itself, it also has an interesting message on surveillance and Neo-Luddism. While the idea of having your life on film for future generations may sound pleasant (or horrible), it puts everyone in the path of a camera -- anyone who looks at you may be recording your every move.
This is an idea that is thoughtful and well-presented. Maybe they could have explored the theme more, and it might even be worth returning to this universe in a future film...
It's the kind of film provoking many ethical questions about life, death, privacy and so on. Omar Naim's direction gives a glimpse into possible science discoveries and paths; its strong originality consists of showing how the state of civil rights could be threatened if these futuristic odyssey came true. The whole film is based on a steady premise, very solid performances and an impressive visual style, though special effects are not as special as one could think (given this title and this plot). Robin Williams is now accustomed to playing such frightening and alluring roles; after "Insomnia", "One hour photo" and this flick "Dead Poets Society" is now a far memory.
Well, I just saw The Final Cut over the weekend and I am finding myself very disappointed in the movie. From the previews I had imagined something a little different with a lot more action that what took place. There were certain scenes that I felt were good and like them, but all in all I would rather have waited to just rent the movie than to have gone to see it in the theaters. It was a pretty slow moving movie when I was expecting more suspense and action. Robin Williams did a great job in the part, just to clarify. Once again, it was just my view of the movie as a whole that I did not like. The overall plot was good and the storyline had a great theme but as I watched, I just became more and more disappointed. Then at the end, it just kind of ended. To me, I was left with the feeling that there should have been more than just a sudden ending like it had.
I don't completely understand the negative reviews of this film because I thought films (except for documentaries) legitimately use the "willfull suspension of disbelief" to accomplish their goals of entertainment. Granted, not everything in this film makes perfect logical sense and could have been written just a little better (or maybe suffers the fate of all literature to film shortcomings) but I absorbed the film as a morality/ethics dilemma rather than a logical tale of facts and relationships. I do concede the ending left me a little wanting for resolution.
Good questions were touched upon in a less than preachy head slap because of the low key acting presentations. And Williams has always held my attention in any of his work to date. This one is worth watching if you're not a detail critic, though it's not as badly crafted as some would make it seem.
Good questions were touched upon in a less than preachy head slap because of the low key acting presentations. And Williams has always held my attention in any of his work to date. This one is worth watching if you're not a detail critic, though it's not as badly crafted as some would make it seem.
I have always been a Robin Williams fan. From watching him goof around in Mrs. Doubtfire when i was a kid to seeing him actually creep me out in One Hour Photo, probably his best movie to date. So i am willing to see anything he has to offer. I got a chance to see The Final Cut for free, so i took it. The plot seemed real interesting and it was a first. Later into the movie though, the plot was getting cut more than people's memories. Williams romance with Mira Sorvino (which was gag-worthy to begin with) doesn't have any closure, and the "cutting" procedure and the whole "chip in the brain" thing didn't seem too thought out. Robin Williams is good as always and he tries his best to keep you interested, and the opening of the movie was promising. I even think with a little work that director Omar Naim can make some really quality flicks. This one, however, seems like it was cut together from a better movie. Which is a shame because it was a really cool idea. 5/10
Le saviez-vous
- AnecdotesThe Zoe implant records all visual experiences in a person's life. In Greek, Zoe means "life".
- GaffesThe paper announcing Bannister's death states that he was 54 when he died. But, when Alan loads his implant for the first time, it states that there are 544,628 life hours to review. That number of hours would make him over 62 years of age.
- Bandes originales4 Seasons/Spring
(1725)
Written and Composed by Antonio Vivaldi (as Vivaldi)
Performed by Royal Philharmonic Orchestra (as The Royal Philharmonic)
Published by Extreme Music Library PLC
Courtesy of Extreme Production Music
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- How long is The Final Cut?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Más allá de la muerte
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 551 281 $US
- Week-end de sortie aux États-Unis et au Canada
- 226 296 $US
- 17 oct. 2004
- Montant brut mondial
- 3 222 439 $US
- Durée
- 1h 35min(95 min)
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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