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6,1/10
35 k
MA NOTE
Dans un monde avec des implants d'enregistrement de mémoire, Alan Hakman est un cutter, une personne avec le pouvoir de modifier définitivement les histoires enregistrées des gens. Sa derniè... Tout lireDans un monde avec des implants d'enregistrement de mémoire, Alan Hakman est un cutter, une personne avec le pouvoir de modifier définitivement les histoires enregistrées des gens. Sa dernière mission est celle qui le met en danger.Dans un monde avec des implants d'enregistrement de mémoire, Alan Hakman est un cutter, une personne avec le pouvoir de modifier définitivement les histoires enregistrées des gens. Sa dernière mission est celle qui le met en danger.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire et 4 nominations au total
Tarek Bishara
- Hasan
- (as Thom Bishops)
Avis à la une
The plot is timely and intriguing, providing lots of food for thought as to the perhaps not-too-far future prospects of technology and our own legacies.
I agree the relationship between Williams' character and his love interest was too sketchy. With a few extra minutes expanding on those two, the film might have been more fleshed out. Overall, I enjoyed the movie. It really gave us pause to reflect on the pros and cons of the "Zoe Implant" and "rememories." Appreciated the intense acting abilities of Williams and Caviezel; otherwise, the movie might have lagged even more.
I thought the angles of the camera shots were interesting.
I agree the relationship between Williams' character and his love interest was too sketchy. With a few extra minutes expanding on those two, the film might have been more fleshed out. Overall, I enjoyed the movie. It really gave us pause to reflect on the pros and cons of the "Zoe Implant" and "rememories." Appreciated the intense acting abilities of Williams and Caviezel; otherwise, the movie might have lagged even more.
I thought the angles of the camera shots were interesting.
I don't completely understand the negative reviews of this film because I thought films (except for documentaries) legitimately use the "willfull suspension of disbelief" to accomplish their goals of entertainment. Granted, not everything in this film makes perfect logical sense and could have been written just a little better (or maybe suffers the fate of all literature to film shortcomings) but I absorbed the film as a morality/ethics dilemma rather than a logical tale of facts and relationships. I do concede the ending left me a little wanting for resolution.
Good questions were touched upon in a less than preachy head slap because of the low key acting presentations. And Williams has always held my attention in any of his work to date. This one is worth watching if you're not a detail critic, though it's not as badly crafted as some would make it seem.
Good questions were touched upon in a less than preachy head slap because of the low key acting presentations. And Williams has always held my attention in any of his work to date. This one is worth watching if you're not a detail critic, though it's not as badly crafted as some would make it seem.
I really enjoyed Robin Williams performance in this movie. Mira Sorvino was also pretty good. what an interesting idea this movie does present us. what if.... and the end of you're life someone could take out all of the bad things you did or thought about.. and have someone re-arrange all of you're memories to where only the pleasant stuff came to surface,, therefore when people went to you're funeral you would be fondly remembered. well this is the job that is set for our main character to accomplish,, this time he has to make over a nasty lawyer's life,, and there is something that he has seen that he shouldn't have and therefore his life is threatened and his life is now in danger. Robin Williams recently has played a few bad guys, and a few creepy ones.. it's a refreshing turn for me as only ever seen him in comedies.. and his stand-up, and the ever popular Mork and Mindy on TV. this is a dark movie, and very well done,, I will watch it again soon.
Set in a world with memory implants, Robin Williams plays a cutter, someone with the power of final edit over people's recorded histories. His latest assignment is one that puts him in danger.
While this is an interesting science fiction universe in and of itself, it also has an interesting message on surveillance and Neo-Luddism. While the idea of having your life on film for future generations may sound pleasant (or horrible), it puts everyone in the path of a camera -- anyone who looks at you may be recording your every move.
This is an idea that is thoughtful and well-presented. Maybe they could have explored the theme more, and it might even be worth returning to this universe in a future film...
While this is an interesting science fiction universe in and of itself, it also has an interesting message on surveillance and Neo-Luddism. While the idea of having your life on film for future generations may sound pleasant (or horrible), it puts everyone in the path of a camera -- anyone who looks at you may be recording your every move.
This is an idea that is thoughtful and well-presented. Maybe they could have explored the theme more, and it might even be worth returning to this universe in a future film...
It's the kind of film provoking many ethical questions about life, death, privacy and so on. Omar Naim's direction gives a glimpse into possible science discoveries and paths; its strong originality consists of showing how the state of civil rights could be threatened if these futuristic odyssey came true. The whole film is based on a steady premise, very solid performances and an impressive visual style, though special effects are not as special as one could think (given this title and this plot). Robin Williams is now accustomed to playing such frightening and alluring roles; after "Insomnia", "One hour photo" and this flick "Dead Poets Society" is now a far memory.
Le saviez-vous
- AnecdotesThe Zoe implant records all visual experiences in a person's life. In Greek, Zoe means "life".
- GaffesThe paper announcing Bannister's death states that he was 54 when he died. But, when Alan loads his implant for the first time, it states that there are 544,628 life hours to review. That number of hours would make him over 62 years of age.
- Bandes originales4 Seasons/Spring
(1725)
Written and Composed by Antonio Vivaldi (as Vivaldi)
Performed by Royal Philharmonic Orchestra (as The Royal Philharmonic)
Published by Extreme Music Library PLC
Courtesy of Extreme Production Music
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- How long is The Final Cut?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Más allá de la muerte
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 551 281 $US
- Week-end de sortie aux États-Unis et au Canada
- 226 296 $US
- 17 oct. 2004
- Montant brut mondial
- 3 222 439 $US
- Durée1 heure 35 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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