Une profileuse du FBI est appelée par la police québécoise pour attraper un tueur en série qui prend l'identité de chaque nouvelle victime.Une profileuse du FBI est appelée par la police québécoise pour attraper un tueur en série qui prend l'identité de chaque nouvelle victime.Une profileuse du FBI est appelée par la police québécoise pour attraper un tueur en série qui prend l'identité de chaque nouvelle victime.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 4 nominations au total
Avis à la une
Despite my love of Angelina Jolie, I must say that Taking Lives wasted a lot of good opportunity.
Given that they invented an entirely new lead character, we can't really compare this to the book, so let's look at it as a movie of it's own right.
Jolie plays Illeana Scott, a somewhat strange FBI agent who is called up to Canada to investigate the grisly murders of several young men, all whom have had their identities stolen by the killer. New to the scene is witness James Costa, Ethan Hawke, who soon grows to have an attachment to Scott.
At turns formulaic and down right rip off (the credits are far too similar to be called a homage to SE7EN), Taking Lives is a very enjoyable piece of work.
Beautifully shot, the film wallows in its moods. It knows that it can be creepy, but it wears it out on its sleeves.
Angelina is on top form as Scott, although its a shame that the movie does stoop to the need for quick-sex-scene-with-unnecessary-titty-shot.
Ethan Hawke is bearable as Costa, although he and Jolie have very little chemistry.
Other players, Olivier Martinez, Gena Rowlands, Tcheky Karyo and Jean Hughes-Angalade are also quite good.
The film does have its highs: excellent cinematography, creepy sinister mood, two fantastic adrenaline-jump moments that I never saw coming. But it also has one FATAL flaw, and that is that anyone who has seen any piece of film or television before will be able to guess who the killer is. Still, a fun movie nevertheless.
7/10 If you get the chance to see it in the cinema, watch people's reactions to the 'scissors-scene'. I was amazed to see hoe genuinely horrified even the most hardened viewers in my cinema were.
Given that they invented an entirely new lead character, we can't really compare this to the book, so let's look at it as a movie of it's own right.
Jolie plays Illeana Scott, a somewhat strange FBI agent who is called up to Canada to investigate the grisly murders of several young men, all whom have had their identities stolen by the killer. New to the scene is witness James Costa, Ethan Hawke, who soon grows to have an attachment to Scott.
At turns formulaic and down right rip off (the credits are far too similar to be called a homage to SE7EN), Taking Lives is a very enjoyable piece of work.
Beautifully shot, the film wallows in its moods. It knows that it can be creepy, but it wears it out on its sleeves.
Angelina is on top form as Scott, although its a shame that the movie does stoop to the need for quick-sex-scene-with-unnecessary-titty-shot.
Ethan Hawke is bearable as Costa, although he and Jolie have very little chemistry.
Other players, Olivier Martinez, Gena Rowlands, Tcheky Karyo and Jean Hughes-Angalade are also quite good.
The film does have its highs: excellent cinematography, creepy sinister mood, two fantastic adrenaline-jump moments that I never saw coming. But it also has one FATAL flaw, and that is that anyone who has seen any piece of film or television before will be able to guess who the killer is. Still, a fun movie nevertheless.
7/10 If you get the chance to see it in the cinema, watch people's reactions to the 'scissors-scene'. I was amazed to see hoe genuinely horrified even the most hardened viewers in my cinema were.
This was a so-so serial killer movie with good and bad marks. The good marks were mainly for keeping the viewer's interest. You don't fall asleep watching this film. Angeline Jolie looks as good as I've ever seen her, facially and figure-wise.
The film loses marks for an easy-to-solve story, some credibility gaps especially later in the movie and too small a part for Keifer Sutherland to get third billing. He has a very short role in here, hardly worth billing which was a bit disappointing.
Also, the French accents by Jean-Hgues Anglade and Tcheky Karyo were hard for me to understand, forcing me to put on the English subtitles.
The film loses marks for an easy-to-solve story, some credibility gaps especially later in the movie and too small a part for Keifer Sutherland to get third billing. He has a very short role in here, hardly worth billing which was a bit disappointing.
Also, the French accents by Jean-Hgues Anglade and Tcheky Karyo were hard for me to understand, forcing me to put on the English subtitles.
The good news is that "Taking Lives" isn't as bad as the reviews on this board would have you believe; the bad news is that there isn't much about it that's a) unpredictable or b) new. It sports a fine cast of Angelina Jolie, Ethan Hawke, Gena Rowlands, Kiefer Sutherland, Tchéky Karyo, Jean-Hugues Anglade and Oliver Martinez. Sutherland and Rowlands, however, are completely wasted.
The film begins in the '60s with a brutal murder and then jumps to the present. An FBI profiler (Jolie) is out to nab a serial killer in Montreal who takes on the identity of his victim. A witness to one of the killings, an art gallery owner (Hawke) is cleared of suspicion. While under special protection by the police, he falls for Jolie. A woman (Gena Rowlands) comes forward, claiming to have seen her dead son, which leads the investigation to the true identity of the killer.
As others have pointed out, it's fairly derivative stuff. The filmmakers would have been better off delving more into Jolie's character - a beautiful, unmarried woman who wears a wedding ring to keep the men away and sits in her bath staring at autopsy photos and also pastes them around her bed so she can study them. Jolie gives us the inability to read the profiler but the script doesn't offer much else.
There are a couple of Swiss-cheese sized holes in this film, but mentioning them would give away the plot. For all of its lack of originality, "Taking Lives" offers some suspenseful moments and some good acting.
The film begins in the '60s with a brutal murder and then jumps to the present. An FBI profiler (Jolie) is out to nab a serial killer in Montreal who takes on the identity of his victim. A witness to one of the killings, an art gallery owner (Hawke) is cleared of suspicion. While under special protection by the police, he falls for Jolie. A woman (Gena Rowlands) comes forward, claiming to have seen her dead son, which leads the investigation to the true identity of the killer.
As others have pointed out, it's fairly derivative stuff. The filmmakers would have been better off delving more into Jolie's character - a beautiful, unmarried woman who wears a wedding ring to keep the men away and sits in her bath staring at autopsy photos and also pastes them around her bed so she can study them. Jolie gives us the inability to read the profiler but the script doesn't offer much else.
There are a couple of Swiss-cheese sized holes in this film, but mentioning them would give away the plot. For all of its lack of originality, "Taking Lives" offers some suspenseful moments and some good acting.
Imagine Seven,The Bone Collector,Kiss The Girls,Red Dragon and a load of similar movies all rolled into one,and you might get something like Taking Lives. It's quite a stylish and sometimes exciting movie,it's just almost completely lacking in originality. It's also pretty obvious who the killer is early on,so the film's plot has to take some very silly twists and turns to try to hide this.
Nevertheless,there is much that is good,perhaps it was realised that the script was mediocre and everybody tried hard to try to overcome this. Director David T. Caruso gives the film a very stylish feel,with some interesting use of camera angles and colour-check out the opening scene,in which the colour has been altered in some way to make it look somewhat dreamlike. A brief but exciting car chase and a murder in a lift are very well staged and edited. Angelina Jolie turns her unbelievable role into something approaching good,and Ethan Hawke almost matches her,especially near the end. Philip Glass's score is terrifically menacing,and the film is well paced,the first half slow but increasingly suspenseful and uneasy,the second half fast and full of action. There is also one 'jump' which really works well,I won't describe it but think of the hand coming out of the grave in Carrie...... The climax is over a little quickly,and gives us a supposed plot twist which is than proved to be fake. It would have been a lot more interesting if said plot twist was real.
Taking Lives never really delves into the twisted minds of it's two main protagonists nor truly gives a sense of evil as,for instance Seven did. It's one of those films that always seems on the verge of being really disturbing or thrilling and never gets there. Nevertheless,if you like serial killer movies,you're probably like this one,even if you will probably be able to guess much of the plot right from the beginning.
Nevertheless,there is much that is good,perhaps it was realised that the script was mediocre and everybody tried hard to try to overcome this. Director David T. Caruso gives the film a very stylish feel,with some interesting use of camera angles and colour-check out the opening scene,in which the colour has been altered in some way to make it look somewhat dreamlike. A brief but exciting car chase and a murder in a lift are very well staged and edited. Angelina Jolie turns her unbelievable role into something approaching good,and Ethan Hawke almost matches her,especially near the end. Philip Glass's score is terrifically menacing,and the film is well paced,the first half slow but increasingly suspenseful and uneasy,the second half fast and full of action. There is also one 'jump' which really works well,I won't describe it but think of the hand coming out of the grave in Carrie...... The climax is over a little quickly,and gives us a supposed plot twist which is than proved to be fake. It would have been a lot more interesting if said plot twist was real.
Taking Lives never really delves into the twisted minds of it's two main protagonists nor truly gives a sense of evil as,for instance Seven did. It's one of those films that always seems on the verge of being really disturbing or thrilling and never gets there. Nevertheless,if you like serial killer movies,you're probably like this one,even if you will probably be able to guess much of the plot right from the beginning.
If I had to write a one sentence review for Taking Lives, it would be, "If you have seen a ridiculous amount of thriller movies and have seen all the twists and turns before, then this movie is very predictable, if you haven't, it is worth a look and you may even be surprised." For those that want more, please read on.
I believe the casting for this movie was as close to perfect as they were going to get. Angelina Jolie stars as FBI Agent Illeana Scott. Illeana has both strengths and weaknesses,which are both done in the right way. She is a very smart detective and can pick up clues that many could not and leads the way to many places that the other detectives would never have found. She does not come off as the hardened, tough cop that would have made this movie much worse. Instead, she usually gets the short end of the stick when forced to do physical battle with lowlifes and even other cops. She is flawed and vulnerable but can put up a hell of a fight when needed but relies on her brain to beat a larger and stronger foe. For an example of how to do this the wrong way, see Ashley Judd (of whom I'm also a fan of) in Twisted.
Olivier Martinez plays a character I find hard to like at any part of the film named Paquette. Paquette is a Canadian cop who has issues with bringing the FBI in (I'm not sure if the FBI actually assists in Canadian affairs, but this is just a movie). Olivier seems likable as a person and I'm not familiar with his work, as I'm sure it is mostly French. I'll chalk it up to good acting.
Keifer Sutherland had only what seemed to be a bit part here and could have been used a bit more. He was probably in and out in 2 days of filming.
And finally, Ethan Hawke did a fine job for his role, but I think they could have made a better choice for this character.
As I said earlier, those of us who see many of these types of movies will probably see most of the twists before they happen. Many of them well before they happen. Some of you will know everything that's going to happen before it happens, such as I did, but I still think it was a good story and was entertained. I can honestly recommend this one for at least a rental.
I believe the casting for this movie was as close to perfect as they were going to get. Angelina Jolie stars as FBI Agent Illeana Scott. Illeana has both strengths and weaknesses,which are both done in the right way. She is a very smart detective and can pick up clues that many could not and leads the way to many places that the other detectives would never have found. She does not come off as the hardened, tough cop that would have made this movie much worse. Instead, she usually gets the short end of the stick when forced to do physical battle with lowlifes and even other cops. She is flawed and vulnerable but can put up a hell of a fight when needed but relies on her brain to beat a larger and stronger foe. For an example of how to do this the wrong way, see Ashley Judd (of whom I'm also a fan of) in Twisted.
Olivier Martinez plays a character I find hard to like at any part of the film named Paquette. Paquette is a Canadian cop who has issues with bringing the FBI in (I'm not sure if the FBI actually assists in Canadian affairs, but this is just a movie). Olivier seems likable as a person and I'm not familiar with his work, as I'm sure it is mostly French. I'll chalk it up to good acting.
Keifer Sutherland had only what seemed to be a bit part here and could have been used a bit more. He was probably in and out in 2 days of filming.
And finally, Ethan Hawke did a fine job for his role, but I think they could have made a better choice for this character.
As I said earlier, those of us who see many of these types of movies will probably see most of the twists before they happen. Many of them well before they happen. Some of you will know everything that's going to happen before it happens, such as I did, but I still think it was a good story and was entertained. I can honestly recommend this one for at least a rental.
Le saviez-vous
- AnecdotesA scene was shot in which Illeana drives back to her house with the old pick-up and a branch from a tree falls and breaks the windshield. It took several takes to get the shot, and apparently destroyed the last remaining windshields for the pick-up available anywhere in North America at the time. The scene was not used.
- GaffesThe three lead police investigators all speak with Parisian French accents. Quebec French is as distinct from Parisian French as British English is distinct from New York English.
- Versions alternativesAvailable in both its R-rated theatrical version (103 min.) and in an unrated director's cut (109 min.).
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- Robando Vidas
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 45 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 32 682 342 $US
- Week-end de sortie aux États-Unis et au Canada
- 11 458 465 $US
- 21 mars 2004
- Montant brut mondial
- 65 470 529 $US
- Durée
- 1h 43min(103 min)
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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