Ek Hasina Thi
- 2004
- 2h
NOTE IMDb
7,5/10
8,2 k
MA NOTE
Ajouter une intrigue dans votre langueA woman falls for a charming and mysterious businessman. The whirlwind romance turns sour when she is framed for his underworld crimes. Now, finally out of prison she is ready for sweet reve... Tout lireA woman falls for a charming and mysterious businessman. The whirlwind romance turns sour when she is framed for his underworld crimes. Now, finally out of prison she is ready for sweet revenge.A woman falls for a charming and mysterious businessman. The whirlwind romance turns sour when she is framed for his underworld crimes. Now, finally out of prison she is ready for sweet revenge.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 2 victoires et 18 nominations au total
Pratima Kazmi
- Pramila
- (as Pratima Kajmi)
Abhay Bhargava
- Bhaisahab Nanda
- (as Abhay Bhargav)
Murari Kumar
- Murari
- (as Murari)
Avis à la une
Though EK HASINA THI will never be considered a great classic I was pleasantly surprised that this Bollywood thriller was better than expected. The story is sorta hokey and the acting is campy but what's fun is how entertaining it was. Very few films today are entertaining, per se, so you can imagine how unexpected it was to see an entertaining thriller from Bollywood.
EK HASINA THI is not your typical Bollywood movie: there's no musical numbers, the violence is realistic and it looks modern enough. What's amazing is EK HASINA THI succeeds were many Hollywood produced films fail. Films like KILLING ME SOFTLY, which made me laugh nonstop, looks like a complete joke compared to EK HASINA THI.
Saif Ali Khan gives a good performance but the movie belongs to Urmila Matondkar, who is over-the-top and yet believable, which is amazing. There's a good balance of craziness, campiness and seriousness in her performance. Kudos to Urmila for giving such a memorable performance and basically making the film for what it is. Credit should also go to the director in creating such a fun film.
EK HASINA THI is not your typical Bollywood movie: there's no musical numbers, the violence is realistic and it looks modern enough. What's amazing is EK HASINA THI succeeds were many Hollywood produced films fail. Films like KILLING ME SOFTLY, which made me laugh nonstop, looks like a complete joke compared to EK HASINA THI.
Saif Ali Khan gives a good performance but the movie belongs to Urmila Matondkar, who is over-the-top and yet believable, which is amazing. There's a good balance of craziness, campiness and seriousness in her performance. Kudos to Urmila for giving such a memorable performance and basically making the film for what it is. Credit should also go to the director in creating such a fun film.
...but EHT manages it very well. Its a refreshing change from the fare the we are regularly subjected to by Bollywood. There are no ridiculous song and dance sequences, no melodramatic dialogue delivery and even the gory action sequences are underplayed.
The movie is about a single girl living alone in Mumbai away from her family ("on her own terms" is what the reviews say) and how she deals with extraordinary circumstances that surround her meeting the man of her dreams (on the lines of Pacific Heights, or Sleeping with the Enemy). The movie suspiciously feels like its a remake of some Hollywood thriller, but without concrete evidence, I'll give it the benefit of the doubt.
The movie manages to remain realistic on the whole without giving in to the usual ludicrous melodrama and action scenes at the end. Having said that though, there are a few elements that are difficult to believe. For one, the occupation of the lead character, Sarika. Can a single girl really survive alone in Mumbai with her lifestyle as a booking agent in a travel firm? And for a single girl, she is amazingly gullible when a man woos and beds her. Is it really that easy? Finally, Ram Gopal Verma's penchant for introducing threatening and mysterious characters that turn out to be harmless and irrelevant (the neighbour, Kamdar and the talent scout) is getting old.
Even with its flaws, EHT deserves a high rating. Not because its a great movie or will be a classic someday, but because it simply offers a better movie going experience than most other Bollywood movies today. Its very nice to know that a movie without songs can hold its own, especially when it is mainline cinema.
The movie is about a single girl living alone in Mumbai away from her family ("on her own terms" is what the reviews say) and how she deals with extraordinary circumstances that surround her meeting the man of her dreams (on the lines of Pacific Heights, or Sleeping with the Enemy). The movie suspiciously feels like its a remake of some Hollywood thriller, but without concrete evidence, I'll give it the benefit of the doubt.
The movie manages to remain realistic on the whole without giving in to the usual ludicrous melodrama and action scenes at the end. Having said that though, there are a few elements that are difficult to believe. For one, the occupation of the lead character, Sarika. Can a single girl really survive alone in Mumbai with her lifestyle as a booking agent in a travel firm? And for a single girl, she is amazingly gullible when a man woos and beds her. Is it really that easy? Finally, Ram Gopal Verma's penchant for introducing threatening and mysterious characters that turn out to be harmless and irrelevant (the neighbour, Kamdar and the talent scout) is getting old.
Even with its flaws, EHT deserves a high rating. Not because its a great movie or will be a classic someday, but because it simply offers a better movie going experience than most other Bollywood movies today. Its very nice to know that a movie without songs can hold its own, especially when it is mainline cinema.
This movie is indeed ahead of it's time. One of the best thriller in Bollywood. Script will hold your interest throughout the movie .
Acting - everyone have done good piece of acting. I think, Ram Gopal Verma's movies usually don't have any complaint about acting, he always choose one of best actors.
Screenplay - excellent screenplay which is the reason you don't lose interest at any point in time in the movie. Good direction by Sriram Raghvan.
Some scenes will give typical bollywood feeling where lead actor becomes Superman or which will look fake but those are really rare.
Must watch.
Acting - everyone have done good piece of acting. I think, Ram Gopal Verma's movies usually don't have any complaint about acting, he always choose one of best actors.
Screenplay - excellent screenplay which is the reason you don't lose interest at any point in time in the movie. Good direction by Sriram Raghvan.
Some scenes will give typical bollywood feeling where lead actor becomes Superman or which will look fake but those are really rare.
Must watch.
Revenge stories are done to death in bollywood but this is different, never wrong a girl who loves you from heart . Movie charter a different chart with crisp editing and impactful dialogues urmila plays it's part in amazing way Saif once again proves he is underrated Direction is superb
In recent years, more and more Indian films are making their way to America. Just a decade or so ago, they were practically impossible to find. Now, Netflix, Hulu and even local cable channels carry Indian films. While they are not yet commonly watched by the average person in my country, this is quickly changing as people are realizing that India is making some great films.
Most of the films we have been getting are musicals--which are very popular in India. Most of these are also romances. However, a few films are NOT the same formulaic pictures (even though I like these romances, there is a certain sameness about many of them). A few of Satyajit Ray's films, gangster films (which I assume are VERY popular in India since I've seen so many) and comedies are also available--but you have to look a bit harder for them.
One of the best of these non-formula films I've recently seen is "Ek Hasina Thi". When I say non-formula, I mean that it has no production dance numbers and the film is much more realistic and gritty. And, because of this, the film is a nice change of pace and well worth your time.
This movie begins with a beautiful lady (Sarika) being stalked, somewhat, by a handsome young man (Karan). He is VERY persistent and a tad creepy--as he comes on really strong. But he's also very thoughtful and sweet and she falls for him...reluctantly. A bit later, one of Karan's 'friends' drops by her apartment and leaves a suitcase. Soon, she sees on the news that the man who visited her was a gangster and he's dead!! Sarika has no idea what to do and still thinks her boyfriend is what he claims to be--a guy who's made his fortune in stocks and bonds. This is a HUGE mistake, as soon the police arrive and find her with the suitcase and arrest her. And, based on advice from him and his sleaze-bag lawyer, she pleads guilty. These two told her the court would just release her and that would be that. Instead, she's given a huge sentence and sent to a hellish prison. She soon comes to realize that she's been set up to be the fall girl for a very bad man...and the quiet and sweet girl evolves into a very angry lady--one who is able to kill, if need be, to get revenge.
While I would normally say no more (as it might spoil the film), I noticed that IMDb's summary gives a LOT of information. So, it lets you know that she does escape prison and she does plot revenge. I really, really liked this--as it was exciting to see the mousy lady become a Rambo-like hero. However, very importantly, it was NOT all action and a lot of the crazy stuff she did was believable....at least compared to many revenge films. See this one--and see the really cool ending. Well made all around.
Most of the films we have been getting are musicals--which are very popular in India. Most of these are also romances. However, a few films are NOT the same formulaic pictures (even though I like these romances, there is a certain sameness about many of them). A few of Satyajit Ray's films, gangster films (which I assume are VERY popular in India since I've seen so many) and comedies are also available--but you have to look a bit harder for them.
One of the best of these non-formula films I've recently seen is "Ek Hasina Thi". When I say non-formula, I mean that it has no production dance numbers and the film is much more realistic and gritty. And, because of this, the film is a nice change of pace and well worth your time.
This movie begins with a beautiful lady (Sarika) being stalked, somewhat, by a handsome young man (Karan). He is VERY persistent and a tad creepy--as he comes on really strong. But he's also very thoughtful and sweet and she falls for him...reluctantly. A bit later, one of Karan's 'friends' drops by her apartment and leaves a suitcase. Soon, she sees on the news that the man who visited her was a gangster and he's dead!! Sarika has no idea what to do and still thinks her boyfriend is what he claims to be--a guy who's made his fortune in stocks and bonds. This is a HUGE mistake, as soon the police arrive and find her with the suitcase and arrest her. And, based on advice from him and his sleaze-bag lawyer, she pleads guilty. These two told her the court would just release her and that would be that. Instead, she's given a huge sentence and sent to a hellish prison. She soon comes to realize that she's been set up to be the fall girl for a very bad man...and the quiet and sweet girl evolves into a very angry lady--one who is able to kill, if need be, to get revenge.
While I would normally say no more (as it might spoil the film), I noticed that IMDb's summary gives a LOT of information. So, it lets you know that she does escape prison and she does plot revenge. I really, really liked this--as it was exciting to see the mousy lady become a Rambo-like hero. However, very importantly, it was NOT all action and a lot of the crazy stuff she did was believable....at least compared to many revenge films. See this one--and see the really cool ending. Well made all around.
Le saviez-vous
- AnecdotesSome of the story is inspired by the initial part of Sidney Sheldon's "If Tomorrow Comes".
- GaffesSaif's car shows a yellow license plate which means it's a commercial vehicle, which can be driven by a driver holding a commercial license only.
- ConnexionsFeatured in 50th Filmfare Awards (2005)
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Détails
Box-office
- Budget
- 80 000 000 ₹ (estimé)
- Durée2 heures
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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