De l'ombre à la lumière

This is a truly great film. Russel Crowe, Rene Zellweger and Paul Giametti were all fabulous. Russell Crowe is the best actor of our time. I am not a boxing fan, but I was so engrossed by the character of the Cinderalla Man that I was totally involved in every punch. I didn't know how the story would end, so I had the added thrill of suspense during the final fight.

The story of a family in the midst of the Great Depression was as compelling as the boxing story. The solid family man played by Russell gives us a much needed role model. The historical and socio-economic background was powerfully shown and greatly added to the audience's involvement and is particularly relevant to today. This is a classic film.

I also went to a sneak preview of this movie last night, and it was good enough for me to join this site and write my first review. It did start out kind of slow, but the complete rainbow of emotions was contained in this movie. There were parts that nearly made you cry. There were parts that made you laugh out loud. I could barely contain my excitement during the last 15-20 minutes of the movie, I just wanted to scream out loud I was so excited. When we left the theater there was a ~60 year old woman delicately shadow boxing on her way out the door. Her husband asked her, "Are you winning?" She said, "I'm going to have dreams about this movie tonight." This was a great movie, and I would recommend it highly.

The dilemma: I hate boxing movies; I love Russell Crowe movies. I've already seen "Million Dollar Baby" and "Raging Bull" this year, and accidentally watched part of one of the "son of Rocky" serial movies on a Saturday afternoon. I feel like I am being punched, as Renee' Zellwegger's character Mae Braddock says, and I'm not as tough as these prize fighters.

But this one has Russell Crowe in it. And that makes all the difference.

It is not that Renee Zellwegger and Paul Giamatti, Paddy Considine, Bruce McGill and Craig Bierko, among others, give less than stellar performances: they all live up to their justifiably great reputations. You have to believe they are at the top of their game. But for all of Russell Crowe's reputation for being "difficult", it is hard to think of actors who can equal his personal force on the screen. He is brilliant.

Ron Howard has made of the real life of Depression-era prize-fighter James J. Braddock a work of art. The camera work is phenomenal. Without using violins or cliché' pull-back shots showing the numbers of people homeless and in soup lines, Howard makes the Depression a visceral reality with scenes of near-hopeless men at the docks, pleading for a day's work; a stolen salami; Crowe's giving his daughter his breakfast piece of bologna, telling her he dreamed he was full. The bleakness of the times is the graininess and the sepia/greyness of the camera shots; the images are stark but completely descriptive. Crowe as Braddock with hat in hand and tears in his eyes, begging for twenty dollars so he can get his children back into his home, is the personification of pride sacrificed to desperation. But when Braddock is later asked at a press conference why he is fighting at his age and after so many poor showings, all he has to say is "milk" to be supremely eloquent.

Doubtless many people know the history of James Braddock, and know the outcome of his fights, including the championship bout with Max Baer, who had already killed two men in the ring. If you don't know, DON'T look it up before you see the movie, and if you DO KNOW, DON'T TELL, but go. Analogous to watching Howard's film "Apollo 13", you may know the outcome, but there's wonderful suspense in the details. These were among the most exciting last twenty minutes I've seen on film. I didn't expect to be able to watch, but like Braddock's terrified wife Mae, I was unable to tear myself away.

The audience was like a prize fight audience, cheering, booing, gasping, groaning during the fights. We applauded Braddock's wins, suffered his defeats. It is a great movie, with authentic heart. Solid A.

Truly inspiring story of James J. Braddock. This story is about more than boxing. It is about a man and his wife trying to raise a family in the tough times of the 1920s. And the integrity and example he shows his children in those times. Russell Crowe, Renee Zellweger and Paul Giamatti are just part of this incredible cast. It is a must see.

Geez, another boxing movie! Yeah, Yeah, I know the story. Down and out guy gets a break and makes the most of it. He's fighting for his family, he's fighting for all those other hopeless people. Been there, done that.

Oh, I forgot to mention one thing. This movie is about the best 140 minute I've spent in a movie theater since . . . . since . . . ., Oh, well, you get the picture. Better yet, instead of getting the picture, go see it.

Russell Crowe owns the character of James Braddock, the unlikely hero who makes the most of his second chance. He's a good fighter turned hack. Injury, bad luck and this thing called the Depression sends him down the drain.

His wife, Mae, played by Renee Zelleweger, wants to be his biggest fan, but the kids need a dad, the rent has to get paid and the money from boxing dried up along time ago. Her husband's courage is undoubted, but his nerve is killing her.

And then there's Joe Gould, played by Paul Giamatti.

A boxer by the name of George Cochan once told me his manager was the bravest man he ever knew, he was willing to pit his man (Cochan) against anyone. As a result, Cochan had his head handed to him multiple times by the likes of Jake LaMotta and other class middle weights of the Forties and Fifties. Gould, is that brave manager, if not literally, in spirit. He pits Braddock, out of shape and with one day notice, against the number two heavy weight contender. Regardless of the risk, it's a pay day needed by both Gould and Braddock.

The story, while familiar, is executed brilliantly. The camera work is both subtle and, in turn, spectacular. Craig Bierko, Paddy Considine, Bruce McGill and the rest of the cast give flawless performances.

Yes, been there, done that! And I'm ready to do it again for anyone who wants to go with me.