Fashion maman

There's a scene early in the movie where Kate convinces a guy to let her friend into a club even though her friend isn't on the "list." Kate leans over, puts her head on the dude's chest, writes the girl's name, and comments, "Now she's on the list." Worked like a charm. Come on, how many guys can resist that? What? Oh, I mean besides any of the male designers on "Trading Spaces." Kate pretty much does the same thing with this movie. She smiled, blinked her eyes at me, giggled a little, put her head on my chest, and convinced me to keep watching.

This isn't a great movie, but Kate's smile and personality are enough to keep it from being a chore to watch. However, if you were to replace Kate with someone like Kirsten Dunst, then I would've been out of the theater in about 15 minutes.

The story isn't really original, and to no one's surprise it's pretty predictable as well. Carefree gal is loving life. Tragedy intervenes and forces her to change lifestyle. Someone (older sister, Joan Cusack) is there to provide conflict. Carefree gal decides she truly CAN handle her new life. Tears are shed, hands are held, hugs are in groups, and "Kumbaya" is figuratively sung. Roll credits.

If you're expecting loads of laugh, then you're likely to be disappointed. This movie focuses more on the dramatic, especially near the end where things just start to get way too sappy for any guy not named Richard Simmons. But there are some cute and funny moments sprinkled throughout, most as a direct result of Kate's charm. However, John Corbett (who plays a Lutheran pastor) has a great line when he tells Kate, "I'm a sexy man of God, and I know it."

Joan Cusack does a pretty good job as well. Kate is the coolest aunt in the world, while Joan is the most motherly. You see, Joan's the aunt who'll kick your butt and make you mad, but she's the kind of person kids need around 'em. She has one of the best scenes in the movie when she shows up at a hotel and totally lays the smack down on a little punk who took her 15-year-old niece (Hayden Panettiere) there during prom. The older women in the movie theater clapped and cheered. Little boys dream about being superheroes, baseball players, and firemen. Little girls dream about being princesses, actresses, and dating Kirk Cameron (well, at least Stephanie did). But this scene is what mothers and aunts dream about.

If you want to see a much better movie dealing with a similar "my lifestyle will completely change because of this tragedy" theme, then I recommend "Jersey Girl." But those of you who are in dire need of some big-screen Kate Hudson should be satisfied as long as you're not looking for a movie to challenge you or have you guffawing in your seat.

THE GIST

"Raising Helen" is truly a chick flick, and it should definitely please its intended female audience. But guys, if you like Kate Hudson, then it's not the worst movie to sit through if you wanna score some points by taking your lady to see this. If you're the type of person who can cry during a long-distance phone commercial then this is movie gold for you.

New Yorkers that happen not to live in the island of Manhattan are seen as "Bridge and tunnel", a derisive term used by residents of the island to indicate their superiority to their less sophisticated, or perhaps less affluent neighbors. Never mind that most Manhattanites are transplants from other places themselves!

Imagine Helen Harris' reaction when she is given custody of her three nephews and has to give up her Village apartment because it's too small and has to relocate to Astoria! Garry Marshall, a director with a lot of films under him, is at the helm of this comedy that follows the adventures of a woman trying to cope with what destiny had in store for her, even though she never set out to be in the position she has to face. The screen play is by Jack Amiel and Michael Begler, two men that has dealt in cuteness in previous works.

Helen, who works for a modeling agency in Manhattan, finds herself in a predicament when her sister Lindsay and her husband die tragically. She has been picked to raise two girls and a boy and she is ill prepared to deal with the situation. Instead of naming the more domestic sister, Jenny, as the guardian, Lindsay knew something that the other two siblings didn't know in trusting her three children to Helen.

"Raising Helen" deals with the trials and tribulations of Helen as she comes to terms with her new situation. She must give up her fabulous job, with all its perks, and seek employment in a "previously owned" car lot where she is able to prove her worth. At the same time, she has to deal with her new family in ways she didn't expect. She also finds a good man in the Lutheran pastor who falls in love with her from the moment she enrolls the kids in his school.

Kate Hudson is a beautiful woman with an angelic face that keeps the viewer recalling her mother, Goldie Hawn. She is as good a comedienne, as her mother was in her prime. The best thing in the film, or in any other film where she is cast, is Joan Cusack. She steals the film with her Jenny, a well meaning person who feels bypassed for a role she was meant to play all along. Ms. Cusack is a treasure in this movie. John Corbett, is the hunky Lutheran pastor who falls in love with Helen. Helen Mirren and Felicity Huffman has small roles as Helen's boss Dominique and her sister Lindsay.

"Raising Helen" while predictable was targeted for a certain viewer who loves this type of comedy. Under the sure hand of Garry Marshall it makes for a pleasant time at the movies.

When I first saw the trailers for this movie, I thought it might be cute, but I had reservations because everything I've seen Kate Hudson in since "Almost Famous" has been quite disappointing. This one, she finally picked a winner. It didn't hurt that her costar is John Corbett. The two of them actually have pretty good chemistry, and the three kids are cute without being annoying. There were lots of tears in this one...more tears than laughs, maybe. It is a great "chick flick". I will have to wait for the DVD to see the end credits because the theater flubbed up and cut off the film right after the final music crescendoed and you could tell the credits were coming. How annoying. Anyway, I digress. Not sure why this is rated PG13, because I don't remember anything blatantly offensive. Again, I wonder why filmmakers can't just be a little more "delicate" and get those PG ratings. There are so few movies we can enjoy as a family...this one I will probably allow my 9 year old to see. Many people won't because of the rating. Too bad. I recommend this one.

Three sisters, played by two real actresses and one Hollywood daughter. One dies, one is overly stuffy and the third — who inherits the children — has the Devil-in-Prada life. Its the third sister the movie focuses on, but its Joan Cusack that steals this. She's the "unfun" sister.

Joan acts with her face to an extent that with anyone else, Jim Carey for instance, would only be comical. But she makes it real, as if she is a real character with someone inside pulling strings violently. But she shows us on the side that she (the actress) really does have this all under control. We don't have many actresses that can underdo overdoing it and make it work without having the whole project be invented around her.

She's really wonderful. I'm trying to find the film she wrote: "The Cabinet of Dr. Ramirez."

As for the movie: brand name fast food.

Ted's Evaluation -- 1 of 3: You can find something better to do with this part of your life.

"Raising Helen" is a formulaic romantic comedy that makes you wonder when Kate Hudson will again find a role that will actually allow her to stretch herself as an actress, fulfilling the promise she made half a decade ago in "Almost Famous." Since then it's been mostly downhill for Hudson, and the ironically titled "Raising Helen" does nothing to help arrest or reverse that slide.

Hudson plays Helen Harris, a young woman whose budding career in the fashion industry is suddenly cut short when her sister and brother-in-law are killed in a car accident, leaving Helen to raise their three children. Things go from bad to worse, as the once carefree Helen struggles with the trials and tribulations and life-changing vicissitudes of unplanned motherhood.

This is a typical Garry Marshall film in that, even when it tries to deal with "real world" issues such as death, loss, grief, sibling rivalry, teenage angst etc., it does so in only the most superficial, glossy and unconvincing of terms. Heck, there's even a hunky, hockey-playing Lutheran minister on hand - the kind one can only find in movies - to provide spiritual as well as romantic comfort for those times when the going gets to be just a bit too tough for the harried guardian.

The performances are uniformly uninteresting, but I choose to blame the shallow writing rather than the actors in this case. It's particularly painful to see actresses of the caliber of Felicity Huffman and Joan Cusack cast adrift in this sea of "chick flick" platitudes and feel-good movie clichés - but everyone in this film suffers a similar fate.