My Best Friend's Birthday

We will never see this movie in it's full glory. The final reel of this movie was destroyed in a lab fire that broke out during editing and the only surviving parts were edited together to make this 34 minutes short movie. Still you never get the feeling that you're ever really missing any sequences while watching this movie.

This is a Tarantino movie alright. It has some absolutely amazing dialog. The story isn't really about much but the dialog makes sure that this movie is an interesting enough one to watch. The line 'Your ass is grass, and I'm the lawnmower.', right before two persons get into a fight, is an absolute classic in my book and now actually one of my favorite movie quotes. The movie is interestingly told and divided in several different parts, in the same style as "Pulp Function". This movie would latter also form the basis for Tarantino's script for "True Romance".

Real problem with this movie is that it lacks style. It's a very amateur like looking movie and it uses standard camera-positions and weak editing. Because of this not everything in the movie works very well, such as most of the comical moments and the weird kung-fu fight toward the ending. Tarantino's vision was obviously already present but he didn't had the right tools and persons around him to make the right movie he had in mind with it. Oh well, he eventually ended up alright with that!

Probably only truly recommendable to Tarantino fans though.

7/10

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SPOILERS AHEAD

To those who wonder how I discovered My Best Friend's Birthday, I found this video on ebay, and it was definitely worth the money despite the deteriorated quality of the copy. This is filmmaker Quentin Tarantino's first independently funded film, and from what was assembled (the film wasn't completed and this can be seen since a couple of plot points are left un-answered at the end of 40 minutes) I can tell that it was one of those well-intentioned (if slight) signs-of-things-to-come.

Clarence Pool (Tarantino, with a full-on "Elvis Man" look) is a disc jockey at K-BILLY Radio (Reservoir Dogs' music conductor in a sense), and is planning to give his friend Micky Burnett (co-writer Craig Hamann) a call-girl for his birthday party (a story later re-used for True Romance). This is used as more of a signpost for the film to follow as the characters, in particular Clarence, go off on riffs of Dialog - the "I'd f*** Elvis" speech is in its first revelation - and it's often very funny. Even a kung-fu fight between Mickey and the call girl's pimp (Al Harrell) is executed with the similar sense of dark hilarity that has made Tarantino the pro he is now. Truth be told, the film isn't without its shortcomings for a budget of so little, and a couple of the scenes really don't work at all. Yet for what it's worth it's a small ruby of underground cinema.

Tarantino is the man! The movie is watchable (surprising for how old it is), obviously its lacking the polish (both script and video) of his later movies but who cares. This movie probably cost him the price of a six pack and it shows. Whats great about it, is that it shows this generations greatest director in his youth giving this whole "movie" thing a shot. In that respect this movie really succeeds. It's one of those things that you watch and then say "Hey I could do that... why arn't I doing that?". Really cool to know that this guy started with this... offbeat... film and then went on to direct the Pulpiest of Fiction (hands down, best film ever). The best part of this movie is not the script, directing or acting. The BEST part of this movie is that it has inspired me to get going on a film of my own.

Thanks QT No time like the present.

I mean no disrespect to any of the other commentators of this movie, but I never would have expected to hear someone say this is, would have, or could have been QT's best. In fact, I think Tarantino himself would have a good laugh at that notion. He might even take offense to it.

If you've ever seen the time Tarantino was on Charlie Rose, he talks a bit about this movie (without ever mentioning the title) and I can see and completely agree with everything he said about it. It's really an awful movie - largely due to the horrendous acting... but what are you gonna do; it's essentially a student film for a man who was never a film student.

In case you haven't seen the interview I mentioned, here's basically what he said: He admitted that the movie was really bad, but if you watched it, you could tell that he did it (very true). He also said this movie, while a complete failure, was his film school. He learned about film-making during the process of making this film; it really amounted to an experiment. In another interview he mentioned that, when he was in negotiations for Reservoir Dogs, when asked by a studio exec if they could see his previous work, he said no.

There are a few moments that are very much Tarantino, and a couple of them show up in evolved forms in his later movies. This is the reason referred to in the summary line of this review. QT is, without a shadow of a doubt, my all-time favorite filmmaker, so it's an interesting look back in time to see what a completely inexperienced, unprepared Tarantino with no budget whatsoever could do.

I realize I haven't quite specified what was so bad about this movie, but it's pretty much everything. It's not well thought out, it's disjointed, the sound and picture are horrible (don't worry, I'm not really counting against it for that - it's to be expected for such a low budget film), the dialogue is not up to par, and I reiterate that the acting is truly awful (with the exception of QT himself).

However, it is undeniably a Tarantino movie, and for that reason and that reason alone I can see fit to give it 5/10 stars. I can guarantee, though, that most of these people rating it at 10 stars would not give this movie the time of day if it were from a no-name director. I'm no different, but I admit it openly, and I'm not afraid to critique the man despite my near-idolization of him. I think it was actually a nice twist of fate that this movie was destroyed, making Reservoir dogs his first official film credit instead.

It is Mickey's birthday, and his girlfriend has just left him, so his friend Clarence has a surprise for him.

'My Best Friend's Birthday' is an unknown Tarantino movie for the mainstream audience. There is a legend circling that most of the footage got destroyed by the lab fire. The cinematographer Roger Avery, on the other hand, has said, that the filming was never completed, and the surviving 36 minutes are all the 36 minutes the young filmmakers managed to complete before running out of steam. I guess the legends around this movie will never stop.

What can I say about this incomplete movie? The first thing, perhaps, would be about the obvious talent of Quentin Tarantino (and some other people from the crew) that is obvious. Although the film seems like random scenes edited together, thus giving it fragmented and disjointed feel, the story is still quite clear. At least it is possible to understand where the filmmakers wanted to reach with the story. There is no point of nitpicking about continuity errors, wooden acting or lack of style, as this was Tarantino's self-made film school, and for most of the people involved it was their first film project (including the famous auteur himself). Yet, somehow, the amateurish look and low production values doesn't seem to diminish the artistic and entertainment value of the movie. Its lack of style is almost stylish and feels intentional in the way of 'no-wave' cinema experiments from that era. Even the ridiculously out of place and amateurishly choreographed fight scene between our main hero Mickey and a pimp (who looks like Jules Winfield's dad). There are some other near brilliant moments in the movie, and the dialogue is interesting in most parts (especially for those who love to hear Quentin Tarantino talk about Elvis). It is quite possible that 'My Best Friend's Birthday' is Tarantino's most personal film.

It is very hard to give this film classical numeral rating thanks to its incompleteness, but here I have to say, 'My Best Friend's Birthday' is a must-see film not only for Tarantino fans/completionists but also for the admirer's of 'no-wave' and indie movies of likes Amos Poe or Jim Jarmusch. Besides, it is always interesting to see where the acclaimed filmmakers are coming from.