Voyage en famille

As it happens with any road movie, road, cars, and landscape are excuses for developing a story; the road chosen could not have been better, landscapes are superb, and the caravan they travel with is a gem on its own!

Each of the 12 people on this caravan had a story to tell and Trapero managed to thread them together very well. True, acting could have been a bit better, but I took it as part of the essence of this movie, adding for a natural freshness of the plot.

Human relationships and family business are taken to the core of this family during the trip with a good balance of drama and comedy. The movie is flooded with touches of Argentinian customs along the movie that also come as a bonus.

Highly recommended movie!

I have to admit that I totally disagree with the unfair comments from the previous viewer as I thoroughly enjoyed watching this film. Obviously if you are a fan of fast pace films, such as American blockbusters, then this film will definitely not be your cup of tea. What this film does is to take an ordinary family out of their natural environment and explores their feelings and emotions. There are conflicts throughout and tension among most of their components. It is a journey of discovery. The fact that Grandmother is invited to a family wedding in Misiones (1,200 kilometres from her home in Buenos Aires) is an excuse for the director to deeply explore and investigate how the characters will react and come to terms with their own feelings. The caravan is a very small environment and it is hard for the family to live in such a close boundary. I did not find this film boring in anyway and I will highly recommend to anyone who is interested in human relationships (including mechanics! Haha). The only disappointing thing is that the subtitles does not always give a true representation of the dialogues from the original language and, if you do not speak Spanish, that may be a daring task to follow.

This is a drama more so than a comedy. The direction was very hands off, and the acting wasn't the best. The pacing was perfect, and the locations great. In this movie, a great grand mother is honored with an invitation to a wedding as the maid of honor. Despite the distance involved (crossing the length of Argentina), and the probable hardships they'll endure, she assembles the clan (an extended family of about a dozen people) and insists that everyone accompany her on this voyage. While I don't understand the Argentinean family ethic, the film assumes that this group acquiesces to their matrons desires. They pile into the only vehicle large enough to accompany the entire group (a dilapidated 1956 Chevy Viking camper), and set out on a journey. This movie is more about family relationships, than it is about the physical places they travel through. Crammed into a confining space, the group is forced to confront family issues in a positively charged atmosphere. Unfortunately the size of the cast hampers a thorough examination of these complex relationships. I liked the fact that the cast didn't consist of polished egos and competing actors. The dialog was sparse, but well drafted, and it worked splendidly with the pacing.

There are certainly some wonderful interesting roads in this movie and they certainly do engender the desire to get in a car and drive from Buenos Aires to Misiones; but really at core, this film is about interpersonal family dynamics. This movie is so beautifully observed and dare I say it, made with 'a love of family' perspective probably impossible in the UK. I found it utterly spellbinding. Call me an old soppy but just the opening shot of the great grandma sitting on her bed looking through her box of family photos had me sobbing tenderly. OK there was drama and incident along the route, but the way the family accepted each others foibles and gave each other space, seemed totally magical to me. I know they probably did know each other well in non-film reality, but the way it has been captured on screen is almost visceral. Hey man it was like you were there! I hope Mr Trapero goes on to make more Cool-Greatgrandma pictures and never hands over the casting of his films to an agency.

It had the potential to be a good film but was let down on a few technical aspects.

1. He shouldn't have used too many hand held shots.

2. Should have used film stock rather than electronic. Poor colour separation.

3. Far, far too many close up shots. If you are going to make a 'road film' then its a good idea to see the characters within a location. There were just not enough. Okay, one could argue that he tried to convey a feeling of claustrophobia but we don't need the entire film to tell us it's claustrophobic inside a camper. Surely if it was mad hot they would all want to be outside on every opportunity?

4. The kissing young couple. Sorry but very basic and primitive. It would have been better for them to be seen sneaking off into the woods then we could use our own imagination.

5. The dialogue with non members of the family with other people were few are far between. The only worthwhile example I can recall was the police roadblock and the man with a spare gasket.

There are too many 'road movies' and to stand out from the rest you really do need to be original - this wasn't.

And lastly, I thought it could have been improved with a large injection of humour or real pathos.