M.I.T.: Murder Investigation Team

If you like really bizarre camerawork with peoples faces filmed from weird angles, and the camera motion like it's hand held, then you'll like this. It was a popular style in the early 2000s. Coupled with extreme closeups of faces, mouths, eyes that are common in many of today's films from Europe, mainly France, it's all just a bit too distracting. The show itself is formula driven with clues being solved in quick succession by a very smug faced inspector. It's just not that good a show to go up against other murder mysteries or cop shows on TV. No wonder it did not last long.

Loved this show. The first two episodes were exciting and dynamic. The scripting was dense and the visual style was edgy and modern. Overall it was well directed and had great performances. It reminded me a lot of the really exciting shows like Boomtown and The Shield that are coming out of USA and a little bit of the excellent Homicide Life on the Street. Definitely watching the rest.

Having seen the first episode of 8 only, I'm in two minds whether to watch the rest. The first story continued from a storyline portrayed in a recent episode of The Bill. And a very interesting, intriguing and surprising storyline it was, too.

But what spoilt it for me was the filming technique. Just because you can stick a modern TV camera right up the actor's nose doesn't mean you have to. I watched on a small TV set, but the thought of seeing someone's head fill the whole of a 3-foot wide TV screen makes me feel seasick. Pretending to hide behind another character's head or a plant is a very dull, and now over-used, way of trying to create a sense of reality. The filmic technique merely gets in the way of the story.

I Tried watching. The filming is atrocious. Camera flips from face to face, one persons nose to another nose, follows an arm putting a case file on a desk, etc. Makes you dizzy trying to follow. They have people talking to suspects with characters jumping around in front of the camera. Truly annoying. I Tried later episodes and it was still the same. The stories seemed decent, characters not obnoxious and acting good. For once the show did not have a horrible chief superintendent who brow beat people for no reason. A very rare event in UK police dramas. Lastly, they might have well filmed it in black and white for all the lack of color in the environments.

Another alleged spinoff from "The Bill", since the first episode arcs off from the murder of Sgt Boyden. They solve the crime in the first episode, despite the fact that "The Bill" had been carefully cultivating several suspects over several episodes. In the end their lengthy and complicated setups came to nothing and all the anticipation and mystery evaporates immediately. And for some reason it takes about six officers to solve a pretty obvious crime.

What's left? Five more pedestrian police drama episodes where the murderer always ends up being the first person you thought it was, over-produced and over-acted, in typical "quality British crime drama" fashion. "Burnside", the previous spinoff, was likewise a pretty ordinary set of police dramas with a character called Frank Burnside inserted. In "M.I.T." they could have at least used DC Duncan Lennox (wonderful George Rossi), since that character now works for MIT.

At the end of the day, the whole affair is obviously a fairly cynical attempt to build a franchise from "The Bill" by inserting a few cameos in the first episode. The fact that this show isn't continuing probably tells you a fair bit.