Walk the Line

Before watching this film, I had my doubts. Johnny Cash is one of my favourite country singers, nay, singers of all time, and I was unsure as whether, as with other mediocre biopics, namely the flashy Ray, could do him enough justice. As it turned out, Johnny gets the film he deserves, and, what's more, Walk the Line got me extremely interested in the work of his wife, June Carter Cash.

Covering 20 years of his life, including Cash's rise into fame and delve into near-self-destruction, James Mangold concentrates on the key things in his life – his music, the drugs, and his all-consuming, untameable love for the very special June Carter Cash. It is as a romance that Walk the Line truly shines. In real life, Johnny and June didn't get together until 20 years since their first meeting, and that they could wait that long for each other, is quite poignant.

Holding the film together are the Oscar-nominated and Oscar-winning figures of Joaquin Phoenix and Reese Witherspoon, and their chemistry pretty much carries the film. When they're together, they both dazzle, gelling perfectly, whether it's a bout of verbal jesting, they're doing a duet, or just chatting. Phoenix captures the tortured soul of Cash eloquently in one of his finest performances, and one that exudes that dangerous yet enthralling edge of danger present in Cash. His singing voice resembles that of Cash's, yet he never resorts to downright imitation, which only adds to the viewing pleasure.

But the shining star of the film is Reese Witherspoon, as June Carter Cash. She plays the singer-songwriter-country music star that grabbed the attentions of Johnny Cash, but proved a hard win, forcing him to quit his narcotic dependence and violent self-destruction before she'd consider him. Although many have disliked Witherspoon's work her, I simply adore it. She makes June a truly memorable, Crouchesque, person. For the audience, she can be goofy and lovable, but alone, with Johnny, she displays a vulnerable side. Witherspoon here radiates a strong, feminist, yet effortlessly lovable vibe, and every scene she appears in, she steals.

The look and feel of Johnny's time are captured well in the set design and T-Bone Burnett guitar-led score, and the costumes are nothing short of sublime. The dressing of Cash is inspired, but it is June's clothes – floral print, pink, domestic, or snazzy, that, again, steal the show. Each of Reese's costumes captures the mood of her characters.

There's also great fun to be had in the musical numbers. Ring of Fire and Jukebox Blues allow the audience to get their toes tapping, but my favourite number is the performance of Jackson, where their unmatched chemistry is showcased in one of my favourite songs of all-time. Like the film, this song is entertaining, sweet, and more intelligent than frequently given credit for.

Whenever I see so much "Oscar worthy" tags/blurbs in an ad campaign I get nervous, see Cinderella Man. Usually you look closely at the fine print and see that the esteemed critic lauding the film is Joe Schmoe from the One Stop Light Bugle Press in Buttcreek, Illinois or a low level flunky who just happens to work for the media conglomerate that is distributing the film. So my heart sank a little when a film I have been eagerly awaiting was swaddled with such praise when the ads hit the air.

But they're right for once.

Joaquin Phoenix wears Johnny Cash like a suit. He isn't doing a Rich Little impersonation, you don't rub your eyes in disbelief, but he channels a man so distinct in appearance and voice to a level that is beyond admirable. One of the traits that made Johnny Cash a legend was that nobody sounded or looked like him. Short of a computer generated Cash walking around in his own bio-pic like one of those John Wayne beer commercials this is the definitive representation.

And yet Phoenix may not give the best performance in the film.

Reese Witherspoon more than holds up her end in a role that easily could have been reduced to a clichéd bumpkin. Witherspoon portrays the on-stage June in the way June portrayed her own "character", the stage persona that people adored, while giving her the resolve and inner strength to be the woman who tamed a hell-bent, grizzly bear of a man like John.

The chemistry of Phoenix and Witherspoon together in any scene, but their on-stage duets in particular, are truthful in a way that resonates long after the credits. I know that unless you have been living in a cave for the past week you have likely been bombarded with the word that the actors sing themselves without use of lip syncing. I have never been a fan of musicals, or even musical performances in a film. They generally seem forced and uncomfortable to me, the moment when I stop experiencing the story and feel reminded that I am watching a movie. I never felt that in this film. I never felt that their singing took the focus of the film, but the performances work with the story like no other music bio I have ever seen. I never felt as if I was being led through the catalog, the songs felt as organic and natural as any spoken dialog in a great narrative.

This film far exceeded my expectations and afforded me the first trip home from a theater with a true feeling of satisfaction in a very, very long time. Highly recommended.

Wow, what a film. I had been waiting to see this movie since I read that Joaquin Phoenix and Reese Witherspoon were cast in the lead roles. I was not sure what to expect when I heard they were going to do their own singing, but was I ever impressed. Their performances in this movie were brilliant, and I had chills down my spine. It was truly amazing how much Phoenix sounded like Johnny Cash-this was a role he was born to play, and he was mesmerizing. Totally sizzling. Witherspoon was positively radiant as June Carter, and talk about chemistry between the two actors. Talk about lightning striking! I only hope they are rewarded for their efforts come Oscar time. This was a truly amazing movie, filled with great music, a top-notch supporting cast and a terrific script which was wonderfully directed.

Forget North Country, Walk the Line directed by James Mangold (Girl Interrupted) and written by Mangold and Gill Dennis is the better 2005 Oscar contender.

This romantic tragedy, which is based on the autobiographies of Johnny Cash The Man in Black and Cash: the Autobiography was actually written and perfected alongside the famous duo Cash and June Carter Cash before their deaths in 2003.

The movie begins with a young, music obsessed "J.R." Cash growing up in a poor cotton farming family in Arkansas. Shortly afterwards, a family tragedy changes his life forever.

Cash (Joaquin Phoenix) leaves for the air force, where he is stationed in Germany, buys an old guitar and proceeds to write one of the most recorded songs in history along with many others.

Upon returning, Cash's obsession leads him to a recording studio and into the spotlight with June Carter (Reese Witherspoon) as well as Elvis Presley (Tyler Hilton) and the comical Jerry Lee Lewis (Waylon Payne.) The next emotional hour and 45 minutes is filled with great music, drug dependency, infidelity, and most of all love.

Joaquin Phoenix and Reese Witherspoon, who sang every song themselves, completely shined in this movie. There are no better actors that could have filled the shoes of the Carter-Cash duo. Phoenix and Witherspoon had such great chemistry, by the end of the movie you actually think they might really be in love.

However, if you tend to get restless in longer movies, the running time of 136 minutes can start to seem a little long towards the end, but it's well worth it.

Overall Walk the Line receives nine out of ten stars. The movie did an excellent job portraying the life of the "man in black," his soul mate and their rocky path on the way to love. If Phoenix and Witherspoon are not nominated for their amazing voices and chilling performances, it will be a great disappointment.

"Walk the Line" is without question the zenith of Reese Witherspoon's acting career thus far. Joaquin Phoenix IS Johnny Cash in this biopic, but Reese as June Carter Cash sets this film on fire. It is one thing to portray a person's life, with feeling and emotion, something which Joaquin pulls off effortlessly. However, it is quite another to make a portrayal bigger than life, and Reese makes June Carter Cash the central character of this film.

To say that Reese steals the show is an understatement. Reese becomes a lightning rod for Joaquin's character, in a way that is actually quite scary. After all, Reese is from Nashville, and her Southern affect is flawless and absolutely winning. Suffice it to say that Reese will thankfully be present when the Academy Awards are presented next year. She might want to get a few words ready.

This movie will not be everyone's favorite flick, if for no other reason than that it is a biopic of flawed, Southern characters. However, perhaps the very flaws that imbue these characters with vitality and realism can establish the acting of Joaquin and Reese with an almost spiritual meaning, as they live these real people on screen. But in the final analysis, Reese Witherspoon will become the greatest contemporary screen actor upon release of this film. See for yourself. You read it here first.