Un aller pour l'enfer

Even though Steven Seagal has made movies who are much worse than this, this is still far from being his best work. I wonder if the whole movie was made just for self-ironical reasons (remember, Seagal fortunately has a lot of self-irony). The main problem is that Seagal is too fat too be a real action-star right now. Some of the fights in this movie still are pretty cool, but there are just something that isn't there. Maybe it's because some of the fights are so overdone so that everyone know that it isn't Mr.Seagal doing most of it anyway? The worst part about the fighting is the roundhouse kicks. Even though they're rather cool, they're as far from the typical Seagal fighting style that it's possible to be. And you never see Steven's face when these are performed..........................

The story is standard, but that's totally OK. No one cares too much about that anyway in a movie like this. This is in fact one of Seagal's best movies after "Exit Wounds". That doesn't mean that this one is any good, because some of the others are pure garbage.

Jake Hopper is ex-CIA who retired from the job after a bad shooting incident, although he still does work on the side for an old Agency buddy. When his daughter is kidnapped along with her friend (a Senator's daughter) while on a backpacking holiday in the far east, Jake's contact tells him. With official channels working to get the girls' back, Jake joins up with his old partner and begins trawling the underworld looking for the gang that has his girl.

Despite getting consistently burnt, I keep on coming back to Steven Seagal films - I can't help it. I always go to the video store (for that is where Seagal now resides) looking for something to veg out in front of that will entertain me without challenging or stimulating me; it is a sad condemnation of Seagal films that they rarely manage to do even that most basic of requests. However, in some regards, Belly of the Beast is actually a reasonable film. The plot is pretty standard and relies on nonsense to move it forwards - stuck with no clues, a girl approaches Jake with a mystery tattoo on her naked chest that only appears when she gets wet! Talk about an excuse for nudity! This sort of plot device is over used; too often the film has things just happen for a way of moving the plot forward.

The plot is poorly developed and it also has elements that just seem to have been thrown in in order to fulfil the formula. The love interest is one good example of an element that is silly and simply doesn't work. What does work is the action. For once in recent Seagal films, the fight scenes are actually pretty enjoyable even if they do overdo the slowmo effects. Seagal himself is quite effective; despite his weight gain he manages to move quite well here - even if most of it involves upper body work rather than full motion.

As an actor though, Seagal is about as bad as ever: his emotional range is rubbish, as seen in his reaction when told his daughter has been kidnapped (`you don't say' he blankly emotes!). He even is blank when kissing the gorgeous Lo - so what hope is there for him? Having said that, the worst moment in the film is one that is another actor's fault. In one scene Seagal is dubbed by an actor who sounds nothing like him - it is a laughable moment and a sad comment on the effort Seagal is putting into his films now (unable or unwilling to show up for ADR). Luckily for him, his support cast is OK. Mann's sidekick is good and Wu makes for a decent bad guy despite having very low screen time. Monica Lo is very beautiful and sexy - just a shame that her scenes where she gradually falls for Seagal make more for laughter than passion! Even these few good performances are still pretty basic though and the standard is no better than Seagal's usual stuff.

Overall, if you watch Seagal films a lot, then this will probably be better than you are used to, despite not actually being that good a film. The acting, script and plotting are as poor as you would expect but it is in the action stakes where this film improves upon his recent efforts. Understand that this is still not saying a great deal in my opinion but it still makes the film a lot better to have well choreographed and quite exciting fight scenes. If you have to watch a recent Seagal film, then this is probably the one to pick.

This movie was horrible. But then again, this is Steven Seagal we're talking about here. I just love how movies have the "good guy" or in this case, the fat man with a ponytail, have the incredible ability to dodge AK47 machine gun fire from 20+ guys. One scene has Steven armed with a Colt 1911. O.k, so that guy has no more than 12 shots in a clip.... and Steven uses 20 and hits 20 guys armed with Ak47 machine guns. But here's the best part..... Steven is rolling on a handcart thats on the train tracks which is moving about 1 mph. This guy cannot act and never has been able to act. His emotions never change. Even in Hard to Kill, he managed to keep his scowl on when he was having a little special time with his naked wife. This movie is no different. He takes on a dozen guys, one at a time I might add, and always walks away the winner.

Contains Spoilers. (Like it matters) Steven Seagal is a miracle. Somehow he has made a career making the same film over and over and this is no exception.

In my opinion he is a comic genius and a shrewd businessman, he's so good he has everyone thinking he's an action star. He is master of hypnotism. When you see a DVD of his on the shelf you are always drawn to it. You read the blurb. Ex CIA agent (John/Jack/Jake, or my favourite Forrest Taft) seeks revenge on everyone for kidnapping/murder of family/environment/hostages/nuclear weapons.

You inevitably rent it and proceed to cry with laughter. In this film Seagal, jumps through a train, fights a Ladyboy(!), beats 5 ninjas just by turning around a lot and best of all slicing an arrow clean in half with a sword.

Although this film deserves special praise for giving Seagal some nookie and the chance to find a secret message hidden on a woman's breasts.

After years of trying he may have finally made his masterpiece something to rival Under Siege 2 and all those films that had three word titles, for example; Out For Justice, Hard To Kill, Above the Law, On Deadly Ground and Fire Down Below.

This is comedy to rival Chaplin, Keaton and Jean Claude Van-Damme.

From the director of Chinese Ghost Story and Naked Weapon (and collaborator in the action scenes from Hero and House of the Flying Daggers), we have a story about an ex-CIA agent who's daughter is kidnapped. Its not just any ex-CIA agent, but Steven Seagal. Yes !! Pony-tail is back, BACK WITH A VENGEANCE. (Sorry, I had to do that).

This is your typical action movie, usually based on some revenge/honor theme, where the hero has to take out dozens to hundreds of henchman and usually a "Boss" character, or several. The acting is atrocious and all we are left with is the action (and a lot of wire-work). Steven brought his typical dead-pan/Prozac acting along. This movie is not going to be on anybody's Christmas list, however, it is hysterical and very very light. I was laughing the whole way through the movie.

Steven Seagal is looking to do some major butt-kicking. Unfortunately, most of the serious butt-kicking is done by a much younger, thinner man (the stunt guy is actually wearing fake fat to look like Steven), who has a lot more physical talent than Steven had in his prime. This is further compounded by the fact that the stunt man performs stunts that Steven could never perform (jump kicks, jump spin kick, and all other stunts involving jumping high).

The movie seems to have been filmed entirely in Bangkok, Thailand and recruited what seems to be the entire cast of Onk Bak, minus Tony Jaa. The wheelchair boss and Don the drug dealer stand out in my mind.

There are somethings about the movie that bother me. Steven (who is the star of the movie) looks like he just woke up in Bangkok after weeks of binging on milkshakes and vodka, with no money and no change of clothes. He looks dirty and grimy. I wouldn't sit next to him on the subway if he looked like that. Next, what was up with the Steven's gun? He seemed to have a magic weapon. This weapon fires anywhere from 30-50 bullets and rarely needs another clip. Also Steven has become such a big star, he no longer needs to aim his weapon. He just fires in the general direction of his target. Steven's sex scene was certainly interesting. It made me quite nauseous. Shoving toothpicks under my fingernails is pleasurable as compared to watching Steven has sex. The cinematography was quite strange. I didn't realize the same guy who did certain Outer Limit and Star Trek episodes was still alive (tilt the camera 45 degrees). The wire action becomes ridiculous, especially when you are trying to make a somewhat realistic action movie (imagine what one would think if Tony Jaa jumped 10 feet straight in the air and did 2 full revolutions). I also like the variation on Thai boxing : Thai Transvestite Claws and High Heels Boxing. Not only that, what was the deal with all the mystical crap introduced 10 minutes before the end of the movie, complete with with a Thai Mako impersonator who had taken too much PCP ??

One may think from my review that I hated this movie. This is not true. This is the funniest movie I've seen since Shaun of the Dead, unfortunately that movie was trying to be funny. I do recommend this movie as a rental,a discount-bin purchase, or a late night cable session while completely wasted.

-Celluloid Rehab