Zhou Yu de huo che

ZHOU YU'S TRAIN is the type of film that may require repeat viewing in order for the casual viewer to take in all the thia story has to offer: if you blink -- much like the effect of the quickly passing scenery out the window of any train -- you might miss a plot line, a character moment, or a perspective that would better be explored, as the climax to this evenly and perhaps-too-leisurely-paced romance shows.

Zhou Yu (the lovely Gong Li) plays a young painter who falls in love with a shy poet, Chen Ching (played by Tony Leung Ka-Fai). Twice a week, Zhou Yu rides the train to be with him. On the train, however, a humorous veterinarian (played Sun Honglei) sees, approaches, and flirts with her. While she initially resists his desire, she eventually gives in to an indescribable curiosity which forces all of them to examine their various roles in one another's lives.

While one could hardly argue with the notion that there are parts of TRAIN that appear uneven and, at least, forced, the film still manages to deliver a perspective worth a single view: who does Zhou Yu love and why? Torn between these two men for wildly conflicting reasons, she can't make sense of her dilemma. Instead of running from one of them, she inevitably chooses aspects of both for her affection, but this choice only forces her further and further into confusion.

As a result, TRAIN explores more than one budding relationship, making the film as uneven as it is unpredictable. In fact, one could make the argument that what truly is transpiring here cannot be fully understood and appreciated until the film's final few moments .. but even then the viewer is left with many unanswered questions. Is that the message of the film, that life brings more questions than answers? Or is it merely a comment on how Zhou Yu chose to live her life? Or is it something even more?

Regardless, what is clear is Zhou's desire to seek the answers to questions of the various loves in her life (two men, friendship, art, etc.), and the narrative clearly appears to be a device through which an exploration of the female mind and heart is undertaken. Whether you reach a destination is left entirely up to the viewer.

Of course, the best scenery is Gong Li. She plays even utter confusion with beautiful conviction. If you're a fan of her work, then TRAIN is definitely for you.

This film tells the story of a woman who is in love with a poet far away, while a vet near her attempts to win her heart.

"Zhou Yu's Train" is not told in a linear manner, and hence it's super confusing. All the time, I thought there were only three main characters, the woman, the poet and the vet. The story jump back and forth, and it's hard to piece together the fragments to make a coherent story. This is not helped by the slow pace, numerous scenes of train and railway tracks, dragging the film longer than it needs to be. The most confusing thing is the ending, I didn't understand it at all, until I read the message board that says there is in fact a fourth character, also played by Gong Li! The film lost me and my interest completely, and there is no turning back. It would help to understand the story if I watched it again, but I'm not watching it again for sure.

Poetic, delicate, subtle. European film with Oriental irisations. Story about love and desire, about power of images and the honey of illusions. Cercles of symbols and chimeric gestures. Time like far lake and the past like only form of present. And a feminine Adonis between two different worlds.

The character of Li Gong is a magnificent miniature not of a sensitive age or ambiguous feelings but for a way to define the existence. A way to explore each miracle as part of a sacred refuge, a river-trip. The train and the travels to loved friend, the poems and the house like essential sanctuary of a wonderful past, splendid for his ambiguity, the talks with realistic, sarcastic man for who the dreams are only offals of lost age and Zhou Yu- a pretty prey.

For this film, the gestures or words are pieces of intense atmosphere. The search of truth is element of personal religion, the love- delicate shard of beautiful pot. The answers- breath of wind in a spring day. And the time- huge shadow of a way.

The movie stays with you through the years. I saw the movie more than a decade ago and I still remember it. It seems slow-paced especially for young people, but it has lessons about life and relationships. The symbol of the lake used in this movie is very powerful (beautiful natural lake versus artificial lake). Love relationships could be exactly like the lake example.

Li Gong is just about the best thing ever to come out of China. No matter how many films I have seen featuring her, I am always impressed.

This is a difficult film to watch. You are never quite sure who you are watching. Li Gong is in a relationship with a poet (Tony Leung Ka Fai) and the practical vet (Honglei Sun). She travels by train between them.

But, are we watching events in real time or narrated? It seems that what we are seeing is in the past. That the poet, Chen Qing, has a current relationship, and only has Zhou Yu in his heart.

If this were an American film, then I believe it would probably be relegated to Lifetime, but with Li Gong, we have more than romance; we have poetry.