The Weather Underground

A "fair, unbiased documentary" that glorifies the 60s/70s terrorist movement, when white liberal criminally insane psychopaths tried to team up with Black Panther's criminal insane psychopaths in order to bring about a more fertile ground for a Red Revolution to take place. And who do you think they wanted to lead this new Red America devoid of democracy, freedom, intelligence and toilet-paper? Well, they themselves, naturally!

The Left's notorious, continual defense of terrorist activities (provided they are/were carried out by Islamic extremists and left-wing elements) goes hand-in-hand with the Marxist notion of a (very) violent revolution.

Far from liberals being the "pacifistic anti-war" lovey-dovey peaceniks they tried to portray themselves as to the increasingly gullible American public, they are in fact ready to support the most extreme types of violence and aggression, as long as that behaviour is in line with their own sick ideology. Hence why Hitler committed genocide, whereas Stalin committed "what was necessary for the Revolution".

This is one of the most amazing documentaries I've ever seen. Like a lot of people, I had a low opinion of the Weathermen at the beginning of the film. They seemed like selfish and unsophisticated amateur activists at first, and they were. It took a few of their own being killed by their own device -a homemade bomb- to wake them up. This was the turning point not only for them, but for the film.

Although one is a narrative and the other a documentary, this film makes for a great companion piece with Antonioni's ZABRISKE POINT. I feel like I understand that film so much better now having seen this one. In fact, a couple of WU people appeared in Antonioni's film.

The filmmakers have done an excellent job of capturing the emotional and political climate of the Vietnam War era. This is also the only documentary I have seen that shows Martin Luther King Jr. giving his personal opinion on that war. Also, it's a real ear and eye opener to hear a former Weatherman criticize modern day terrorists like Timothy McVey and those connected with the 9-11 attacks. What gives him the right to come across sounding so smug? Maybe the fact that The Weather Underground never killed anybody. If I could suggest a couple of things to the filmmakers it would be if they had only put the words "CASUALTIES: 0" with each bombing mentioned, it would have been more impressive. And secondly, I wish they'd gone into more detail about how the WU successfully broke Timothy Leary out of prison - but then as a magician never reveals, why should they?

By film's end, I had a totally opposite view of these people than I had at the beginning. So there is a real arc to the film that showed how these people had changed, thus keeping the subjects human rather that mere counter-culture stereotypes. That is a challenge for any documentary filmmaker doing a film on such controversial figures as these.

The people in the film made many astute points. Rudd points out toward the end that violence is seen by the public as mental illness or some other chaos unless perpetrated by the government--in that case, violence is normal. I'm glad the Weathermen existed. How flat and hopeless the history of activism would be today without them. It seems that nowadays there is a stereotype of the college leftist activist as being a weak member of a highly privileged class who simply feels guilty about the privilege but is ultimately all talk--wants to keep his wealth in the end. The Weathermen defy this stereotype, putting themselves in full danger of losing everything and accomplishing incredible strategic feats against the government like freeing Timothy Leary and bombing government buildings. I suspect that such a defiance of stereotype is why I, who am college educated and a leftist activist type, never knew the names of the Weathermen, while I knew the names of the most prominent Black Panthers, like Eldridge Cleaver and Bobby Seale. It is a movement almost entirely ignored, even by leftist academics. As the film wraps up, one thing that is telling is that none of the featured Weathermen sold out and became capitalists like so many members of SDS. They're all currently doing things for the good of society even if they're no longer bombing buildings. Also, we learn from the film that people didn't simply lose interest in the left and anti-war/anti-capitalist activism, preferring to embrace the glorious consumerism of Reagan's America. The government beat it out of people. Particularly, the government killed the Weathermen's effectiveness when they forced them underground. Maybe the reason we don't have mass uprisings in the U.S. as in other countries is because our government is the most effectively repressive, it being the most powerful in the world.

The Weather Underground presents a well-balanced view of the militant faction of the 1960s anti-war group that orchestrated a series of direct actions (including bombings) in protest of the Vietnam War and American imperialism.

To its credit, the film is not overly sympathetic to the members of the group. Rather, it portrays them in a direct and logical manner that tends to explain their more violent activities as the desperate attempts of extremely dedicated activists to engender dynamic change in lieu of those "publicly-sanctioned" methods which they felt were not sufficiently powerful to stop the war machine (i.e., non-violent demonstrations). It should be mentioned that none of the group's bombings resulted in injuries to people, with the notable exception of 3 WU members who were killed accidentally while making a bomb that was destined for an ill-advised attack on military personnel - a seminal moment the the organization's history that "opened their eyes" to the darkness they were headed towards. One cannot help but wonder what would have transpired had that attack been carried out - this is the chilling central lesson of the film, poignantly described by one former member who plainly stated that "the violence didn't work."

At the screening I attended the audience had the good fortune of listening to two of the Weather Underground's key members in person: Bernadette Dohrn and Bill Ayers. This proved particularly interesting, as both individuals, while still espousing their anti-militarism/anti-imperialism views to strong effect, did not express the need for radical tactics as one would imagine they may (given the current climate gripping the nation). Instead, they talked of engaging the issue through learning, organized activism, personal growth and social consciousness/responsibility.

It is this dialectic that makes this film so important right now, and I think that the directors have made an important step towards educating Americans in the subject of social awareness. My only complaint is that this lesson needs a counterpoint, something to break the ultimately sad feeling that one is left with when the screen flickers off at the end. Perhaps if viewed in tandem with a film that explores the victories that have been made through non-violent protest "The Weather Underground" can achieve its best potential.

Little has been written in the popular media about the Weathermen. My only knowledge came from a dictionary of hip neologisms and a well-known pocket-sized journal which conflated them with the Black Panthers, the Symbionese Liberation Army and the killing by one of it's ex-members 10 years later, after he had joined a completely different group. A nice try to produce the mental impression 'tainted, don't believe in', but this film reverses it by trusting you with the details. It contains great archive footage. Crucially, it contains no noodling left-wing speeches, but shows people who were completely unimpressed with the Weathermen, and one member who seems to have rejected the methods they used. Despite these differences, all are given an equal chance to explain their motivations, and that makes it a really fascinating documentary. Steal this film.