Un homme, emprisonné par la mafia depuis son enfance et élevé comme un chien d'attaque humain, échappe à ses ravisseurs et tente de commencer une nouvelle vie.Un homme, emprisonné par la mafia depuis son enfance et élevé comme un chien d'attaque humain, échappe à ses ravisseurs et tente de commencer une nouvelle vie.Un homme, emprisonné par la mafia depuis son enfance et élevé comme un chien d'attaque humain, échappe à ses ravisseurs et tente de commencer une nouvelle vie.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 nomination au total
Avis à la une
I was riveted to my seat and totally absorbed into the movie.
It really tore me up to see how badly he was treated by his captors and I was overjoyed each time he escaped. Also enjoyed seeing Morgan Freeman again. He's a classic. I hadn't seen the previews of this movie beforehand and thought it was "just another action film" ---- until I saw Morgan Freeman come on the scene.
The story line was unusual and the acting was great --- for an action film. Wish that more action films were directed at this level.
Jet Li is fabulous and he can act. I wish him a lifetime of successful films and hope to see them all.
However, be wary of those who claim this isn't an action film. That's not true: there is a lot of action, quite a bit of brutality and profanity, mostly by Bob Hoskins' character "Bart" in this movie. Hoskins plays profane, nasty slave-owner who has locked up and trained "Danny" (Jet Li) to be the ultimate fighting machine. Once Danny is "unleashed" (literally) he's a killer and helps the gangster Bart in his criminal work.
Then, in a moment of further greed, Hoskins agrees to enter his man in a death match with a lot of money at stake. That match turns out to be a farce with Danny winning in a matter of seconds. The other promoter wants a rematch, and with more entertainment. In the meantime, however, Danny escapes his captors and winds up at the house of an older blind American, "Sam," played by Morgan Freeman. He and his 18-year-old daughter "Natalie" (Kelly Condon) befriend young Danny, slowly bringing him out of his "animal" state. Everyone discovers Danny has some very human characteristics and is basically a nice, gentle guy. The family helps uncover that through music (piano playing, to be exact). These are all touching scenes.
But then - and this is almost a cliché in these kind of films - the bad guy comes back, snatches him away and his former bad life comes back....except Danny is a changed man. How he can get out of this latest predicament and what happens to this new "adopted" family, takes up the rest of the story. That last part has the same thing: ultra-violent and touching scenes.
Jet Li does an excellent job in here, not only displaying his amazing physical talents but also showing us he has warmth in his face and heart.
Overall: a brutal, yet touching film: an odd combination.
(USA/UK: Unleashed)
Aspect ratio: 2.39:1
Sound formats: Dolby Digital / DTS
Raised as a fighting machine by thuggish Glasgow loan sharks, a young man (Jet Li) finds happiness after falling into the care of a kindly old piano teacher (Morgan Freeman) and his musical-protégé granddaughter (Kerry Condon). But Li's past catches up with him, threatening the safety of his newfound family...
Terrific combination of heartfelt drama and bone-crunching action scenes (choreographed by Yuen Wo-ping), anchored by strong performances (including Bob Hoskins as Li's brutal 'mentor') and a finely-tuned script by French action maestro Luc Besson. Grainy filmstock and an excess of closeups (typical of the ghastly Super 35 'widescreen' process) render it less cinematic than it ought to be, and the narrative is predictable, but the movie works on a visceral level whilst simultaneously pulling the heartstrings. Li's best non-HK film since KISS OF THE DRAGON (2001).
(English dialogue)
Unleashed is not an action movie. There certainly are some spectacular fight scenes, but the emphasis is put on the relationship between Morgan Freeman and his stepdaughter, and Jet Li, and on the development of Danny's "humanity". Danny yearns for more than just killing; he discovers music and is saved by it. Music also plays a key role in his self-discovery as it awakens long-lost memories of his childhood.
For the first time, the audience are treated to Jet Li's true acting capabilities. Jet Li seems genuine and earnest--perhaps this is because the actor openly acknowledges that this film is close to his heart: as a Buddhist, Jet Li is against violence, and this film portrays the fight between humanity and violence.
This drama is a surprising break from usual martial arts movies. The fact that the number of action scenes is limited is counter-balanced by Yuen Wo Ping's masterful choreography; do not expect a fight-fest. Do however expect an unpretentious touching story featuring good actors with a few spectacular action scenes.
If I'm always skeptical of Jet Li's English-speaking films, it's for good reason. They're usually crap. Too often, he's either been put in the hands of incompetent directors who couldn't properly film or edit his impressive martial arts abilities and/or he's teamed alongside a cast that includes one rapper too many. It also didn't help that these movies were poorly written and acted, failing to work as either a showcase for Li's moves or his charisma. So it's all the more satisfying that Unleashed goes through its entire running time without succumbing to any single one of these flaws.
Jet Li stars as Danny, a fully grown man with the mind of a child who is a literal slave/pet to Bart (Bob Hoskins), a Glasgow mob boss who keeps Danny in a cage and uses him as a form of "persusasion" to those who owe him money. Like a dog, Danny wears a collar, shy and seemingly dumb whenever it's clasped around his neck, but a ferocious killer once he's unleashed.
After a mishap with another criminal, Bart and Danny are left for dead, leaving an injured Danny to crawl to a warehouse where he's taken under the wing of kindly blind piano tuner Sam (Morgan Freeman) and his stepdaughter, Victoria (Kerry Condon). Starting over with a clean slate, Danny comes to enjoy his new life and loving family; no longer is violence or cruelty something he must face everyday. But fate hands him an unlucky turn when he's forced to confront Bart, finding no choice but to give in to his violent side one last time.
The film's premise, that of a violent man finding a better life, is nothing new but rarely have I seen the simple but effective premise delivered so well and with such genuine heart. To my immense surprise, it's Jet Li's performance that anchors the film, showing us a side of corrupted innocence and child-like enthusiasm that is sweet, moving, and occasionally even quite humorous. The transformation and natural maturity Danny undergoes is engaging, and it's to no small measure of Li's performance that we hope Danny can entirely shed his former life even when we know it'll inevitably catch up with him.
Li is surrounded by a fantastic cast with great actors Morgan Freeman and Bob Hoskins pulling their own weight. Freeman delivers as always, playing the kindly authority figure with firm but gentle resolve. Hoskins is over-the-top but suitably so as Bart, whom we're quite sure is complete scum, yet one can't dismiss the fact that he holds Danny in a certain esteem, and that he may actually be the only person in the world Bart cares for, however twisted a manner he chooses to show it. Relative newcomer Kerry Condon is cute and appealing, although she could just as easily have won me over with that great smile of hers.
As a kick-ass action film, Unleashed is superb. The ratio of action to story might be a bit less than hardcore martial arts fans desire, but there's no question every facet of the plot bolsters the fight scenes, giving every battle a palpable and underlying current of emotion that adds to the thrills of the spectacle. And spectacular action this is; every fight scene-most especially the brutal opening sequence and the thrilling, almost emotionally exhausting climax-is brilliantly filmed and edited, wisely emphasizing Li's natural abilities in favor of quick-cuts and wirework. There are a few instances of Matrix-style slow motion, but the spare usage works to the film's advantage. There's even a terrific fight scene inside a tiny bathroom that far outdoes a similar scene in The Matrix.
An absolute winner on almost every conceivable level (the exception being that the title should be changed back to Danny the Dog, but I'm not going to hold that against the movie), Unleashed delivers some of the best action scenes I've seen to go hand-in-hand with memorable characters I adored and a story that riveted me from start to finish. I should also not slight director Louis Leterrier, who puts it all together with the right mix of strong style and natural storytelling. Why can't all action films be this good?
Le saviez-vous
- AnecdotesMorgan Freeman's character Sam was at first not blind at all. After hearing from a piano school for the blind (with a very high reputation, and where the scholars developed their hearing), Freeman had the idea of making his character blind because like this it is easier for Sam to "see" the child in Jet Li's character, and not the brutal killer.
- GaffesSet in Glasgow, Scotland. However not a single character in the film has a Scottish accent.
- Citations
Bart: I tell you, I feel really good here. And I feel generous. Danny, what do you want?
Danny: A piano.
Bart: Excuse me?
Danny: I want a piano.
Bart: A piano? Oh yeah. How about a lobster dinner?
Danny: I want a piano.
Bart: How about a woman? You've never had a woman.
Danny: I want a piano.
Bart: Danny, you're starting to piss me off.
Danny: I want a piano.
Bart: [laughs] That's what I love about you, Danny. One thought at a time.
- Versions alternativesThe Europa Ultimate Edition of the film contains deleted scenes like:
- 1) Danny admits to Sam that he 'hurts people'.
- 2) An incomplete fight-sequence at a indoor car park.
- 3) A 3D track shot inside the piano
- ..and also U.S version scenes include:
- 1) A longer montage of Bart taking Danny throughout Glasgow to collect money.
- 2) Alternate ending: instead of ending with a close-up of Danny, it simply ends with the piano crawl.
- Bandes originalesAftersun
Performed by Massive Attack
Vocal by Dot Allison
Written by Dot Allison (as Allison), Robert Del Naja (as Del Naja), Neil Davidge (as Davidge) and Magnus Fiennes (as Fiennes)
(p) 2003 Virgin Records Ltd
(c) Copyright Control/Copyright Control/BMG/Warner Chappell
Meilleurs choix
- How long is Unleashed?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Desencadenado (La Bestia)
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 45 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 24 537 621 $US
- Week-end de sortie aux États-Unis et au Canada
- 10 600 000 $US
- 15 mai 2005
- Montant brut mondial
- 50 871 113 $US
- Durée1 heure 43 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1