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Camp

  • 2003
  • Tous publics
  • 1h 54min
NOTE IMDb
6,2/10
6,3 k
MA NOTE
Camp (2003)
pre
Lire trailer1:58
1 Video
36 photos
Pop MusicalComedyDramaMusical

Ajouter une intrigue dans votre langueAfter a series of Broadway flops, songwriter Bert Hanley (Dixon) goes to work at a musical camp for young performers. Inspired by the kids, he finds an opportunity to regain success by stagi... Tout lireAfter a series of Broadway flops, songwriter Bert Hanley (Dixon) goes to work at a musical camp for young performers. Inspired by the kids, he finds an opportunity to regain success by staging an altogether new production.After a series of Broadway flops, songwriter Bert Hanley (Dixon) goes to work at a musical camp for young performers. Inspired by the kids, he finds an opportunity to regain success by staging an altogether new production.

  • Réalisation
    • Todd Graff
  • Scénario
    • Todd Graff
  • Casting principal
    • Don Dixon
    • Daniel Letterle
    • Joanna Chilcoat
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,2/10
    6,3 k
    MA NOTE
    • Réalisation
      • Todd Graff
    • Scénario
      • Todd Graff
    • Casting principal
      • Don Dixon
      • Daniel Letterle
      • Joanna Chilcoat
    • 166avis d'utilisateurs
    • 51avis des critiques
    • 55Métascore
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 6 nominations au total

    Vidéos1

    Camp
    Trailer 1:58
    Camp

    Photos36

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    Rôles principaux54

    Modifier
    Don Dixon
    • Bert
    Daniel Letterle
    Daniel Letterle
    • Vlad
    Joanna Chilcoat
    • Ellen
    Robin de Jesus
    Robin de Jesus
    • Michael
    • (as Robin De Jesus)
    Steven Cutts
    • Shaun
    Vince Rimoldi
    Vince Rimoldi
    • Spitzer
    Kahiry Bess
    • Petie
    Tiffany Taylor
    • Jenna
    Sasha Allen
    Sasha Allen
    • Dee
    Alana Allen
    Alana Allen
    • Jill
    Anna Kendrick
    Anna Kendrick
    • Fritzi
    Robert Orosco
    • Emil
    Stephen DiMenna
    • Glen
    Omar Edwards
    • Alston
    Camilla Millican Samuelson
    • Hillary
    Julie Kleiner
    • Lisa
    Dequina Moore
    Dequina Moore
    • Dequina
    Brittany Pollack
    Brittany Pollack
    • Brittany
    • Réalisation
      • Todd Graff
    • Scénario
      • Todd Graff
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs166

    6,26.3K
    1
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    Avis à la une

    VLeung

    Not camp!

    Very entertaining, often funny, and incredibly

    well acted. But entirely uncamp. There's

    no knowing irony, no Clueless confidence

    • when the kids insult each other,


    their lines are as rubbish as

    normal kids' witticisms. I thought

    it was pretty great and reveled in

    its lack of sophistication or typical 00s

    bored-detachment. These kids are also

    amazingly talented, and look refreshingly,

    charmingly real.
    9Allen-27

    Thanks Todd Graff

    Does Stephen Trask (HEDWIG AND THE ANGRY INCH) ever write a note of bad music?

    This is a wonderful movie. Admittedly, the pace is not perfection. But the music is great, the jokes are funny and most importantly it portrays a specific milieu. And movies that bring the audience into a milieu they might not know exists are almost always interesting. I've seen this movie once and I'll see it again.

    Ignore the critics who want to tell you what the movie isn't and what it should be. They'll only keep you from enjoying a good movie. Todd Graff has something to say. This is his movie and it works. One magazine reviewer noted that the kids in this movie emerge as full-blown professionals. Well -- they are! Most of these kids have never done anything before. That's part of what is being said here. There's all this talent that no one has ever seen. There are kids who are this good. Todd Graff found them.
    7Ddey65

    Saw this for Anna Kendrick, and got a whole lot more.

    There are two words in the universe that would make a straight man want to see this movie; Anna Kendrick. In her autobiography "Scrappy Little Nobody" she originally thought the only people who would've bothered with this movie were closeted homosexuals who believe this movie helped them come out. But if you're not 100% homophobic, there could still be something in the movie you might find worthwhile.

    Ahh, life before Camp Ovation; While the campers perform the song "How Shall I See You Through My Tears," we have a montage of some of the other campers before getting the chance to do so. We have Vlad Baumann rehearsing a speech in his mirror, Michael Flores going to the junior prom in drag, and not only having his invitation torn up by the prom committee, but getting the living crap kicked out of him by a bunch of jocks, and Ellen Lucas trying to convince her brother to take her to the junior prom after failing to get a date (although I can't imagine why). But going to this summer camp for the performing arts gives all these kids and more a chance to not only perform, but to be themselves,... or so it may seem that way. Kendrick plays Fritzi Wagner a would-be actress who also tries to be a toadie to the popular Jill Simmons (Alana Allen). Shaun (Steven Cutts) wants to convince his shy little brother Petie (Kahiry Bess) that he can make it as a black man in the performing arts. Another camper named Jenna (Tiffany Taylor) was able to talk her parents into letting her go to Camp Ovation as opposed to a fat camp, on the condition that she goes with her jaws wired shut.

    At the first audition, we see Vlad perform a cover of "Wild Horses" by The Rolling Stones, with the camp background band playing to the very note, and one of the female counselors is convinced he's straight. Evidently the lesson is if you want to be viewed as straight, just perform an old Rolling Stones song during your audition. Even with that, he ends up striking a friendship with Michael. He doesn't insult the guy for being gay, but he does tell him that if he were straight he have girls hitting on him left and right, using his Latino heritage to pass himself off as a Latin Lover. Vlad himself seems to have his heart set on Ellen, and they seem like they're going to hit it off, until Jill swoops in and takes him away from her for a little nookie.

    The camp is supposed to be supervised by Bert Hanley, a playwright who had a big hit named "The Children's Crusade," back in the day, and hasn't been able to do anything else but drink ever since. Other counselors include a dance instructor who makes a speech during one of his lessons which is reminiscent of Debbie Allen's speech in Fame, which one of the kids snarks about until that teacher makes him eat his words, and a Cuban refugee director who evidently feared that the avant-garde play "Midnight Sun" would cause reprisals from their "Revolutionary Armed Forces." His maniacal tirades are one of the things that bring Vlad and Ellen closer to one another, and so are Jill's insults over her appearance. But how long can that last?

    After Jill chastises Fritzi for washing her underwear, she gets a pep talk from Bert, then sabotages her performance from "Company," by spiking her drinks with a well-known household cleaner. She yanks Jill off-stage in the middle of singing "The Ladies Who Lunch" and makes that song her own! You will forget Elaine Stritch after this, in fact, you'll forget Alana Allen after this! Later when Bert hears Vlad casually perform one of his songs, he interrupts him and the rest of the campers and tells them they're wasting their time trying to make it in show business. After he leaves the porch, Vlad goes into the counselor's office and chastises him for trashing the campers. "They"? Did you think I wasn't talking to you too?" No Mr. Hanley, I think he knew it. But it's after this exchange while the camp administrator is passed out drunk that this golden boy he despises discovers some of his other work, and he rallies the other campers to perform some of it, in order to prove that they and he are both worthy.

    The highlight of this movie was Kendrick's show stopping performance of "The Ladies Who Lunch," which she literally steals from Alana Allan. At a close second is the cast's cover of "Century Plant" by Victoria Williams. Others might disagree with me and put Williams' song at the top, and it's hard not to imagine why.

    If you grew up in the New York Tri-State area like I did, you've seen as many ads on TV and in newspapers for Broadway plays as you have for movies. So, whether you're straight, gay, or bisexual, you'd be exposed to some of the references to the various plays here. There are some truly funny scenes during the movie. During the auditions, one of the counselors draws a picture of himself committing suicide next to a piano while another anonymous girl sings "Tomorrow" from "Annie." Another is when Ellen is with Petie with her own rendition of "And I Am Telling You I'm Not Going" from "Dreamgirls," and the boy gets spooked and runs off stage. Even Todd Graff, who wrote and directed this movie found the scenario hilarious.

    Those who see this movie for Ms. Kendrick should know that it's really not her movie. In fact her part is barely a B-Story, despite her outstanding musical number. The movie itself is based on Graff's own life at a camp known as Stagedoor Manor while he was on a break from his membership in the Short Circus on "The Electric Company." Because of this, it makes me wonder if the gay kids could've been that openly gay in the 1970's. I even thought of making the title of my review "This Movie is So Gay." Regardless, the musical performances are what makes this movie great even if you don't like the story lines. I think there's still a good chance that you will.
    jlw33

    Camp is a entertaining, funny, inspiring film.

    I am going to recommend Camp to everyone I know. Camp is a entertaining, funny, and inspiring film. The film follows a group of teenagers through one Summer at Camp Ovation, a Theatre camp in the mountains of New York. I related to the film mostly because when I was a teenager, I attended a drama camp very much like Camp Ovation. But the difference here is, the kids in the film perform shows like "Promises, Promises" and "Company," more sophisticated than the shows we performed at my drama camp. And, these teens are great. Camp Ovation is the Summer experience that every kid who has ever felt like an outcast needs to have. The film shows us that no matter how other people see us, or what we are like, the important thing is just to have courage, and to believe in our ability to overcome any obstacle that we have to face. When the film was over, I thought of another work that deals with overcoming obstacles, "Rent." These Two works are comparable because of the subject matter. However, Camp is lighthearted and fun. Mr. Graff, who directed the film and wrote the screenplay, did a fantastic job with the material.

    Some of the best scenes in Camp were between Micheal, a camper, and Vlad, the new guy at camp. The dialogue in these scenes is adorable. I love how Micheal is direct about his attraction to Vlad. In one scene, when Vlad whipes his face with his shirt, Micheal looks Vlad over and says, "Sorry, I am only human." In another scene, when Vlad tries to get Micheal to call his parents by telling him how they can't resist him, and accuses Micheal of blushing, Micheal answers, "Are you kidding? I am doing everything but batting my eyes." Boy, I only wish I had a friend like Micheal when I was a teenager. I have to mention the fabulous musical numbers. "The Ladies Who Lunch," "Promises, Promises," "Father, Sister," "Turkey Lurky," just to name a few. I wanted to get up out of my seat and sing out loud. Camp is one of the best films I have had the privilage to see all year. I loved it! _Josh Weinman_
    7budikavlan

    Slipshod but entertaining

    This movie has an amateurish air to it, with more than its share of sloppy edits, plot dead-ends, and those little acting moments that take the viewer out of the story. The story and setting are so entertaining, however, that it manages to overcome its shortcomings and remain a memorable experience. The characters are realistic and fun, and the song choices are consistently good (especially "Turkey Lurkey Time" which is otherwise unavailable on film, far as I know). The original songs (from the people who brought you "Fame") are also good--occasionally terrific.

    It's interesting to me that among a cast of newcomers and unknowns, the worst performances are from the adults--especially Don Dixon (Bert). The kids fare much better in general, and their musical performances are their real strengths (unsurprisingly). A surer hand on the direction and script could have tightened Camp up considerably, but even as messy as it is, it's still well worth seeing.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      When Fritzi reintroduces herself to Jill at the start of the movie and Jill fails to remember her, Fritzi reminds Jill that the previous summer, they had been in the play "'night, Mother" together. The joke is that "'night, Mother" only has two actors in it, and is an extremely intense, wrenching, emotional experience (it is about an adult daughter preparing her elderly mother for the fact that the daughter is going to commit suicide), so there is no way that Jill could have forgotten having already met Fritzi without Jill being incredibly self-absorbed.
    • Gaffes
      When Fritzi insults the fat girl they are discussing casting of "Promises, Promises", but that had already been settled earlier. The same problem comes up during what appears to be auditions for "Follies", which was also already settled (during the cast sheet montage, we see that the role of Carlotta, who they are singing for, has already been cast).
    • Citations

      Bert: I'm gonna call it off.

      Glen: I think you'd better.

      Fritzi: Wait!

      Bert: Fritzi, what in the hell are you doing here?

      Fritzi: Well I... I knew you'd be discussing stopping the show and I just thought how disappointed all the kids would be after...

      Bert: You scheming little bitch!

      Fritzi: Oh please! I'm a child.

      Bert: If you think for one...

      Fritzi: Oh save the speech, rummy. She's fucked, I'm ready, and the goddamn show must go on. So let's get cracking, shall we?

    • Crédits fous
      Midway through the credits, Fritzi and Patrick are shown playing Martha and George in an adaptation of "Who's Afraid of Virginia Woolf?"
    • Connexions
      Featured in The 2004 IFP/West Independent Spirit Awards (2004)
    • Bandes originales
      How Shall I See You Through My Tears
      Written by Robert Telson and Lee Breuer

      Published by Boodie Music (BMI) and Otis Lee Music (ASCAP)

      Performed by Sasha Allen, Steven Cutts and The Company

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    FAQ18

    • How long is Camp?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 29 août 2003 (États-Unis)
    • Pays d’origine
      • États-Unis
    • Langues
      • Anglais
      • Espagnol
    • Aussi connu sous le nom de
      • Лагерь
    • Lieux de tournage
      • Seattle, Washington, États-Unis
    • Sociétés de production
      • IFC Productions
      • Jersey Films
      • John Wells Productions
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Montant brut aux États-Unis et au Canada
      • 1 629 862 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 54 294 $US
      • 27 juil. 2003
    • Montant brut mondial
      • 2 707 738 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 54 minutes
    • Couleur
      • Color
    • Mixage
      • Dolby Digital
    • Rapport de forme
      • 1.85 : 1

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