Camp
- 2003
- Tous publics
- 1h 54min
Ajouter une intrigue dans votre langueAfter a series of Broadway flops, songwriter Bert Hanley (Dixon) goes to work at a musical camp for young performers. Inspired by the kids, he finds an opportunity to regain success by stagi... Tout lireAfter a series of Broadway flops, songwriter Bert Hanley (Dixon) goes to work at a musical camp for young performers. Inspired by the kids, he finds an opportunity to regain success by staging an altogether new production.After a series of Broadway flops, songwriter Bert Hanley (Dixon) goes to work at a musical camp for young performers. Inspired by the kids, he finds an opportunity to regain success by staging an altogether new production.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 6 nominations au total
- Michael
- (as Robin De Jesus)
Avis à la une
I thought the concept, story and direction by Todd Graff was a labor of love to the young talented stars of the film. They all gave their all. You could feel the support they brought to Graff and his ideas. Michelle Lynch and Jerry Mitchell brought simple yet effective dancing to the film. Re-creating the TURKY LURKY number from "Promises, Promises" originated by Michael Bennett.
I'm not quite sure who gets the credit for Musical Direction, but it was wonderful to see these young people of today bringing their talents to the Broadway oldies of yesterday. How wonderful for them to know the music of the time.
I give special praise to Daniel Letterle, who seems to be getting most of the bad raps here. I thought he played his role with simplicity and great depth. For such a young actor, he managed to touch your heart with his work. Thank you, Daniel. And Robin de Jesus, too, gave a simple approach to his role. It could have been over the wall acting, but he kept the lid on and made the part his own. Everyone else did very well. They brought good acting, and of course those gorgeous voices.
Congratulations, Mr. Graff, and please give Mr. Sondheim my best.
This is a wonderful movie. Admittedly, the pace is not perfection. But the music is great, the jokes are funny and most importantly it portrays a specific milieu. And movies that bring the audience into a milieu they might not know exists are almost always interesting. I've seen this movie once and I'll see it again.
Ignore the critics who want to tell you what the movie isn't and what it should be. They'll only keep you from enjoying a good movie. Todd Graff has something to say. This is his movie and it works. One magazine reviewer noted that the kids in this movie emerge as full-blown professionals. Well -- they are! Most of these kids have never done anything before. That's part of what is being said here. There's all this talent that no one has ever seen. There are kids who are this good. Todd Graff found them.
It's interesting to me that among a cast of newcomers and unknowns, the worst performances are from the adults--especially Don Dixon (Bert). The kids fare much better in general, and their musical performances are their real strengths (unsurprisingly). A surer hand on the direction and script could have tightened Camp up considerably, but even as messy as it is, it's still well worth seeing.
Le saviez-vous
- AnecdotesWhen Fritzi reintroduces herself to Jill at the start of the movie and Jill fails to remember her, Fritzi reminds Jill that the previous summer, they had been in the play "'night, Mother" together. The joke is that "'night, Mother" only has two actors in it, and is an extremely intense, wrenching, emotional experience (it is about an adult daughter preparing her elderly mother for the fact that the daughter is going to commit suicide), so there is no way that Jill could have forgotten having already met Fritzi without Jill being incredibly self-absorbed.
- GaffesWhen Fritzi insults the fat girl they are discussing casting of "Promises, Promises", but that had already been settled earlier. The same problem comes up during what appears to be auditions for "Follies", which was also already settled (during the cast sheet montage, we see that the role of Carlotta, who they are singing for, has already been cast).
- Citations
Bert: I'm gonna call it off.
Glen: I think you'd better.
Fritzi: Wait!
Bert: Fritzi, what in the hell are you doing here?
Fritzi: Well I... I knew you'd be discussing stopping the show and I just thought how disappointed all the kids would be after...
Bert: You scheming little bitch!
Fritzi: Oh please! I'm a child.
Bert: If you think for one...
Fritzi: Oh save the speech, rummy. She's fucked, I'm ready, and the goddamn show must go on. So let's get cracking, shall we?
- Crédits fousMidway through the credits, Fritzi and Patrick are shown playing Martha and George in an adaptation of "Who's Afraid of Virginia Woolf?"
- ConnexionsFeatured in The 2004 IFP/West Independent Spirit Awards (2004)
- Bandes originalesHow Shall I See You Through My Tears
Written by Robert Telson and Lee Breuer
Published by Boodie Music (BMI) and Otis Lee Music (ASCAP)
Performed by Sasha Allen, Steven Cutts and The Company
Meilleurs choix
- How long is Camp?Alimenté par Alexa
Détails
Box-office
- Montant brut aux États-Unis et au Canada
- 1 629 862 $US
- Week-end de sortie aux États-Unis et au Canada
- 54 294 $US
- 27 juil. 2003
- Montant brut mondial
- 2 707 738 $US
- Durée
- 1h 54min(114 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1