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Camp

  • 2003
  • Tous publics
  • 1h 54min
NOTE IMDb
6,2/10
6,3 k
MA NOTE
Camp (2003)
pre
Lire trailer1:58
1 Video
36 photos
ComédieDrameMusicalComédie musicale pop

Ajouter une intrigue dans votre langueAfter a series of Broadway flops, songwriter Bert Hanley (Dixon) goes to work at a musical camp for young performers. Inspired by the kids, he finds an opportunity to regain success by stagi... Tout lireAfter a series of Broadway flops, songwriter Bert Hanley (Dixon) goes to work at a musical camp for young performers. Inspired by the kids, he finds an opportunity to regain success by staging an altogether new production.After a series of Broadway flops, songwriter Bert Hanley (Dixon) goes to work at a musical camp for young performers. Inspired by the kids, he finds an opportunity to regain success by staging an altogether new production.

  • Réalisation
    • Todd Graff
  • Scénario
    • Todd Graff
  • Casting principal
    • Don Dixon
    • Daniel Letterle
    • Joanna Chilcoat
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,2/10
    6,3 k
    MA NOTE
    • Réalisation
      • Todd Graff
    • Scénario
      • Todd Graff
    • Casting principal
      • Don Dixon
      • Daniel Letterle
      • Joanna Chilcoat
    • 166avis d'utilisateurs
    • 51avis des critiques
    • 55Métascore
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 6 nominations au total

    Vidéos1

    Camp
    Trailer 1:58
    Camp

    Photos36

    Voir l'affiche
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    + 30
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    Rôles principaux54

    Modifier
    Don Dixon
    • Bert
    Daniel Letterle
    Daniel Letterle
    • Vlad
    Joanna Chilcoat
    • Ellen
    Robin de Jesus
    Robin de Jesus
    • Michael
    • (as Robin De Jesus)
    Steven Cutts
    Steven Cutts
    • Shaun
    Vince Rimoldi
    Vince Rimoldi
    • Spitzer
    Kahiry Bess
    • Petie
    Tiffany Taylor
    • Jenna
    Sasha Allen
    Sasha Allen
    • Dee
    Alana Allen
    Alana Allen
    • Jill
    Anna Kendrick
    Anna Kendrick
    • Fritzi
    Robert Orosco
    • Emil
    Stephen DiMenna
    • Glen
    Omar Edwards
    • Alston
    Camilla Millican Samuelson
    • Hillary
    Julie Kleiner
    • Lisa
    Dequina Moore
    Dequina Moore
    • Dequina
    Brittany Pollack
    Brittany Pollack
    • Brittany
    • Réalisation
      • Todd Graff
    • Scénario
      • Todd Graff
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs166

    6,26.3K
    1
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    10

    Avis à la une

    guil12

    Very entertaining film!

    I join those that gave this charming film a high rating. I don't know where the UNEMPLOYED CRITIC is coming from and I guess from his/her review, we know why they're unemployed. He/she totally missed the boat with this one. Place that review amongst the garbage bin of stupidity.

    I thought the concept, story and direction by Todd Graff was a labor of love to the young talented stars of the film. They all gave their all. You could feel the support they brought to Graff and his ideas. Michelle Lynch and Jerry Mitchell brought simple yet effective dancing to the film. Re-creating the TURKY LURKY number from "Promises, Promises" originated by Michael Bennett.

    I'm not quite sure who gets the credit for Musical Direction, but it was wonderful to see these young people of today bringing their talents to the Broadway oldies of yesterday. How wonderful for them to know the music of the time.

    I give special praise to Daniel Letterle, who seems to be getting most of the bad raps here. I thought he played his role with simplicity and great depth. For such a young actor, he managed to touch your heart with his work. Thank you, Daniel. And Robin de Jesus, too, gave a simple approach to his role. It could have been over the wall acting, but he kept the lid on and made the part his own. Everyone else did very well. They brought good acting, and of course those gorgeous voices.

    Congratulations, Mr. Graff, and please give Mr. Sondheim my best.
    9Allen-27

    Thanks Todd Graff

    Does Stephen Trask (HEDWIG AND THE ANGRY INCH) ever write a note of bad music?

    This is a wonderful movie. Admittedly, the pace is not perfection. But the music is great, the jokes are funny and most importantly it portrays a specific milieu. And movies that bring the audience into a milieu they might not know exists are almost always interesting. I've seen this movie once and I'll see it again.

    Ignore the critics who want to tell you what the movie isn't and what it should be. They'll only keep you from enjoying a good movie. Todd Graff has something to say. This is his movie and it works. One magazine reviewer noted that the kids in this movie emerge as full-blown professionals. Well -- they are! Most of these kids have never done anything before. That's part of what is being said here. There's all this talent that no one has ever seen. There are kids who are this good. Todd Graff found them.
    7budikavlan

    Slipshod but entertaining

    This movie has an amateurish air to it, with more than its share of sloppy edits, plot dead-ends, and those little acting moments that take the viewer out of the story. The story and setting are so entertaining, however, that it manages to overcome its shortcomings and remain a memorable experience. The characters are realistic and fun, and the song choices are consistently good (especially "Turkey Lurkey Time" which is otherwise unavailable on film, far as I know). The original songs (from the people who brought you "Fame") are also good--occasionally terrific.

    It's interesting to me that among a cast of newcomers and unknowns, the worst performances are from the adults--especially Don Dixon (Bert). The kids fare much better in general, and their musical performances are their real strengths (unsurprisingly). A surer hand on the direction and script could have tightened Camp up considerably, but even as messy as it is, it's still well worth seeing.
    NathanIL

    an interesting movie with fantastic music

    The talent of this group of young people is amazing. As a theater major and a singer, these kids displayed the talent that you always hoped would show up at an audition. How Graff brought together such a wonderfully diverse and talented group puzzles me. I mean these kids weren't typical Hollywood flash and from their profiles this movie was the only thing that most of them have ever been in, however, that never shows on the screen. Although the storyline is not extremely complex, it is interesting and the music makes the movie worth seeing. The production numbers in the show are staged well and the choreography is fantastic. Although I didn't buy for one minute that this was a theater camp (because everyone was ULTRA talented), I appreciated the fact that the musical performances weren't overstaged with props, costumes, and sets that would never be available to ANY high school student.
    8tunmel

    Best Summer Camp Movie Ever!

    ...although that may not be saying much, it truly loves these kids that it portrays and is clearly made for such kids. Other reviewers have faulted "Camp" for its shallow plot, the inconsistency of its characters, the stereotypes, and an overall amateurish quality. All I can say is "What'd you expect? It's a teen drama!" In fact, I'm pretty sure it wouldn't have worked if the film tried to be more grown-up. To properly enjoy "Camp", adult viewers need to recall their world view during their teen years. Only then can they realize how much they would have wanted to see a movie like this when they were teens. Of course, if you were a quarterback or prom queen in high school, then perhaps you wouldn't be able to relate to this movie at all.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      When Fritzi reintroduces herself to Jill at the start of the movie and Jill fails to remember her, Fritzi reminds Jill that the previous summer, they had been in the play "'night, Mother" together. The joke is that "'night, Mother" only has two actors in it, and is an extremely intense, wrenching, emotional experience (it is about an adult daughter preparing her elderly mother for the fact that the daughter is going to commit suicide), so there is no way that Jill could have forgotten having already met Fritzi without Jill being incredibly self-absorbed.
    • Gaffes
      When Fritzi insults the fat girl they are discussing casting of "Promises, Promises", but that had already been settled earlier. The same problem comes up during what appears to be auditions for "Follies", which was also already settled (during the cast sheet montage, we see that the role of Carlotta, who they are singing for, has already been cast).
    • Citations

      Bert: I'm gonna call it off.

      Glen: I think you'd better.

      Fritzi: Wait!

      Bert: Fritzi, what in the hell are you doing here?

      Fritzi: Well I... I knew you'd be discussing stopping the show and I just thought how disappointed all the kids would be after...

      Bert: You scheming little bitch!

      Fritzi: Oh please! I'm a child.

      Bert: If you think for one...

      Fritzi: Oh save the speech, rummy. She's fucked, I'm ready, and the goddamn show must go on. So let's get cracking, shall we?

    • Crédits fous
      Midway through the credits, Fritzi and Patrick are shown playing Martha and George in an adaptation of "Who's Afraid of Virginia Woolf?"
    • Connexions
      Featured in The 2004 IFP/West Independent Spirit Awards (2004)
    • Bandes originales
      How Shall I See You Through My Tears
      Written by Robert Telson and Lee Breuer

      Published by Boodie Music (BMI) and Otis Lee Music (ASCAP)

      Performed by Sasha Allen, Steven Cutts and The Company

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    FAQ18

    • How long is Camp?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 29 août 2003 (États-Unis)
    • Pays d’origine
      • États-Unis
    • Langues
      • Anglais
      • Espagnol
    • Aussi connu sous le nom de
      • Лагерь
    • Lieux de tournage
      • Seattle, Washington, États-Unis
    • Sociétés de production
      • IFC Productions
      • Jersey Films
      • John Wells Productions
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Montant brut aux États-Unis et au Canada
      • 1 629 862 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 54 294 $US
      • 27 juil. 2003
    • Montant brut mondial
      • 2 707 738 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 54min(114 min)
    • Couleur
      • Color
    • Mixage
      • Dolby Digital
    • Rapport de forme
      • 1.85 : 1

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