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Bus 174

Titre original : Ônibus 174
  • 2002
  • R
  • 2h 30min
NOTE IMDb
7,8/10
8,9 k
MA NOTE
Bus 174 (2002)
CriminalitéDocumentaireDocumentaire policier

Ajouter une intrigue dans votre langueOn June 12, 2000, a young man with a gun took the passengers aboard Bus 174 in Rio de Janeiro, Brazil hostage. This documentary examines the event itself, the resulting media frenzy, the pol... Tout lireOn June 12, 2000, a young man with a gun took the passengers aboard Bus 174 in Rio de Janeiro, Brazil hostage. This documentary examines the event itself, the resulting media frenzy, the police response, and the perpetrator's background.On June 12, 2000, a young man with a gun took the passengers aboard Bus 174 in Rio de Janeiro, Brazil hostage. This documentary examines the event itself, the resulting media frenzy, the police response, and the perpetrator's background.

  • Réalisation
    • José Padilha
    • Felipe Lacerda
  • Scénario
    • Bráulio Mantovani
    • José Padilha
  • Casting principal
    • Sandro do Nascimento
    • Rodrigo Pimentel
    • Luiz Eduardo Soares
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,8/10
    8,9 k
    MA NOTE
    • Réalisation
      • José Padilha
      • Felipe Lacerda
    • Scénario
      • Bráulio Mantovani
      • José Padilha
    • Casting principal
      • Sandro do Nascimento
      • Rodrigo Pimentel
      • Luiz Eduardo Soares
    • 56avis d'utilisateurs
    • 31avis des critiques
    • 83Métascore
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 21 victoires et 9 nominations au total

    Photos9

    Voir l'affiche
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    Rôles principaux24

    Modifier
    Sandro do Nascimento
    • Self
    • (images d'archives)
    Rodrigo Pimentel
    • Self - Former Rio SWAT Instructor
    Luiz Eduardo Soares
    • Self - Sociologist
    Anonymous
    • Self - Rio SWAT Team Officer
    Maria Aparecida
    • Self - Damiana's Daughter
    Captain Batista
    • Self - Rio SWAT Team Negotiator
    Luanna Belmon
    • Self - Undergraduate Student
    Claudete Beltrana
    • Self - Former Street Kid
    Luciana Carvalho
    • Self - Secretary
    Coelho
    • Self - Former Street Kid
    Damiana
    • Self
    Yvonne Bezerra de Mello
    • Self - Social Worker
    Julieta do Nacimento
    • Self - Sandro's Maternal Aunt
    Dona Elza
    • Self
    Geísa Firmo Gonçalves
    • Self
    • (images d'archives)
    José Henrique
    • Self - TV Cameraman
    Cláudia Macumbinha
    • Self - Former Street Kid
    Mendonça
    • Self - Jail Keeper
    • Réalisation
      • José Padilha
      • Felipe Lacerda
    • Scénario
      • Bráulio Mantovani
      • José Padilha
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs56

    7,88.8K
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    Avis à la une

    hecs

    Suffocatingly sad wake-up call

    I just saw this movie, and I cannot imagine a more terrifying, sad, and heartbreaking piece of film existing. this movie is simply devastating. I was sobbing within the first 20 minutes. A young man of 19(who looks about 50)hi-jacks a bus and we see the results of an agonizing life play out before our eyes. It is hard to watch, and hard not to deeply care for Sandro. I cannot put into words how heartbreaking and important this movie is. Sandro's life is irrevocably doomed, and we discover there are thousands almost exactly like him, roaming the streets of Rio, desperate and hungry for any kind of social acknowledgement. It should be required viewing for the human race.
    9noimagination

    Devastating

    One of those moments when you realise that you know nothing about the roots of another culture or society. And when you start learning, the pits of your stomach heave and your heart collapses at the deplorable and impossibly harsh reality of other people's lives.

    Onibus 174 is the piecing together of an event that took place in 2000 in Rio de Janeiro, where a gunman took a busload of passengers hostage. The whole event was televised live to the nation, and this documentary film uses this footage, along with interviews with survivors, friends and relatives of the gunman, to document the implications of a society that treats its poor with a disdain not even reserved for deformed animals.

    I can honestly say I have never sat through a film that was as difficult to watch as this. Throughout most of it my stomach clenched with anxiety, pity, misery and sadness. I cried at the plight of the street kids. I cried at the description of the child seeing his mother being stabbed 3 times and crawling about with a kitchen knife sticking out of her shoulder until she died in front of him. I cried at the last moments of the hijacking. And I cried at the reaction of the baying, blood-thirsty crowd of on-lookers at the end. And all this from live images. As it happened. The crude, devastating vicissitudes of a society wracked with poverty and hardship.

    I have no idea why this film affected me so profoundly, but there's no doubt that is was largely to do with witnessing the real effects of social meltdown. The street kids are merely trying to gather together the semblance of an existence. Suddenly the thefts and muggings became understandable; I could be swayed to be not just sympathetic towards, but defensive of their crime, such is the extent of their horrendous degradation. And this is the result of rendering them invisible.

    A film that's devastating, enlightening and enfuriating in equal parts. It has to be watched, but beware that it'll make you all too aware of your own impotence.
    frnja

    It is one of the best documentaries I have ever seen

    This film is an example of in-depth journalism, the way it is not done in the mainstream, commercial media. Instead of focusing on the hijacking of the bus, which is the most attractive footage in this documentary, this documentary decides to explain the context and causes that led the hijacker to perform a suicidal, desperate action, such as hijacking a public bus in the middle of the day. It is an extremely delicate and elaborate work which attempts to present an all-encompassing picture, one that forbids taking sides easily. It is not excusing the perpetrator of the crime in any way, but, still, it is demonstrating how much information we are missing when we, for example, read daily crime reports in newspapers. Instead of playing on the card of the expected outrage over this drug-addicted person who clearly did something extremely wrong, this film will take you several steps further. By showing a more complete frame of Brazilian society in a fierce tour de force, the authors of this film make the spectator question his or hers opinions and attitudes over and over again. It is a documentary that sticks with you for more than one day.
    10PyrolyticCarbon

    Dramatic, insightful and excellently crafted. One of the best documentaries I've seen.

    When I rented this movie I had no real idea what to expect. I had no prior knowledge of the event or of the documentary itself, and all that I was going on was another viewers review on my DVD rental queue, the rating itself, and the tagline - that the bus was hijacked and broadcast live on television.

    It's also hard hitting. The team behind this documentary have done an amazing job to bring the story and the messages to the front of the film, and it's amazing just how well they do it.

    Movie: The documentary hit me probably harder than any other documentary has in my life. One of the most interesting and compelling things about this is the way its structured as a movie. It builds tension and sets clear sides of good and bad guys. Then it begins to look at the characters involved and as the events occur in the actual footage they trigger investigations into characters and their past.

    It's here where the film is most effective, using the real life footage from the News Stations to underpin the story, holding it together from opening to closing shot. The footage is also used as an indicator of when to jump to outside footage, be that from interviews of those involved from experts, friends and family. It's superbly pulled together.

    This movie is charged with more emotion and suspense than many thrillers, and that can count against it too. You have to keep remembering that this is reality, not a movie, because it is so well delivered and paced that it can begin to feel as such.

    To begin with your sympathies lie wholly with the hostages as the whole situation appears to be like any other hijack, but this alliance soon changes as the filmmakers begin to reveal the truth behind the hijacker and the situation.

    Slowly, as you learn more about the hijacker you are also shown more about the Police, Street Kids, Prisons, and the mess the Country has found itself in. It's not only eye opening, it's emotionally strong and provides for a none too easy journey. A journey that should be taken and known.

    It is perhaps the ending which is the most harrowing and shocking, although attention needs to be firmly kept on the equally shocking moments that brought us there. The slaughter of the Street Children by the Police, the overcrowded jails which make Guantanamo seem like a holiday camp, the Police corruption and finally the poor and destroyed life of Sandro do Nascimento, the Street Kid and hijacker.

    The filmmakers have done an excellent job both in the editing and the initial structuring of the documentary. They've expertly pulled the audience to the drama of the situation and used that to highlight the real issues of their country in one of the most effective, thought provoking and intelligent documentaries I have ever seen.

    Picture: Widescreen 16:9 The picture range sin quality as you would expect with the varying news sources used for footage. The quality ranges from traffic cameras to hand-held digital used in the exploration of Nascimento's past, of the Street Children and the interviews with those involved. So although the quality can be poor at times, it all adds to the realism and the actual footage feel of the film.

    Audio: Dolby Digital 2.0 As with the picture the audio varies in quality, but when it comes to the interviews it is clear, nothing more is needed here than the offered digital stereo.

    Extras: The Making Of Bus 174 (30 minutes), Additional interviews (40 minutes), Assistant director Alexandre Lima's Social Frontiers photography exhibition, Interview with director Jose Padilha, Trailers

    The Director gives a very insightful discussion on the movie, the process of making it, and ultimately life in Brazil for the less fortunate - the Street Kids who are so neglected and abused by society. You really do get a sense of pride in his Country and at the same time a sense of shame at what it is becoming. The discussion and insight into the movie and the process behind finding out about Nascimento and the Street Kids is quite in-depth, giving a good understanding of what is involved in making such a strong and unbiased documentary.

    The additional interviews are even more eye opening and informative, not to say emotional. It's surprising just how informative they are and even without editing them down to the normal bite-sized interview snippets. Everything you'd want to know about the subjects in the movie are covered in these four interviews and from differing viewpoints, with Politics, Brazilian life and living on the streets at the forefront.

    Overall This documentary ranks high in the top five I have seen to date. It's informative and insightful, providing the World with a view of Brazilian life we've never seen before and never been given the chance to understand.

    It's a hard hitting and emotional film which presents to us the common and media portrayed view of what Nascimento is, slowly and carefully revealing his past to show the pain, hardship and mistreatment he and other Street Kids have received.

    Dramatic and insightful, this film is one that should not be missed. It doesn't just show us about the Brazilian Street Kids either, it tells us more about the oppressed people of the World and how they can come to turn against the forces that created them. We need to understand them and to help them before they become like Nascimento.
    9chris_hughes-2

    This ain't no action movie!

    ....shouts Sandro, the central character, to the voyeuristic TV cameras, as his real-life predicament spirals towards its tragic and brutal denouement.

    And he's right - this film is far more compelling and dramatic than any Hollywood product - also far more poignant and touching.

    Director Padhila shows extraordinary skill in building the story to an unforgettable climax. When I watched this movie at a Manchester cinema, there were only 30 or so people in the theatre - but the silence at the close of the film was astonishing. The entire audience walked out in stunned speechlessness.

    If you were impressed by "City of God", check out this slice of real life from Rio de Janiero - a world-class piece of documentary-making, and a stinging indictment of the divisions that scar Brazilian society.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Included among the 1,001 Movies You Must See (Before You Die) (2014), edited by Steven Schneider.
    • Connexions
      Featured in 50 Documentaries to See Before You Die: Episode 4 (2011)

    Meilleurs choix

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    FAQ

    • How long is Bus 174?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 30 août 2003 (Pays-Bas)
    • Pays d’origine
      • Brésil
    • Langues
      • Portugais
      • Espagnol
    • Aussi connu sous le nom de
      • Ómnibus 174
    • Lieux de tournage
      • Rio de Janeiro, Rio de Janeiro, Brésil
    • Société de production
      • Zazen Produções
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Montant brut aux États-Unis et au Canada
      • 217 201 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 8 625 $US
      • 12 oct. 2003
    • Montant brut mondial
      • 222 506 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      2 heures 30 minutes
    • Couleur
      • Black and White
      • Color
    • Mixage
      • Dolby SR
    • Rapport de forme
      • 1.85 : 1

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