Dead Like Me

This show is a combination of extremely clever plot lines, a unique and unusual musical score, contemporary editing, and outstanding character casting. The chemistry of characters with this cast is more than exceptional. The ability to give such realism to such an absurd story premise is bewildering and you find yourself taken for a ride down this fairytale as if it were real life. This is perhaps the best program that no one has ever heard of yet and I wouldn't be surprised if it rose to one of the best series of this decade when the show becomes better known to the public. Once you start watching this show, there is now going back. It is ultimately the most addictive show I have ever witnessed. If you haven't seen it, you need to.

Dead Like Me is one of those unique TV series that will be remembered long after "flavors of the day" shows like The Sopranos are forgotten. It is bright and dark, hilarious and sad, awe-inspiring and introspective -- all at the same time. It is a wonderful piece of television.

I recently saw the season one DVD set and I must say this show is a marvel. Although it took me a few episodes to warm up to Ellen Muth as George the slacker grim reaper, the show was easily carried by old pro Mandy Patinkin as food-loving reaper Rube and his co-stars, including the gorgeous Rebecca Gayheart who makes a welcome - though all to brief - return to TV after coming off her own real-life tragedy which rivals anything seen on Dead Like Me. I won't rehash the details or the debate -- go look up her IMDb biography if you need more information.

The rest of the cast is outstanding, including Jasmine Guy - much older and wiser than her Different World days - Callum Blue and latecomer Laura Harris as George's fellow grim reapers. Harris, as wannabe actress Daisy, starts out annoying but very quickly develops layers that make her among the show's most interesting characters.

The format of the show is fascinating as there are two arcs going at the same time: George adjusting to the afterlife, and her family slowly falling apart because of her death. Central to this is George's kid sister Reggie, played by newcomer Britt McKillip. It probably isn't considered kosher to refer to an 11-year-old as beautiful unless you're a parent, but keep an eye on this one as she is going to develop into a spectacular talent.

Of course, a supporting cast means nothing without a strong lead, and Ellen Muth more than delivers. As I said above, she took a little getting used to, with her unconventional looks and a performance that gives "quirky" a whole new twist. It wasn't long before Muth truly owned the show and the character, and her narration is hilarious and touching throughout.

There were a few minor missteps in the show's first year. For some reason it was decided to do a flashback/clips episode at the 3/4 mark of the season. I will admit that the episode is fantastic and actually one of my favorites, but it might have been stronger without the flashbacks. Such things might be necessary when you're trying to create a jumping on point for an arc, but this isn't the case with Dead Like Me -- and the first season was only 14 episodes long; too short to need a recap.

The other problem I have with the show is the apparent use of the "Reset button" between most episodes. The events of one episode do not necessarily carry over into the next. This is very apparent as George appears to forget certain lessons learned in the previous episode on occasion. This is probably a minor quibble as this might not be so apparent if you watch the show in weekly chunks rather than all at once.

On the other hand, Dead Like Me is the first made-for-cable series I have seen that integrates adult language and sex (though the latter is relatively minor) in a way that is not jarring. This is not a kid's show, but I wouldn't have a problem letting a teenager see it.

Dead Like Me is easily the best series of the 2003-2004 television season, with Wonderfalls -- created by the same man -- in a very close 2nd place though it only aired 4 episodes. Dead Like Me deserves all the Emmys it can get.

"Dead Like Me" proves that cynicism, humor, depth, and even compassion can not only co-exist on a single television series, they can actually flourish together. With sharp and witty writing and directing, "Dead Like Me" explores the bizarre world of our working-class grim reapers, the good folks charged with escorting human souls to the afterlife. As the second-lowest level group of bureaucrats in the afterlife system (best not to ask about the lowest), grim reapers must trudge along "popping" the souls of the soon-to-be-departed before they meet their grisly (and, dare I say, often hilarious) ends. And they must also survive, and pay rent, in the living world.

The chief protagonist on the series is George (a.k.a. Georgia), a recently deceased, uber-cynical, 18 year old who just can't seem to resist rebelling against the whole "death" system. Her fellow reapers include an unapologetically opportunistic drug-smuggler, a meter-maid who does a lot more than write parking tickets, a happy-go-lucky pragmatist who has developed a truly macabre taste in photography, and an actress whose resume is surprisingly out of date. And then, of course, there is Rube.

Rube is the would-be foreman of this somewhat strange assemblage of reapers. He is also, arguably, the most sympathetic, complex, and mysterious character on the showâ€'thanks in no small part to the superb acting of Mandy Patinkin. As with the other characters on the show, no amount of space here can really hint at the depth alloted to Rube by the writers and directors of "Dead Like Me" or the skill with which Patinkin explores that depth. Suffice it to say that Rube plays a lot more like a real person (or real undead person) than any mere television contrivance. Rube is more alive as a dead man than any television character from the living world.

The very essence of "Dead Like Me" is, in fact, its willingness to explore not only the bizarre world of the reapers, but also the lives and personalities of the reapers themselves. Undead life has had (and continues to have) some pretty strange effects on these formerly-living reapers, and watching their individual responses to the problems of their bizarre occupation provides much of the humor of the show.

And, not to leave out the living world, the creative minds behind "Dead Like Me," also frequently turn their attention to living characters on the show, from the "soon to be referred to the past tense" reaper clients to the families they leave behind (most notably George's grieving family). Just about any character is subject to being fleshed-out on this show (even dogs and frogs). A minor character named Angus Cook makes a more memorable impression in one episode of "Dead Like Me" (appropriately titled "A. Cook") than most TV series regulars will make in an entire season.

Some have compared "Dead Like Me" with shows like "Buffy the Vampire Slayer" and similar, more pedestrian, fare. But about the only thing Buffy and George have in common is youth and blonde hair. And the only thing the reapers have in common with television vampires is that they've both been around a while. Of course, one of the problems with television vampires is that they never seem to *realize* they've been around a while. They are also generally kind enough to join up with either the "good guys" or "bad guys" teams of the Buffyverse and its ilk, teams which don't exist in the universe of "Dead Like Me."

But you might want to visit the universe of "Dead Like Me" for yourself, and form your own impressions. Just don't stay too long. You might end up with a post-it note and a new job.

Finally a show I can watch and get interested in. Dead Like Me continues to intrigue me through great acting and well written scripts. The whole reaper thing seems to be a sub culture; go to the message boards. There are back and forth discussions about minute details, as if the reapers are real. They aren't, but one can still empathise with these "dead" people. As each reaper grows through life situations (usually sticky) the viewer grows to like each character even more.

Mandy Pantinkin adds a wonderful balance to the whole cast. His character Rube fascinates me. He is secretive, yet he opens himself to emotional attachments with the reapers he "manages." Each of the reapers have their weaknesses and strengths, but like the viewer, they discover them through the crazy situations they find themselves in.

Its on late Sunday night, I'm on the West Coast, but I don't care because the show is the highlight of my Weekend TV viewing. Watch it once and you will be hooked!

This show is easily one of my favorites. Ellen Muth's interpretation of the disaffected, cynical teenager who is forced into sticking to a higher standard is right on. The writers have produced some of the funniest comedy, especially where George's boss Dolores is concerned; a former junkie who has taken home drifters ("passionate lovers", she calls them), who gives no thought to using a Tazer on a courier at the elevator in order to get her incontinent cat to the vet. The dialogue is funny, and hearing what's going on inside George's head while she puts on a smile is more than a little amusing. The show still visits the serious side of things, showing how the Lasses lost a daughter, while George has lost her whole family. Little by little, the audience is fed bits and pieces of information about the lives and deaths of the main characters. Most mysterious is Rube. He has a love-hate relationship with the unseen being who delivers the death lists, and we know only that he had a daughter, and that he attempted to send money to someone named Rosie and her mother back in the 1920's. (The postal service failed to deliver it,unknown to him until 2004.) We can only wait to find out how everyone's lives -and deaths- have played out. This show is absolutely nothing like Six Feet Under, for which I am grateful.